Yup, reduced mass so that we could track our ADC's and Shures at 0.25 - 0.5 grammes. Trouble was, a passing fly could blow the arm off course.
Trade: Radlett Audio
Location: Near Saffron Walden, Essex
Posts: 7,367
I'm Dave.
Yup, reduced mass so that we could track our ADC's and Shures at 0.25 - 0.5 grammes. Trouble was, a passing fly could blow the arm off course.
Senior Member
Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...
Posts: 14,540
I'm David.
1 to 1.3g is ok though. I have a V15 III mounted ready for experiment, but also have spare ADC XLM II, III and Phase IV ready to rumble - oh sorry, it'll be on a Thorens 160, so I suppose "ready to wow" should be said instead
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Trade: Radlett Audio
Location: Near Saffron Walden, Essex
Posts: 7,367
I'm Dave.
How many turntables have you got now ? You sneaked that TD160 in..
Senior Member
Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...
Posts: 14,540
I'm David.
Well, you've got the TD125 now, so that leaves the SL1500 (oh, you've got that too at the mo..), The Dual 701, 1970's Beogram 3000, Garrard AT6, 60mk2, Lab 80, AP76 () and a motley collection of cartridges
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Alien Entity
Location: North East UK
Posts: 6,358
I'm InSpace.
I can't be bothered reading the whole thread.... Is that cable any good then?
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Trade: Radlett Audio
Location: Near Saffron Walden, Essex
Posts: 7,367
I'm Dave.
Alien Entity
Location: North East UK
Posts: 6,358
I'm InSpace.
Cheers... that helps.Originally Posted by hifi_dave
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,995
I'm AudioAl'sArbiterForPISHANTO.
Yes, but for more info, read my preliminary reviews on posts #72 and #143
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,995
I'm AudioAl'sArbiterForPISHANTO.
That's what I thought would've happened... Like DSJR says, people were using them then with Shure V15s, so if the revised version of the 3009 was lower mass, then that's what would've effected an improvement, not the fact that it had a fixed headshell.
Great combo!When I eventually pack up selling Hi-Fi and have just the one system, I will use my TD124 with FR-64S tonearm.
Hehehe... Just because you can!Oh and 250 different cartridges..
But which one would you try first? The FR-64 is crying out for something vintage and low-compliance
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Trade: Radlett Audio
Location: Near Saffron Walden, Essex
Posts: 7,367
I'm Dave.
Hmmm, now would that be one of my SPUs or the SL15E, perhaps a brace of Koetsus including the first ever one imported into the UK. No wait, a Lyra or two, JVC MC1, Accuphase, Goldring G800, some Shures. I know - Decca Dark Blue, microscannered of course or an SC4E or just a plain ol' Jeweltone Ribbon.
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