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Thread: Confronting your own realities...

  1. #131
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    At the moment I am going through a period in which I am really happy with my sounds I am not sure if this is psychological or is it just having the whole synergy of the system right; even on my digital side which is not so exotic and quite basic everything is just sounding right.
    Last edited by John; 28-01-2009 at 21:16.
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  2. #132
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    At the moment I am going through a period in which I am really happy with my sounds I am not sure if this is psychological or is it just having the whole synergy of the system right
    I think that's a really important consideration in building a truly musically rewarding system and not enough people pay serious enough attention to it, IMO.

    A collection of disparate 'bargain' boxes bought on Ebay is unlikely to create a synergistically-matched system; carefully considered and partnered equipment and ancillaries thoroughly auditioned beforehand is...

    Unfortunately everyone wants a 'quick fix' and doesn't have the patience or dedication necessary for 'the long game'.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #133
    Join Date: Feb 2009

    Location: Bungalow

    Posts: 13

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    Quote Originally Posted by Marco View Post

    Unfortunately everyone wants a 'quick fix' and doesn't have the patience or dedication necessary for 'the long game'.

    Marco.

    Really ??
    bis pueri senes !

  4. #134
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Sorry, I should have said 'most' people. It's certainly the evidence I often see displayed

    We tend to be quite the opposite here on AOS.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #135
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Well I'm very happy with my ancient inherited system and feel it would cost a small fortune to significantly better it in any way. I certainly don't like having to turn the music off and do something else at the moment.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #136
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    So I gather, Dave. I believe that you've developed a love affair with some Crowns?

    Marco.

    P.S Word on the grapevine (from a reliable source) tells me that Glenn is just about ready to introduce his new range of equipment to the market
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #137
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

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    From The Grave

  8. #138
    Join Date: Jan 2011

    Location: Eastern, US

    Posts: 2,027
    I'm afesteringvinylphile.

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    I started building for very basic reasons. I was tired of replacing/re-buying chain store crap that didn't last much longer than a few years. I did not want to pay exorbitant prices for (anything really, including) high-end gear; especially, if it was not worthy of it's asking price. I wanted gear that sounded awesome. I wanted gear that I could fix if it broke; gear that was fixable and not throw away; gear that most likely wouldn't need fixing (just periodic maintenance). That was the beginning of the journey.

    I live by the "measure twice, cut once" rule. I spend copious amounts of time researching before I ever undertake a project/build. Because, when the project/build is complete, I really do not want to revisit it. I don't want to have to hunt down a cold solder joint. It should turn on. The voltages should be within range. And, the gear should do it's thing, so I can listen to the music. Endless tweaking holds no appeal for me. Case in point, the upgrades for my Bottlehead gear have remained in the box since I got them, almost two years now. They sound great stock. I'm in no hurry. Eventually, maybe.

    I used the same approach on the 1500MK2 re-plinth project. I spent weeks just thinking about it. I spent a few more weeks measuring and re-measuring and plugging those measurements into CAD and then rechecking. The last thing I wanted was to get the plinth home from the CNC shop and have it not be right! It was right. So... done. I may get some BDR cones for it at some point; but, that's about it.

    I'm not saying I never upgrade; but, I apply the same principle. Copious research. Apply the upgrade. Be done. Listen to music. I purposefully do not clutter my schedule with projects; because, that leaves me little time for critical music listening enjoyment. That would be a big problem. Spending so much money on tweaks that there is little left to by boat loads of vinyl would also be a huge problem. My musical enjoyment does not come from listening to music in the background while working on gear. In fact, the only problem I have now, is spending too much time on the internet and not enough time with the cans on, eyes closed.
    Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
    But music (melodies, harmonies, rhythms), that's God stuff.
    Always was. Always will be.


    One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.

    (silent) VINYL LP SLIDESHOWS

  9. #139
    MartinT Guest

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    Talking to people yesterday at the Scalford show, it was very clear to me that music came first. There was clear enjoyment of the tracks played, discussion of singers, groups and musical styles and I was pleased to hear classical demo'd as well as modern. Whether a large or small budget was available, everyone was trying to get the best sound for their pound of expense.

    I think perhaps the cliche of a rich bloke with his £100k bijou system and a collection of 10 discs is overstated?

  10. #140
    Join Date: Sep 2008

    Location: West Lancashire

    Posts: 620
    I'm Lucky.

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    I've got to be really honest and say I love the kit almost as much as the music. Wouldnt choose to be without either. Not for a second.

    My life, my hobby, my rules. Dont give a flying one what anyone else thinks of my priorities.
    The Man with the suit and the pace. Knee deep in the dead.

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