Location: London
Posts: 262
I'm david.
Thanks Chris
How significant were the improvements with the bearing and platter mods?
Cheers
System:
SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers
Well for me the Resomat worked better than the Achromat. Sounded a little less congested in the mid range and bass was tighter. I then obtained a set of "Resomat cones" and just applied them to the top of the copper platter with double sided adhesive tape in the same pattern as the Resomat. Works great - SQ is the same as the Resomat but dont have the flimsy bit of plastic on the platter which is now visible in all its eye candy glory.
Steve
Always a little further
Well I think the bearing mod , which is in essence just a replacement thrust pad with some added damping , lowers the noise floor , it sounds cleaner and a bit more refined but it is relatively subtle , the platter upgrade makes more of a difference in tandem with the bearing mod , sounding cleaner and less coloured .
I'm finding it easier to follow various instruments in the mix , it sounds a lot calmer and more controlled or less busy , bass sounds very clean and tight .
Chris
We've gone on holiday by mistake !
Location: London
Posts: 262
I'm david.
Thanks Chris. Do you have the Vantage pcb mod as well?
System:
SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers
Location: London
Posts: 262
I'm david.
Thanks Chris.
System:
SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers
Location: London
Posts: 262
I'm david.
Richard popped around on Wednesday to fit my psu. He also brought around the copper platter and upgraded bearing to have a play with.
Unfortunately he was delayed and so arrived quite late. As a result I was already quite fatigued by the time we started to listen (I also had a virus)
Anyway I listened to the platter and the bearing individually with the platter first. I must say I thought it made a very audible difference, everything sounded much clearer and more coherent. Richard thought I might not like it because he thought it gave 'a more laid back sound' in my system but I didn't think that at all.
By the time I got to hear the bearing I was knackered and not in the right mood so didn't hear much difference. He has left that with me to have a listen to once I've got used to my new psu.
The copper platter to my ears works really well. I will definately be buying one, and the price is very reasonable. I also like the logic of keeping the mass as close to the original as possible.
Richard is, as everybody has said, a gentleman and I like his approach. And that approach is to provide great value for money mods for the tech whilst understanding its limitations.
After meeting him I think I'm going to pursue a 'vantage audio' flavoured 1210
System:
SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers
Nice one David, I like that you have decided on an approach and decided to take a punt. Any pics would be great too, if ever at all possible![]()
Glad it's worked out, David - thought it would!
No reason why not to go down the Vantage Audio route. It's the popular one for most people, as Richard has got all the angles covered, whilst keeping prices as competitive as possible.
Enjoy - and let's see some pics!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.