OK - add 2% antimony to the mix!
OK - add 2% antimony to the mix!
Barry
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
That'll do it!
Haha - you should know. It adds 'weight' to shotgun pellets.
Barry
Hi Barry,
I'm working on one, but I can't get any Osmium.
On a much happier note: I am now communicating with Richard at long last (who looks after my Website) and he has put up the details of my ETP Platter for those that may be interested. These Platters do not have to have any Brass Inserts and can be plain as explained in the description.
Last edited by MartinT; 12-11-2013 at 08:22. Reason: Oops - wrong platter name
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Hi Martin,
Actually I listened to the one with the Brass inserts once or twice but could not discern a great deal of difference between it and the one without them. I produced the ETP Platter in response to people who felt they wanted a less heavy platter, and which would not accentuate the lower frequencies as much, I beleive you were one of those.
The Brass inserts added about 500gms to the weight and some people who got them thought they looked good.
in fact since I personally machine each platter I can in fact customise them to folks personal requirements.
All my Platters have a centrally machined boss/hub which is an integral part of the Platter (see my website). Together with threaded lifting holes.
Some people feel they want to use the platter on it's own, so I machine a label recess for them.
Regarding Mats: I am still using the original soft ribbed silicon Technics mat on my Copper Bonded Platter.
The big advantage is: it presents a nice soft bed for the record and more importantly it is dished by about 2.0mm from the outer edge to the centre, (edge of label area) so it copes beutifully with slightly warped records when using a centre weight.
I think that a 5mm Achromat, bonded firmly to an ETP platter (minus label recess), the same way as is done to a Funk one, would sound great
Looking forward to comparing the ETP to the Funk (MK I), Mike. When are you shipping one out to David, so he can send it onto Martin and me for assessment - or is it already on its way?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Granes - Haut Vallee de l'aude - EU
Posts: 2,830
I'm Richard.