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Thread: Bargains on ebay?

  1. #4731
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Hi Joe
    I don't wanna be negative against yourself & Marco but i totally don't like these cartridges..

  2. #4732
    Join Date: Aug 2010

    Location: Torquay, Devon.

    Posts: 5,683
    I'm Shane.

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    Quote Originally Posted by Marco View Post
    Sorry, Geoff, I completely disagree! Maybe you were using it on the wrong arm and with a phono stage that didn't sufficiently optimise its strengths? Do you think I'd entertain using one in a system like mine if it weren't any good?

    Get Dom, from NWA, to re-tip a G800 and/or fit a high-quality cantilever, and you've got a high-end audiophile bargain, which is much better than ANY Shure, save perhaps an M3D, unless you prefer the rather soulless and 'toppy' sound of most modern MM cartridges!

    Marco.
    Nice cartridge!!

  3. #4733
    Join Date: Sep 2009

    Location: Derbyshire

    Posts: 9,351
    I'm Josie.

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    Quote Originally Posted by Rare Bird View Post
    Hi Joe
    I don't wanna be negative against yourself & Marco but i totally don't like these cartridges..
    That's ok mate... each to their own n all that. But with a new stylus they really do sound great... A bargain.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

    Tannoyista.com
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  4. #4734
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Rare Bird View Post
    Hi Joe
    I don't wanna be negative against yourself & Marco but i totally don't like these cartridges..
    But, dude, you haven't heard one with a re-tip and/or a better cantilever. Or do you mean instead: "I totally don't like these cartridges in stock form"?

    If so, I have no problem with that. Suitably modified, however, they are a different animal..............

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #4735
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,612
    I'm Geoff.

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    Quote Originally Posted by Marco View Post
    Sorry, Geoff, I completely disagree! Maybe you were using it on the wrong arm and with a phono stage that didn't sufficiently optimise its strengths? Do you think I'd entertain using one in a system like mine if it weren't any good? Marco.
    Well Marco, I used one recently and still wasn't impressed, my impression is that the sound is lacking detail and is a bit weak in character, lacking weight. I've tried them in various setups and it makes little difference. They were standard fare back in the days of the dreaded Garrard SP25 Mk.III and were regarded as little better than the G850, mind you, if you were really skint you bought the M3D, which was about a fiver in the seventies. If you had a better TT you generally aimed for a Shure M75E.

    The G800 Super E was much better than the base G800 though, the elliptical tip certainly helped.

    Back in those days I found ADC to easily outclass any non MC cartridge apart from Deccas. I still have my ADCs, they're getting harder to come across and sound amazing (ask Andr'e).

  6. #4736
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by walpurgis View Post
    Well Marco, I used one recently and still wasn't impressed, my impression is that the sound is lacking detail and is a bit weak in character, lacking weight.
    Lol... Well it sounds NOTHING like that in my system (almost the complete opposite), so what does that tell you...?

    If I'd heard it sound as you've described, it'd have put it in the bin, rather than on the end of my £2100 Ortofon tonearm!!

    The G800 Super E was much better than the base G800 though, the elliptical tip certainly helped.
    Indeed, so what do you think happens when you re-tip a stock G800 with something better than an elliptical stylus, as someone like Dom can do very easily, and/or fit it with a superior cantilever? Answer: you end up with a cartridge that outperforms almost ANY moving-magnet design made today, and most probably at less cost. Honestly, Geoff, I know what I'm talking about here!

    The G800 is rather like the venerable DL-103: a brilliant cartridge hampered by a mediocre stylus (and in the case of the 103, also a crap body-shell).

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #4737
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,612
    I'm Geoff.

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    Makes you wonder what an ADC 10E Mk.IV would sound like with a Boron cantilever and fine line tip.

  8. #4738
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    PRECISELY... It's called combining the BEST of old and new technologies, in order to get the BEST of both worlds! My entire system has been (very successfully) built around that concept!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #4739
    Join Date: Jan 2011

    Location: Kent

    Posts: 1,357
    I'm Clark.

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    Quote Originally Posted by Beechwoods View Post
    Hmm, it describes it as stunning, yet states that 'due the age of this type of equipment it's being. "Sold as seen with no refunds or returns"'.

    £1500 for what could be DOA? Are the bits worth that much?
    The transformers and choke alone probably are as they are very high quality and are built like battleships, unlike those found in quads and leaks

  10. #4740
    Join Date: Sep 2009

    Location: Derbyshire

    Posts: 9,351
    I'm Josie.

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    Quote Originally Posted by walpurgis View Post
    Well Marco, I used one recently and still wasn't impressed, my impression is that the sound is lacking detail and is a bit weak in character, lacking weight. I've tried them in various setups and it makes little difference. They were standard fare back in the days of the dreaded Garrard SP25 Mk.III and were regarded as little better than the G850, mind you, if you were really skint you bought the M3D, which was about a fiver in the seventies. If you had a better TT you generally aimed for a Shure M75E.

    The G800 Super E was much better than the base G800 though, the elliptical tip certainly helped.

    Back in those days I found ADC to easily outclass any non MC cartridge apart from Deccas. I still have my ADCs, they're getting harder to come across and sound amazing (ask Andr'e).
    Hm... Well we have different systems but I have to say that I don't like anything that lacks weight and detail as it's those characteristics that gives presence and clout so maybe you didn't set it up correctly maybe?
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

    Tannoyista.com
    - Audio Equipment Reviews
    Facebook

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