+ Reply to Thread
Page 20 of 55 FirstFirst ... 10181920212230 ... LastLast
Results 191 to 200 of 541

Thread: Alternative platters ?

  1. #191
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    The plan is for all three platters (Funk MK I and MKII, plus an MN ETP) to be at Martin's gaff, sometime before Christmas, where relevant comparisons will be made in his system, using both my T/T and his, and reported in full on the forum.
    I now have the Funk Mk. II hub and platter and will be setting it up for listening tonight when I get home. When I relate my findings, everything I say will be 'IMO'

  2. #192
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

    Default

    Quote Originally Posted by YNWaN View Post
    Yes, I know I can David - the question was rhetorical; but you still haven't clarified what platters are available. You sell his FTP platter, Mike doesn't list it but does list an aluminium and copper one. He also shows, but doesn't otherwise mention, a platter with inserts. The OP question was about what platter options are there - so what platter options does he do?

    1/ Funk Mk1 = solid acrylic platter?
    2/ Funk Mk2 = Achromat and glass laminate platter?
    3/ Just put an Achromat on it
    4/ Put an acrylic mat on it
    5/ put a copper mat on it
    6/ Mike New FTP platter
    7/ Mike new aluminium and copper platter
    8/ Something else he makes?
    ______________

    There is absolutely nothing wrong with performing measurements. I'm not suggesting that one should be a slave to such measurements but they are a useful tool that should be utilised where possible. Platter speed accuracy and rotational constancy is one area that can be measured.
    There is a mike new platter on my website Mark, its made from an engineering thermoplastic hence ETP, its for sale via the UK so no import duty, vat or parcelforce handling fee to pay.

    There is a copper version but I think Mike has stopped making it, he may advise better.

    There is also the ETP platter with brass inserts which I do not list on my site "yet"

    Hope that helps

    P.S You can put the record straight onto the surface of Mike's platter or use a mat, I recommend the Oyaide BR-12

  3. #193
    MartinT Guest

    Default

    Quote Originally Posted by Macca View Post
    I appreciate no-one has sent a bearing back. That implies to me it is at least as good as the exisiting bearing at doing the job it is intended to do, but that is all I glean from it. After going to the trouble of fitting it you would only return it if it actually made things worse. I'd be surprised if it did not improve wow, flutter and noise, or at least one of those parameters. It's the fact that we don't know if it does or not because no-one has measured this when it should have been the first thing done before offering it up for sale.
    There is such thing as mechanical appreciation, which I've said before. You only have to hold the Technics and Mike New bearings in your hand, rotate them, feel the play, look at the housings and you KNOW the MN bearing is going to be better at its job. Listening to them only confirms that initial perception.

  4. #194
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,351
    I'm Martin.

    Default

    Quote Originally Posted by synsei View Post
    An honest to goodness question Martin, if via a demonstration you heard for yourself the improvement the MN bearing can bring to a Techie would you still require a spec sheet?
    In a back to back demo in my own system, 2 identical decks except for the bearing, if I heard a very noticeable improvement straight away then, no, I would not need a spec sheet. Even if it was in an unfamiliar system if the improvement was obvious then I would certainly buy one. You have to appreciate that there is no way I would attempt to fit this myself, which means carting the deck down to the pro shop, waiting a week or so for them to get round to it, collecting the deck, then trying to remember what the deck sounded like pre-modified, then finally, if I decided I didn't think it worth the money, reversing the whole process. Much easier just to look at the measurements.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  5. #195
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MartinT View Post
    I now have the Funk Mk. II hub and platter and will be setting it up for listening tonight when I get home. When I relate my findings, everything I say will be 'IMO'
    Cool - I look forward to it. Btw, have a look through your diary for which Saturday would suit in late November/early December, and we'll sort out a sesh. Hopefully, we'll also have an ETP platter to play with by then!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #196
    synsei Guest

    Default

    Quote Originally Posted by Macca View Post
    In a back to back demo in my own system, 2 identical decks except for the bearing, if I heard a very noticeable improvement straight away then, no, I would not need a spec sheet. Even if it was in an unfamiliar system if the improvement was obvious then I would certainly buy one. You have to appreciate that there is no way I would attempt to fit this myself, which means carting the deck down to the pro shop, waiting a week or so for them to get round to it, collecting the deck, then trying to remember what the deck sounded like pre-modified, then finally, if I decided I didn't think it worth the money, reversing the whole process. Much easier just to look at the measurements.
    Having performed a bearing replacement myself (VA bearing) I can tell you with confidence that it is a doddle to do. If I can do it anyone can...

  7. #197
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    In a back to back demo in my own system, 2 identical decks except for the bearing, if I heard a very noticeable improvement straight away then, no, I would not need a spec sheet. Even if it was in an unfamiliar system if the improvement was obvious then I would certainly buy one. You have to appreciate that there is no way I would attempt to fit this myself, which means carting the deck down to the pro shop, waiting a week or so for them to get round to it, collecting the deck, then trying to remember what the deck sounded like pre-modified, then finally, if I decided I didn't think it worth the money, reversing the whole process. Much easier just to look at the measurements.
    Martin, I'm sure that if it came to it, there would be a few folk here on AoS (some perhaps not too far from you), with the necessary ability to fit an MN bearing for you to your T/T, so don't let that be a reason to stop you from upgrading your stock bearing

    As they say: 'where there's a will, there's a way'

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #198
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MartinT View Post
    There is such thing as mechanical appreciation, which I've said before. You only have to hold the Technics and Mike New bearings in your hand, rotate them, feel the play, look at the housings and you KNOW the MN bearing is going to be better at its job. Listening to them only confirms that initial perception.
    That indeed is the reality...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #199
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,351
    I'm Martin.

    Default

    Quote Originally Posted by MartinT View Post
    There is such thing as mechanical appreciation, which I've said before. You only have to hold the Technics and Mike New bearings in your hand, rotate them, feel the play, look at the housings and you KNOW the MN bearing is going to be better at its job. Listening to them only confirms that initial perception.
    If an item is already doing 100% of the job it is required to do then engineering it some more is a waste of time and money. I'm not suggesting that is the case here but that is a principle that engineers operate on. So although I understand your point it is not a good enough reason alone to make me buy one. I seem to recall that Simon SQ did some measurements on his deck and an SL1200 so if he can do it I don't see what the big stumbling block is here. As I pointed out on another thread, measurements demonstrating the superiority of the replacement bearing would actually increase sales.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #200
    Join Date: May 2010

    Location: Leixlip, Ireland

    Posts: 142
    I'm Martin.

    Default

    Quote Originally Posted by Macca View Post
    After going to the trouble of fitting it you would only return it if it actually made things worse.
    No offence, but at £445 I would expect most people to return it if it didn't make for a significant improvement in percieved sound quality.
    It only takes a few minutes to swap bearings so why would someone part with that amount of cash if they find it offers no improvement?
    Analogue: Technics SL1210 M5G, AN Arm One/II, Blue Angel Mantis MC
    Amps: Devialet 200
    Speakers: Usher Mini 2 Dancer DMD
    Cables: Supra, Mark Grant, Reference Fidelity
    DIY System Audiosector Gainclone, Salas DCB1, AudioSector MC Phono stage

+ Reply to Thread
Page 20 of 55 FirstFirst ... 10181920212230 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •