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Thread: Magna Audio's custom-made counterweight balance and armboard service!

  1. #261
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,513
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Steve,

    Quote Originally Posted by speedy.steve View Post
    I've been through the 12" arm thing and back again.
    12" arms I tried sound great for bass and highs but lack the drive / get up and go of a 9".
    I concur completely, as those are the results of my own findings. The best 9" arms, quite simply, 'boogie' better. 12" arms may be technically more accurate (they certainly sound smoother), but they sure as hell aren't as much fun to listen to - certainly not to my ears!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #262
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by krugdoktor View Post
    Hi Mike

    the lowest price I could find for the Ortofon TA-110 (which is BTW the only Ortofon tonearm that fits the Techy AND that's currently available) is from this greek seller.
    http://athensproaudio.gr/hi-fi/playe...alance-en.html
    The arm got a great review from Adam Smith (Beobloke).
    http://www.google.com/url?sa=t&rct=j...56343320,d.bGE

    Hope this helps
    Thanks Michael
    So this is a replacement for the 212D.....
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  3. #263
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    Hi Mike,

    Obviously the TA-210 is out, as it's a 12" arm...

    I do rate the new TA-110, and if I were getting one I would buy it from Simon (at Hi-fi Sound in Stockton-on-Tees), where I've bought all my Ortofon 'bits', as he's a top bloke and *may* give you a small discount, most likely if you mention my name

    However, IMO, the RS-212D is the better tonearm (built to a higher, more exacting standard, which includes the 'Dynamic Balance' system that improves tracking - an effect I have tested, and so can confirm its efficacy). However, before ordering it from joynetcafe (whom I've used before and can recommend), I'd check with Simon to see if Henley can still obtain stock.

    If not, I'd go for the brand new RS-212D from joynetcafe - but if you're serious about obtaining this tonearm then I'd bag it ASAP before stocks dry up completely!

    Although, like I said, give Simon a shout first: http://www.hifisound.co.uk/

    Marco.
    Thanks Marco
    £1400 seems like a hell of a price to beat.
    I'll give Simon a nudge.
    I wasn't in a rush until you said they stopped making them !
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  4. #264
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,915
    I'm Steve.

    Default

    Hmm, the TA-110 9" doesn't look like a SPU carrier somehow? Effective mass 3.5g? Headshell mass 15.5g. Plus 0-3g tracking force range.

    My Royal N only came alive once in the FR64s headshell / arm effective mass of the 64s is 35g

    Effective mass data on the 212D seem a bit elusive but the range is 0-4.5g or 0-5g.

    Do I read it then as Ortofon don't have a 9" arm to handle the SPUs they make? Seems odd. Perhaps they have a CW booster?

    Quote Originally Posted by MikeMusic View Post
    Thanks Michael
    So this is a replacement for the 212D.....
    Last edited by Magna Audio; 14-11-2013 at 09:01.
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  5. #265
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

    Default Unipivot Naim Aro on a 1210???

    Quote Originally Posted by Marco View Post
    Hi Steve,



    I concur completely, as those are the results of my own findings. The best 9" arms, quite simply, 'boogie' better. 12" arms may be technically more accurate (they certainly sound smoother), but they sure as hell aren't as much fun to listen to!

    Marco.
    Marco, what would be your gut feeling and wisdom beyond years experience about using a Naim Aro unipivot arm on a highly specced 1210 complete with SS ebony or African hardwood mounting board... Something I would like to try at a future date? At the mo I'm using a modified (AO silver wired, damped) Linn Ekos. I swapped back to this after using a Jelco 750D, which I still own, preferring the Ekos (Akos ). The JellyD is still a very good arm which I will be using on my Modified LP12 (Office system). Avid do, or did, an SME slide fitting to accommodate the Aro which would allow for adjustment and also provide a useful arm clip to hold the Aro in place when not as opposed to the horrible right angle nail that Naim themselves use as an arm rest.
    Ron

  6. #266
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,513
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MikeMusic View Post
    Thanks Marco
    £1400 seems like a hell of a price to beat.
    I'll give Simon a nudge.
    I wasn't in a rush until you said they stopped making them !
    No worries, dude. Don't forget that, being in the UK, Simon is only a quick phone call away, should any problems arise, and he has an excellent relationship with Henley (the UK importers for Ortofon products).

