+ Reply to Thread
Page 4 of 6 FirstFirst ... 23456 LastLast
Results 31 to 40 of 51

Thread: Garrard 401 Vs Technics 1210

  1. #31
    Join Date: Sep 2008

    Location: Hampshire

    Posts: 330

    Default

    Quote Originally Posted by i_should_coco View Post
    Nononono... it's old scrap. Fortunately I specialise in the safe disposal of such and I wouldn't charge a penny.
    Im sure you could

  2. #32
    Join Date: Mar 2008

    Posts: 112

    Default

    Quote Originally Posted by Tripmaster View Post
    Im sure you could
    In all seriousness, some of these are going for serious money, as Mike said. Get it out of the loft and see what sort of shape it's in.

  3. #33
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Just faced off a Slatedeck restored 401 in a bastin plinth and a KAB'd SL1210. Depends on what you like; 401 more forceful, teccie more nuanced. Heavy weight vs middleweight kind of thing.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  4. #34
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

    Default

    From what I've heard,the slatedeck plinth gives a huge boost to the performance of Garrards.I've heard both a 401 and an sp10 before and after fitting slate,and the difference is scary.

  5. #35
    Join Date: Sep 2008

    Location: Hampshire

    Posts: 330

    Default

    I hope it still works

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I agree about the slate thing, Ali, although excellent as it is, it didn't seem to give Nick's SP10 much of an advantage against my KAB 1210 at the Chester fest, and that was without the Jelco (with Nick's Hadcock) and using the same cartridge and system

    Interesting thoughts there, Peter! Having heard a few different Garrards in suitable plinths recently I would concur with you observations. I've also heard Steve Sheils' excellent TD124 in my system side-by-side with the Techy and it certainly didn't disgrace itself there either, again that was without the Jelco or my new 103SA. That's most of the 'classic references' I've heard now against the 1210 and it's passed the test with flying colours, which I guess gives us a good indicator of its true pedigree...

    Any chance of a more detailed review in a separate thread (Strokes of Genius section)? It would act as a good reference for members

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #37
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

    Default

    Perhaps so Marco,but were you using your mana table? I suspect this would narrow the gap considerably.

  8. #38
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed, which shows that it works! Just think what 40+ of the f*ckers do at home

    Oh, and I've still to get a Slatedeck plinth yet for the 1210...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #39
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

    Default

    In my view the 2 most important things that lift a Garrard that's in decent nick are:

    1) Slate plinth, ideally from Slatedeck

    2) 2 or 3 O-rings around the platter (non-strobe platter takes 3)

    I did the O-ring thing a couple of weeks ago. I was gobsmacked by the improvement. Without it the sound seems slightly murky, rather like a slightly cloudy beer that still tastes fine. Sounds with the o-rings are more distinct, less cluttered and more liable to "come from nowhere". The sound is tight & "in control". There seems greater stability, the sort of thing you'd expect from a direct drive. These Garrard platters must ring, ring, ring. Some others have reported only subtle improvements with the O-rings, either my platter rings especially badly or the slate plinth and OBs in my system make this improvement really obvious.

  10. #40
    Join Date: Apr 2008

    Location: east yorkshire

    Posts: 527
    I'm steve.

    Default

    Quote Originally Posted by Clive View Post
    . These Garrard platters must ring, ring, ring. Some others have reported only subtle improvements with the O-rings, either my platter rings especially badly or the slate plinth and OBs in my system make this improvement really obvious.
    i have a garard grease 301 set up a ply plinth, and had my 124 on a nearly identical plinth, different tone arm same cart.. there was so much of a cloudy confusion in the 301 sound ...
    but i'm sure with more work it would equal the 124..
    levels of bass where identical
    but i think you have a point, about speakers (and amps for that matter) showing up the finer good and bad points of a set up more readily
    for me the 124 has the advantage that it performs well on a lesser ( cheaper) plinth than the 301/401. There is no(?) platter ring, and changing records is a doodle with the clutch system..
    i like them.... so much.. i now have 3 ..
    i'm just finishing a second plinth so i can do some armboard/ tonearm comparisons
    collector and DIY user of old british triode valves

    Open baffles / single ended diy px4 and px25 valve amps

+ Reply to Thread
Page 4 of 6 FirstFirst ... 23456 LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •