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Thread: Could this be a 'giant-killing' tonearm cable?

  1. #341
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

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    Top ones, daftee. There's no difference, as far as I'm aware, apart from the barrel construction

    You should stock them as, IMO, they're one of the best RCAs money can buy.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #342
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    I do stock them dude, here you go, you were harping on about WBT so have you now decided Eichmann are better? I have the eichmanns on my ultimate interconnects had them on from day one, excellent connectors, the photos I posted are metal bodied and polymer bodied and yes you are correct the rest is the same pure silver pins.

  3. #343
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    The eichmanns in situ................


  4. #344
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Mains Cables R Us View Post
    I do stock them dude, here you go, you were harping on about WBT so have you now decided Eichmann are better? I have the eichmanns on my ultimate interconnects had them on from day one, excellent connectors, the photos I posted are metal bodied and polymer bodied and yes you are correct the rest is the same pure silver pins.
    No worries... I didn't realise that you stocked them. Now that I know, I'll link to your site, instead of elsewhere, when recommending them

    Nope, I haven't decided that they're better than the WBTs, simply because I haven't done an A/B comparison. I just decided to give the Eichmanns a go, for a change, when I ordered my tonearm cable from Yannis, and their combination with the Furutech CF-DIN(R) was formidable!

    Having worked with both the WBTs and Eichmanns, of both designs, which would you say made the most 'sense', if you see what I mean?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #345
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,794
    I'm Andrew.

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    Quote Originally Posted by Mains Cables R Us View Post
    Is it these



    or these?



    just curious chief
    I have the eti versions fitted

    Quote Originally Posted by MartinT View Post
    Thanks, Andy. Is that standard for the SPD-4 or special? I can't get to grips with what is standard - you see, if the cable is different and also the connectors, it's not really an SPD-4 any more.
    Yes mine is a little different to t he stock spd 4 as I had it designed for maximum detail retrieval and I wanted it to sound as forensic as possible I want to hear wants on the record rather than glossed over crap. So it should sound very very nice and clinical on your system which I believe is quite a revealing system
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  6. #346
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    I use Eichmann's and I must say I really rate them. In concept they are a simple design, but nevertheless they are very effective. Essentially they do much the same, mechanically, as the WBT's - they have a single pressure point for the return (the difference being that the WBT uses a collet to secure the contact and the Eichmann uses the flexibility of the plastic. I've complained recently about plugs that make gentle or intermittent contact - the Eichmann's always give firm, secure contact. I've read people say that they are difficult to solder but I have found them very easy to solder and in some ways they are the most purist design.
    Account Deleted

  7. #347
    MartinT Guest

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    I've ordered a set of four WBTs (0110Ag) for my TQ Phono cable. I like both them and the Eichmanns but chose WBTs based only on the locking collar since the cable is heavy.

  8. #348
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

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    Chaps,

    I now have the SPD-4, in my mits, so comparisons will be made with it over the next few days, with both the stock 423.5 Phono Litz, and the special version, with Furutech and Eichmann connectors fitted.

    Stay tuned for what are sure to be some very interesting results!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #349
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

    Default

    Quote Originally Posted by Marco View Post
    Chaps,

    I now have the SPD-4, in my mits, so comparisons will be made with it over the next few days, with both the stock 423.5 Phono Litz, and the special version, with Furutech and Eichmann connectors fitted.

    Stay tuned for what are sure to be some very interesting results!

    Marco.
    You have a seriously dedicated postman looking at the time
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  10. #350
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - it came this morning, dude... I've been out for most of the day

    I just wanted folks to know (particularly Martin, lol) that I've now got it in my possession, for full evaluation!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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