    I've had first-hand experience of his (and Henley's) excellent customer service. You will not have the same level of care or peace of mind by ordering directly from Japan. I'm not saying that joynetcafe wouldn't look after you, but the fact is they're 1000's of miles way and don't have the same infrastructure in place (in terms of handling the sale of Ortofon products), as Hi-fi Sound and/or Henley, so I'd think carefully about that....

    Furthermore, don't forget how much you'll get hammered for tax and import duty, should you buy direct from Japan (and it will be significant, so be sure to factor that into the equation), not to mention the risk of anything getting lost or damaged en-route to you. If Simon can get an RS-212D, he'll simply order it from Henley, and you'll be covered for all eventualities along the way, not to mention, when the arm arrives at Simon's place, it'll be examined and tested before it is sent onto you.

    Therefore, if it were me, I'd have to be saving PLENTY, and I mean plenty, (by ordering it from Japan), for it to outweigh the advantages of going through Simon - *if* he can get you the tonearm in question

    Keep us posted of the outcome!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #267
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    No worries, dude. Don't forget that, being in the UK, Simon is only a quick phone call away, should any problems arise, and he has an excellent relationship with Henley (the UK importers for Ortofon products).

    I've had first-hand experience of his (and Henley's) excellent customer service. You will not have the same level of care or peace of mind by ordering directly from Japan. I'm not saying that joynetcafe wouldn't look after you, but the fact is they're 1000's of miles way and don't have the same infrastructure in place, as Hi-fi Sound and/or Henley, so I'd think carefully about that....

    Furthermore, don't forget how much you'll get hammered for tax and import duty, should you buy direct from Japan (and it will be significant, so be sure to factor that into the equation), not to mention the risk of anything getting lost or damaged en-route to you. If Simon can get an RS-212D, he'll simply order it from Henley, and you'll be covered for all eventualities along the way, not to mention, when the arm arrives at Simon's place, it'll be examined and tested before it is sent onto you.

    Therefore, if it were me, I'd have to be saving PLENTY, and I mean plenty, (by ordering it from Japan), for it to outweigh the advantages of going through Simon - *if* he can get you the tonearm in question

    Keep us posted of the outcome!

    Marco.
    Thanks Marco
    Take a stab at customs duties on £1400
    Remember to stick your finger in the air
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  8. #268
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,513
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Steve,

    Quote Originally Posted by speedy.steve View Post
    Hmm, the TA-110 9" doesn't look like a SPU carrier somehow? Effective mass 3.5g? Headshell mass 15.5g. Plus 0-3g tracking force range.

    My Royal N only came alive once in the FR64s headshell / arm effective mass of the 64s is 35g

    Effective mass data on the 212D seem a bit elusive but the range is 0-4.5g or 0-5g.

    Do I read it then as Ortofon don't have a 9" arm to handle the SPUs they make? Seems odd. Perhaps they have a CW booster?
    Indeed there is (scroll down and see the section regarding installing the 'extra mass ring' for the TA-110): http://www.ortofon.com/products/tonearms/ta-110 Also, 3g VTF is the max that can be achieved, using the stock CW. With the extra mass ring fitted, that will change significantly!

    I wouldn't pay too much attention to the spec for the RS-212D, in terms of mass, as one also has to consider how much mass the grinded wooden headshell adds to the equation, which the SPU is housed within, including the mounting hardware and wires.

    Furthermore, and most importantly, you've heard the 212D, in conjunction with my (then) SPU Classic GM(E), in your own system, when I was down at your place, having my ebony armboard fitted, and if you remember, it didn't exactly sound shabby (or did any sonic evidence exist suggesting a lack of mass)!

    We also compared my T/T, fitted with said arm and cartridge, with your SP10/FR64S/SPU Silver-Meister, if you remember...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #269
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,513
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MikeMusic View Post
    Thanks Marco
    Take a stab at customs duties on £1400
    Remember to stick your finger in the air
    Based on previous experience, I reckon you'd be looking at around £200-250, plus it could be held up in Customs for weeks, especially at this time of year...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #270
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    Based on previous experience, I reckon you'd be looking at around £200-250, plus it could be held up in Customs for weeks, especially at this time of year...

    Marco.
    Thanks Marco. And I won't/can't hold you to that as I know customs make up the rules as they go along
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

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