TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
An engineer would, which is precisely why Albarry and LFD appeal to me (it was a choice between the M608 and PA2M SE for me, I went for the LFD)... these guys are not marketers & although the products are quite expensive and the websites a bit idiosyncratic you get the reassurance that they are hand built by the actual designers in the UK... have you seen the Helius website?! Stunning tonearms though...
It's the same reason I had some much confidence in buying my Audial Model S DAC... had I believed the marketing comparable products come from the likes of Audio Note and Zanden's top-end DACs, which are horrifically overpriced...
Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.
If a company is trying to appeal to to a mass market then it needs slick marketing.
Selling to specialist hobbyists in a small market is another story. Indeed being too slick could be a turn-off for some.
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Location: SE London
Posts: 501
I'm Andrew.
The preamps that I've tried all obeys that demand, but apart from the very different personalities of the preamps, the differences in gain are very significant and seem to contribute inordinately to the sonic personality. The difficulty I'm having is working out a well matched gain structure for the system as a whole.
Hi,
That is true. The distance selling regs of 2000 allow at least 7 days cool off period. It can be even up to 30 days.
http://www.onlineshoppingrights.co.u...gulations.html
Dean
There are only two types of music. Music I own and music I don't.
Location: SE London
Posts: 501
I'm Andrew.
It's a shame that there aren't more people with experience of Albarry to share. I hope that will change over the next year or so. But there must be more old M408 users out there with things to say, surely?
Off-topic posts have now been moved to here: http://theartofsound.net/forum/showthread.php?t=19554
This thread is now strictly about Albarry amps and their functionality/sonic prowess thereof.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Ramsbottom
Posts: 637
I'm Alan.
I agree with you Simon, I went to Whittlebury and heard the Albarry dem, it was OK with some kinds of music but not so with others, the room wasn't good and I thought maybe the speakers were a bit too big for that room.
I hope you get the chance to hear them in a better environment, or maybe hear them at home.
The trick with Albarry's is to leave them switched ON, permanently, my M408's have been on for 25 years and they are still exciting.
Enjoy your music
regards Al
My system,
Cartridges Lyra Delos, Audio Technica AT33EVmc, AT 24 mm
Turntable Thorens TD 124 Mk2, in a Jim Campbel plinth,Audio Technica 1503 Mk3 arm
CD player Technics SL-PG490
Cassette deck Yamaha KX 530
Moving Coil Amp Albarry MCA 11
Pre-amplifier Albarry AP 11 (battery powered)
Power amps Albarry M1108 Mono-blocs
Speakers Allison 3 Corner units, Allison 6 stand mounted cubes
Interconnects AVT Matrix 6 and OFC short ones
Mains distribution Music Works Recoil 6 gang and mains leads
Tables MusicWorks ReVo acrylic stand, Quadraspire Acrylic shelves (cryo'd legs) acrylic Response Mini under mains block.
Speaker cable Chord Rumour (Cryo'd)
RCM Okki Nokki
https://www.facebook.com/groups/1586...homepage_panel
The 608's sound fine from switch-on and don't need warming up to any great degree. can't speak for the preamp though and I need more exposure to it to form a positive opinion. With the much cheaper Croft 25 or 25R, the 608's sing straight away to my ears...
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Deleted
Posts: 6,566
I'm Deleted.
I also attended Whittlebury and heard the Albarry demo; I'm afraid I wasn't convinced. Perhaps it was the Tannoy speakers (which I hadn't heard before), or the CD source. Whatever the reason, I look forward to a better dem and the opportunity to hear them performing as others have described.
Account Deleted