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Thread: Tisbury Audio Mini Passive Pre-amp

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by User211 View Post
    That said, I'm really enjoying an active valve pre at the mo too... but I know full well it is a "colouration device".
    Nice one, and sometimes that's true, but don't be fooled into thinking that they all are (and the same also applies to valve power amps)...

    If you can exploit the benefits properly in your system, the best valve preamps simply act as open windows onto the musical programme and give real 'balls' and openness to the sonic presentation, not to mention musical insight, that no passive pre I've heard *so far* (and I've heard a few, although not the Tisbury) can match.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    Join Date: Feb 2011

    Location: Troon

    Posts: 2,439
    I'm tony.

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    Marco,
    It would be very interesting to get your evaluation of the wee Tisbury in your resolved set up...they do a 30 day return policy.....go on, you know you want to!!!!!

  3. #43
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,286
    I'm Justin.

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    Quote Originally Posted by Marco View Post
    Nice one, and sometimes that's true, but don't be fooled into thinking that they all are (and the same also applies to valve power amps)...

    If you can exploit the benefits properly in your system, the best valve preamps simply act as open windows onto the musical programme and give real 'balls' and openness to the sonic presentation, not to mention musical insight, that no passive pre I've heard *so far* (and I've heard a few, although not the Tisbury) can match.

    Marco.
    I agree with Paul's explanation.

    Anyway, Marco, I had suspected it but now I know. This sytem was yours:



    Jerry probably remembers me saying I thought that was one of the best at Scalford 2011. The 66s were truly excellent and love the Tube Distinctions amp. I'd listen to those 66s over any commercial Tannoys I've heard TBH. Loved 'em.

    Hey... and it is a pimped Techie playing...

  4. #44
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,286
    I'm Justin.

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    Quote Originally Posted by jandl100 View Post
    It's worth bearing in mind that all passive preamps are not born equal in terms of sound quality. A lot depends on the quality of the volume control. It seems to me that the Tisbury is a good'un for not much £moolah.

    I'll be a-visiting with Justin User211 this weekend, and I may just take the Tisbury along to see how it compares with his Air Tight passive.
    Hm Battle of the Potentiometers

    Actually I had hoped the new Emission Labs 274Bs would turn up for the session. They've been posted but unless they show tomoz...

    There's a chance Nick might show up too Jerry. Might have space if an AoS member wants to hear some refurbished Apogees... only space for one though.

  5. #45
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by User211 View Post
    Anyway, Marco, I had suspected it but now I know. This sytem was yours: https://www.youtube.com/watch?v=odlrzwQekoM

    Jerry probably remembers me saying I thought that was one of the best at Scalford 2011. The 66s were truly excellent and love the Tube Distinctions amp. I'd listen to those 66s over any commercial Tannoys I've heard TBH. Loved 'em.

    Hey... and it is a pimped Techie playing...
    Hi Justin,

    Glad you liked it. It was the AoS system for that year (although most of the kit was mine). We got a lot of positive feedback from people after we did that show, so the effort was worth it. Trust me, we were at it for hours on the Saturday night (and into Sunday morning), tuning and adjusting the sound to get it right and overcome, as best as possible, the shocking room acoustics!

    Yeah the pimped Techy was doing its stuff, going through the phono stage of my "colouration device", lol... The T/T sounded good then, but has moved into another sonic league entirely since! Maybe still not as good as a Gyrodec, though...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #46
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by wee tee cee View Post
    Marco,
    It would be very interesting to get your evaluation of the wee Tisbury in your resolved set up...they do a 30 day return policy.....go on, you know you want to!!!!!
    Hi Tony,

    Thanks for the suggestion, mate, but I'm not in the habit of buying stuff just to test and then sending it back to get a refund, thus wasting the seller's time, even though they offer a 30-day money back guarantee. It's not how I operate, dude. I only buy something if I genuinely want it.

    However, if someone who owns one, wants to send me a Tisbury, I'll gladly try it my system and have a listen, then report my findings here

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #47
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Quote Originally Posted by Marco View Post
    ..... However, if someone who owns one, wants to send me a Tisbury, I'll gladly try it my system and have a listen, then report my findings here

    Marco.
    Looks like I may be borrow-swapping an active pre with Justin this weekend - if the new one is listenable chez-J, mayhap I can pop the Tizzie in the post to Marco for a day or two's listening.
    .

  8. #48
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sure, Jerry, by all means

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #49
    Join Date: Nov 2011

    Location: fuck off

    Posts: 2,030
    I'm fuckoff.

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    This will be interesting

  10. #50
    Join Date: Feb 2011

    Location: Troon

    Posts: 2,439
    I'm tony.

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    Hopefully you can get the chance to hear Jerries in your set up, if not I will post mine to you later in the year when I can get away on holiday.

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