Shostakovich: Symphony no.5, d minor, op.47
Haitink / Concertgebouw Orchestra
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Location: Aylesbury
Posts: 307
I'm Philip.
Shostakovich: Symphony no.5, d minor, op.47
Haitink / Concertgebouw Orchestra
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Main Sys. N.A.S DAIS; 12" Ace Space , Benz Micro Wood SL, Timesteep T-01MC, Quad Platinum DMP, Quad Platinum Pre, FM4,Quad Platinum Stereo, Quad ESL 63, PRC4 RCM, Chord XLR, Mark Grant G1000HD, Black Mamba's. Stax SRM600 SR507
AVCambridge audio Blu-ray player, Pioneer SC-LX 57 Front 2 channels switched into Quad 606 Powering the ESL63s. Rear powering Celestion Speakers, LFE 2 cheap subwoffers.
Man-cave Sys. A. GL75, RB300, ZYX R100H, Rega Planer 3, RB200, Rega Carbon Elys II,Quad 34, 606, Tangent RS4.
Man-cave Sys. B. Revox A77, Akai 400D, Sugdon A48II, JPW Monitors.
Gallery http://www.theartofsound.net/forum/showthread.php?t=341
Classic Sys. Garrard 301, SME M2-9R, Benz Micro Wood SL, Quad Vena, 303, FM3, AM3. ESL 57. Quad II, 22, FM2 Rega Planet. Rega Phono
Gallery http://www.theartofsound.net/forum/showthread.php?t=403
Headphones, Stax SR507 (x2) /SRM600 Limited, Sennhieser HD424, Sennhieser HD558, AKGK105UHF, Beyerdynamic DT 931, Beyerdynamic DT231, Etymotic ER4 micropro.
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Posts: 11,510
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Hmm.A lot of folks seem to be enjoying Haitink's Shostakovich - I'll have to investigate that myself!
Last night - Mozart c-minor mass - Welser-Most conducting on an EMI CfP double CD (paired with the Requiem). Nice, and with the (imo) incomparable Felicity Lott in the solo soprano role - but perhaps pushed a little too hard by Welser-Most, I prefer a warmer and more laid-back approach, I think.
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Lately it's been 20th century Americana (Gershwin, Ives, Adams and Bernstein) - including this one:
Pierre Boulez conducting the Ensemble Intercontemporain, playing compositions by Frank Zappa (not to be confused with Francesco Zappa).
Barry
Location: gone
Posts: 11,510
I'm gone.
Received yesterday, and played in the evening in one glorious monster sesh .... A nice Shostakovich LP eBay haul that will make Marco jealous.
Rozhdestvensky conducting the 5th and 10th symphonies on original Melodiya LPs.
Ormandy with the Philadelphia Orch in the 1st ever Western recording of the 15th symphony.
A bit of a scratch in the first half of the 10th, but that is listen-throughable. The rest is NM.
Oh ... and they are superb perfomances in good sound.![]()
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Interesting, Jerry. I have the 3rd by Rozhdestvensky in the same series as yours and the 5th by Svetlanov. Both surfaces are a little noisy but the performances are fiery.
I think Rozhdestvensky is often overlooked as a superb Russian conductor.
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Yup, Rozhdestvensky is a very fine conductor.
His Bruckner series with Russian orchestras is one of the joys of my collection. I have 00, 0, 1, 3, 5 & 8 - I'm not aware that he's recorded any others. Ah, that fruity Russian brass sound is marvellously strange in Bruckner!![]()
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Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: gone
Posts: 11,510
I'm gone.
Hahaha - yes, of course
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.