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Thread: Funk SL-1200 Platter & Arm

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    All valid observations, Michael.

    However, in order to get a proper handle on where I'm coming from, you need to hear a direct comparison between the MN aluminium platter and the Funk and/or (perhaps) Mike's 'Engineering Thermo Plastic' platter.

    It's a no-brainer going from the stock platter to the MN aluminium one, so in that respect, I concur with your observations

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Quote Originally Posted by krugdoktor View Post
    All I can say is that the "tune playing ability" and the timing were massively improved when I switched from the original platter which was perfectly damped by the SDS isoplatmat (worked amazingly well despite being quite light) to the MN-platter.
    My Techy with MN bearing, MN platter, SME V and EMT JSD6 is the best thing I've ever had (Technics Q2, Audio Linear 4001, Ariston RD 40, Sondek, Well Tempered Reference, Thorens TD 738 were the other ones).
    Maybe there is some synergy in my system because the QUAD 57 are not exactly bass monsters and the bass was also improved by the MN platter which could be too much for other speakers?
    The Thorens TD 738 is more or less identical to an EMT 938 and the DD-EMT's rely on a very powerful motor combined with a very light platter so the resulting sound should be ideal but I can assure you it wasn't! It was far from bad (and a whole lot better than the diverse rubber-banders) but still the Techy is the one which makes me dance
    Michael
    The bottom line is if you think it's better ,then it is better ! All I was trying to point out was the way a DD system works is not quite the same as ye olde belt drive , perhaps others can explain it better but simply putting a high mass platter on a 1200 does not mean you will get better or more presise rotation .

    It's just not that simple , that's all but enjoy your deck I'm sure it's marvelous
    Chris

    We've gone on holiday by mistake !

  3. #43
    Join Date: Sep 2010

    Location: Vienna

    Posts: 177
    I'm Michael.

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    Sorry, didn't want to upset anybody. Of course I didn't make a valid comparison between the FF and the MN platter (t'aint easy in Austria!).
    My thoughts are a comparison between high-mass and low-mass platter.
    I always thought that the superiority of the (acrylic) FF and the (thermoplastic) MN platter is the better damping, because even the copper-ally-platter is not completely acoustically inert (in reality NOTHING is!). The "plastic"-platters do have a quite different resonance characteristic which suits some systems more, as always the proof is in the listening!
    BTW even the resonance of the feet and the support will be affected by a higher mass.
    Isn't the SP10/mk3 a high mass platter design?

    Michael

  4. #44
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    The SP10 mk3 is a high mass platter design but the motor and PLL is entirely different and designed to cope with the higher mass , the mk2 is in fact very different again being a closed motor design , where the magnet/Rotor is not part of the platter like the 1200 , the mk2 platter weighs 2.9 kilos .
    Chris

    We've gone on holiday by mistake !

  5. #45
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    Quote Originally Posted by chris@panteg View Post
    The SP10 mk3 is a high mass platter design but the motor and PLL is entirely different and designed to cope with the higher mass , the mk2 is in fact very different again being a closed motor design , where the magnet/Rotor is not part of the platter like the 1200 , the mk2 platter weighs 2.9 kilos .
    It is a part of the inner platter that the outer platter gets bolted to.

  6. #46
    Join Date: Aug 2008

    Location: London

    Posts: 2,410
    I'm Nat-andthat'swhyIdrink.

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    Much more too it than mass - much about how the equal and opposite vibrations from the groove/stylus are handles. If they don't leave the vinyl through a well matched interface and then disapated or absorbed, there's a real effect of these vibrations coming back to the stylus and causing smearing or resonances etc.

    That effects perception of timing or giving more energy to parts of the spectrum etc etc.

    I'm talking platter mats here rather than control systems - that is probably about keeping with design specs..

  7. #47
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Thanks Guy

    Yes and with the mk3 the platter/magnet are integral like the SL1200 mk2 which is known as an open design.
    Chris

    We've gone on holiday by mistake !

  8. #48
    Join Date: Mar 2012

    Location: London

    Posts: 262
    I'm david.

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    Chris

    Since you have the Vantage platter and have heard the FF one are you able to comment on how they compare?

    Thanks
    System:

    SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers

  9. #49
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Quote Originally Posted by indus View Post
    Chris

    Since you have the Vantage platter and have heard the FF one are you able to comment on how they compare?

    Thanks
    No I'm afraid I can't make any meaningful comments about the Funk ! It was too brief and with a different arm and cart , what I heard sounded very good ! I'm just very happy with the Vantaged platter as it is .
    Chris

    We've gone on holiday by mistake !

  10. #50
    Join Date: Sep 2010

    Location: Vienna

    Posts: 177
    I'm Michael.

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    Poor David, there is no definite conclusion, because I think nobody heard all available platter variations, and if, there is no clear answer what is "better" under all circumstances.
    As with all things audio only the listener can decide if he likes the sound or not. There was an interesting article in LP-Magazin (Germany) a few months ago where the editor referred to his findings at an audio show and was amazed that different audiophiles he knows and trusts, rated some demonstrations completely different .
    There is no "truth" in audio!
    Michael

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