Who's not to say that the person who drops a lot of cash on a system are not bigger music lovers than people that like to tinker.
Either way does it matter!
Location: Devon
Posts: 1,903
I'm stu.
Who's not to say that the person who drops a lot of cash on a system are not bigger music lovers than people that like to tinker.
Either way does it matter!
301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach
I didn't mention anything about who's the better lover
I talked about pride of ownership.
Would you be more proud of a kit car or whatever that you built yourself, or one you bought from a car showroom?
I think it stands to reason that it would logically be the DIY car that would give you greater pride in ownership as you did the work yourself...
I find that people that can simply drop a big wedge on any purchase they like tend to know the cost of everything, but at the end of the day they also tend to know the value of nothing.
Bests, Mark
"We must believe in free will. We have no choice"Isaac Bashevis Singer
Hi Peter,
I completely agree. Why do you think I continually give the middle finger to those with that type of mentality, and who have vested interests to protect?There are many out there that will douse the 1200 camp. Some will do it because they are involved with the industry and retailers do not sell the modded. If the reviewers did, then they would be supporting the "buy it direct from the cottage" and where would their advertising come from? Sometimes though, it can be out of confusion or worse still, arrogance.
One of the things I enjoy most about championing the Techy is I know that, with the influence of a large and popular site like AoS, the word gets out there pretty quickly in Internet land - and it stays there - and so acts continually as 'one in the eye' for those, who for commercial reasons, would rather see the Techy disappear into the sunset...
The concept of taking a basic SL-1200/1210, and modifying it to become something rather special, is becoming more popular with the enthusiast T/T market all the time, as more and more people hear about it, and so try that route for themselves. AoS will continue to be at the forefront of promoting that concept, so the folk with agendas can go and take a hike!
That's what a forum like this is for. If one takes the trouble to read through threads, one gets to know who's opinions are based on genuine experience, and thus have validity and are worth considering, or the 'wafflers', who simply invent things to justify their own position, and ultimately therefore who, amongst the assembled membership, are on our own wavelength.As there is a car analogy, here comes my spanner.
Modding anything will always give different results, whether the engine, suspension or bodywork. The product will get further away from the original. The Porsche in standard stock form is a known result. By spending a lot on mods to any car will take it off in a different direction than nthe initial performance criteria. (No pun intended) Some better, some worse.
The problem with 1200's and modding as I see it, is that there are variations of SL1210, plus by mixing the pieces (several each of the following)
Mats
Platters
Bearings
Power Supplies
Arms
the end result will not be the same. There would be a terrific number of variant SL1210's. Which route to go down?
There are people whose opinions here I trust enough to audition equipment, which they recommend, without hesitation, providing of course that said equipment interests me sufficiently in the first place.
For me, that's what proper audio communities are about: sharing experiences and learning from each other to our mutual benefit, not the willy-waving, tedious point-scoring and endless, circular diatribe about 'what science can and can't prove’ in audio, and the intolerant behaviour towards each other shown by those from their respective 'camps', as is often seen elsewhere.
Sadly, pfm is currently being infected with this disease, simply by allowing a minority of vocal 'objectivists' (who really offer little constructive input and are there simply to justify their own dogma) to take over the place. I really do hope that Tony and his team nip it in the bud soon, or pfm could slowly go the way of the old Zerogain forum, or turn into Wigwam MKII. Anyway, I digress...
That's a great idea! Perhaps that’s something for The Library to consider?There already may exist on this forum a chart with two possible avenues to go down, but I am unaware of it. This would help people to mod their 1200 in a logical path knowing the final outcome.
Me too! It's also another valid point. I firmly believe that people shun going down the modded Techy route, simply because they can't be arsed with the fiddling. Like you say, they want "plonk & play".Whether you are a "Hot Rodder" or a "Plonk & Player", there are always going to be different opinions. Personally, I am a P&Per because the final result is consistency, however, at heart I am a rodder when I see a weakness in the basics.
What, however, if they had a tried and tested 'solution' to buy into in one hit, based on their available budget? If that were the case, I think that more people would be inclined to give it a go. Various tried and tested options, outlined accordingly in The Library (or as a 'sticky' thread in Analogue Art), in 'black & white', as it were, might just be the ticket!
Most interesting... I'll bear that in mind!BTW If someone with the tech skills wants to rip apart a 1210 to be left with the guts, I can supply the slate cut platform for the exercise. A total rebuild from the ground up resulting in a SL2100
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I've read all this with interest.
There are, of course, many paths to righteousness, but one proposed by (what I first read as) The Vinyl Antichrist, is probably, on balance, not the one to take.
However, I am with those who say 'this is only hi-fi' FFS. We each do our own thing, so move along, there . . . life's too short for inconsequential spats.![]()
Location: Devon
Posts: 1,903
I'm stu.
Location: Somewhere
Posts: 1,863
I'm Paul.
I'm sorry, but I just don't see what you are getting at
Why do you keep pressing me on who is the biggest lover of music? That is in no way the question brought up by the OP & nothing I have typed has brought this into question.
It's simply unanswerable if you think about it. How do you measure who loves music more?
Therefore it's not even worth bringing up surely?
Bests, Mark
"We must believe in free will. We have no choice"Isaac Bashevis Singer
I think he basically (as Mark says) is not into tweaking which is fair enough. Each to their own
There are a few DD being made Brinkmann Teres and Grand Prix Audio Monaco
What Marco and co have done is blazzed a PATH that others may choose to follow
For their 3 choices to really good sounding turntable
DD if the power supply is clean and motor is stable
A heavy mass belt drive
A well sorted Idlier/rim drive
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Indeed, John - and what do those T/Ts cost, in comparison to a fully 'tricked out' Techy?
As an example, my own T/T has cost me so far in the region of £5.5k, which includes the original purchase price of a brand new MK5G, from the States.
However... £2100 of that is from the cost of my new Ortofon tonearm! That brings the bill down to £3.4k.
The fact is, it doesn't take fitting an 'exotic' tonearm to turn the Techy into a genuine high-end T/T. It's sorting the T/T out properly, so that one hears the true capability of the motor unit, which matters most. The same could be achieved by using, say, a Jelco 750, with all the existing, more fundamental, mods which have been carried out on my T/T, remaining in place.
Therefore, if one adds the cost of a Jelco SA-750, to the above £3.4k, it takes us to around £3.75k.
Can you get a new Brinkmann or a GPM for that price?? I rest my case!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.