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Thread: The Mike New ETP Platter

  1. #31
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

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    Quote Originally Posted by MartinT View Post
    Yes, it will. Why don't you come over to mine this time?
    Sounds good. A Sunday in December ?
    Fancy trying the Isis against the Ayre too ?
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  2. #32
    Join Date: Apr 2013

    Location: Granes - Haut Vallee de l'aude - EU

    Posts: 2,830
    I'm Richard.

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    Quote Originally Posted by MartinT View Post
    If you caught the point I was making about platter weights and the braking adjustment, the ETP has about the same rotational momentum as the Technics stock platter. I could hear no warble from speed correction artifacts at either speed.
    Cool. I can stop wasting my time listening to far more Frankie Goes to Hollywood (Ferry across the Mersey - 12" 45rpm) than is good for the health at Arthurs factory listening for a warble that manifestly isn't there. The confusion was because the Funk strata and Technics platter, and MN ETP have about the same mass and rotational momentum, but you had reported to Arthur that you could hear a warble at 45rpm on the strata, and actually described hearing constant over correction. You have now changed your mind, and we can move on.

    My personal interest was only in the difference in the materials for my PT, and so listening for warble on a turntable I never plan to own, was a chore on behalf of a mate. I am relieved to be relieved of it

  3. #33
    MartinT Guest

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    Quote Originally Posted by Oldpinkman View Post
    you had reported to Arthur that you could hear a warble at 45rpm on the strata, and actually described hearing constant over correction. You have now changed your mind, and we can move on.
    No Richard, that is not the case at all. I first heard the speed over-correction issue with the Mike New heavy metal platter, more so at 45rpm. I also reported that I could just hear a speed instability with the Mk. II Funk (what you seem to be calling the Strata). Those are both heavy platters, over-stressing the motor correction circuit. I haven't "changed my mind" about anything.

  4. #34
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    So how would you describe the 'Funk sound' in comparison?
    Simply the reverse. The ETP restores the slightly missing upper midrange / lower treble. Therefore the Funk is slightly recessed in that area.

  5. #35
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    Quote Originally Posted by prestonchipfryer View Post
    Marco, I'm sure there is some info, re ETP platter, I put on AoS 18 months or so but I'm blowed if I can locate it.
    yes I remember seeing that John, it may have been in the turntable thread I had running, its not very photogenic though is it,
    a chunk of black thermoplastic to give it it's proper description

    maybe mike could laser etch some pink writing on

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

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    No comment on my post #25, David?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #37
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MikeMusic View Post
    Sounds good. A Sunday in December ?
    Fancy trying the Isis against the Ayre too ?
    Can I play, too?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #38
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by prestonchipfryer View Post
    Marco, I'm sure there is some info, re ETP platter, I put on AoS 18 months or so but I'm blowed if I can locate it.
    I'll have a mooch around the archives, dude, and see if I can find it

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #39
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    Can I play, too?

    Marco.
    Do you have anything interesting ?
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  10. #40
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    Can I play, too?
    I am desperately running out of available dates before Chrimbo. I think it would have to be Sunday 15th Dec - how does that suit you both?

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