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Thread: Choosing the 'best' turntable and ignoring 'flavours'

  1. #41
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    Nice new avatar Dave!
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  2. #42
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    I remember that evening very well. Changed my life it did
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  3. #43
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,457
    I'm AudioAl'sArbiterForPISHANTO.

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    Well, that's the Technics SL1210 out then... just look at all the 'additives' in needs just to taste nice!
    Indeed, Mikey, but since the reference in this discussion is a modified 1210, not a standard one, your point although correct, is moot

    Marco.

    P.S Shaun, the only plastic on a 1210 is in the lid!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #44
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

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    Quote Originally Posted by DSJR View Post
    HiFi Dave, I know EXACTLY who you're talking about, and it's the two I had in mind also (phew!!!!! - my reputation's intact - what's left of it...... )

    I thought the Cirkus LP12 was a huge improvement, but the sound "darkened" quite noticeably to my ears. The ARO/Geddon made the thing sound like it did in the seventies (a positive step backwards IMO) and I never got to hear one with the Nima, which I think would have been a good match. Like I said, the Spacedeck trounced it anyway (Marco, I know you love the SL1200 series very much, but Tom Fletcher just seems to have a "feel" for what's right in engineering (if not production finish) and his "right" is just so much better than most others IMO and the sound produced by his designs, which are almost immune to what they're located on, is excellent in all the "Linn" areas. Mention an NAS on the Naim forum and one is summarily dismissed as only the "South Midlands Guru" can set up an LP12 properly and any other deck set up by anyone else is inferior.....
    What a load off Crap anyone(with lots of TT setup experience)can set up a Linn, heck it was my first. I see Dave from your Avatar you don't have a Linn Jig....that rules you out of the game

    One of the best vinyl sounds from the past was a Notingham Mentor Reference which I heard at Vinyl Tube Audio in London WOW.

    I should have said that despite that Linn being very good I would not have had the gift of it. Don't shoot me...


    Regards D S D L
    Last edited by Spectral Morn; 02-04-2009 at 18:07.
    Regards Neil

  5. #45
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    I like orchestral & piano music. Can someone explain why a turntable that can't play either very well should even be considered as a reference point when there are so many around that will?

  6. #46
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

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    Hi Guy



    ?



    Regards D S D L
    Regards Neil

  7. #47
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Quote Originally Posted by Marco View Post
    Indeed, Mikey, but since the reference in this discussion is a modified 1210, not a standard one, your point although correct, is moot
    Yes, modified by adding, err, 'additives'!

    I'm unsure what 'issue' this thread is intended to get to the bottom of TBH!

    Are we striving for 'flavours' with our turntable choices or simply the revealing of what's on the record with minimal 'artificial additives'?
    Hmmm, my opinion would be 'who cares? it's all about getting the most enjoyment'! If that means adding extra salt to suit my palate, then so be it!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  8. #48
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    Would a 20 band graphic equaliser to add a bit of oomph count as well ??
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  9. #49
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,457
    I'm AudioAl'sArbiterForPISHANTO.

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    Marco, I know you love the SL1200 series very much...
    Dave, nope, correction... I LOVE whatever turntable reproduces the music I LOVE most on vinyl without being aware of the turntable!

    *So far* outside of an EMT or SP10, a modified SL-1210 is the only turntable I've heard which allows me to do that. "Love" will always be reserved for the enjoyment of my favourite music, not the turntable which aids the listening process.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #50
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

    Default

    Hi Guy, ya'll right ?

    Which turntable are you talking about ? You've lost me.

    Sorry about using the 'smiley' but Marco told me to use them whenever I can and I'm obeying orders.

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