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Thread: How good can D.I.Y speakers really get? - Enter Mr Al Newall

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by alb View Post
    Dunno what it is, Marco. Everything seems ok. Doesn't do it here at the volume i play at.
    Might just be a reflection of the bass wave off the Spendors, which were right behind.
    Yes, that could well have been the reason, although it was interesting that it was happening on one speaker more than on the other... I think what we should perhaps do is for me to bring my kit to yours (everything minus the speakers) and see if it happens again. I think it's also partly to do with how they're being driven.

    It's an interesting one for sure!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

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    Excellent info here. My mind and heart are set and i'll definatley be doing a straight rip off of alb's design. it's gonna take a few months so i can slip it under the wifedar - no mean feat as she's an air traffic controller
    I'd like to use veneered mdf for the baffle so i can get a pretty finish should i like them. this stuff can be a little expensive though so would like to know what the front baffle dimensions are (so i can cost it and decide)

    many thanks
    Gareth
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

  3. #43
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

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    I see there are various emince 15s at vaying prices alpha-delta £35-£65ish
    are these pretty much similar or is the power handling (200-400w)a major concern. I don't wish to sell my self short but if i don't need to buy the most expensive then that's a help.
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

  4. #44
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Quote Originally Posted by Marco View Post
    Yes, that could well have been the reason, although it was interesting that it was happening on one speaker more than on the other... I think what we should perhaps do is for me to bring my kit to yours (everything minus the speakers) and see if it happens again. I think it's also partly to do with how they're being driven.

    It's an interesting one for sure!

    Marco.
    Marco, it seems unlikely that a reflected bass wave from your Spendors would cause cone displacement on the OB bass. As you suggest it seems more likely that this is something to track down upstream. Was this a big cone movement, ie like a badly warped record can cause? Did it happen with CD too? I assume it wasn't continuous, just when music was playing, did it happen all the time music was playing? Valve pre and power amps when they go unstable they "motorboat", this is a low frequency beating, normally though you would hear this rather than only see it and it would be continuous.

  5. #45
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Quote Originally Posted by alb View Post
    Dunno what it is, Marco. Everything seems ok. Doesn't do it here at the volume i play at.
    Might just be a reflection of the bass wave off the Spendors, which were right behind.
    Don't worry. It's just the LF instability in Marco's rubbish old music centre!

    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  6. #46
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Oh, I see Clive beat me to it.... Sorry.
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  7. #47
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Hi Gareth,
    Al will confirm I'm sure,but I think he used the Betas.I think the different models have different impedances and sensitivity.

  8. #48
    Join Date: Apr 2008

    Location: Chester

    Posts: 429

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    Clive.

    It's just a noticeable cone movement on the full range drivers. These only have an Xmax of 1mm and normally don't move visibly on my system.
    It's nothing like motorboating or the kind of movement you get with dc.

    I'd expect this to happen if i was running them as full range, but they should be crossing over at 120Hz. Its not enough to concern me, but the fact it was more obvious on the left side just made me think.

  9. #49
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    LOL, Mikey, good one!

    Marco, it seems unlikely that a reflected bass wave from your Spendors would cause cone displacement on the OB bass. As you suggest it seems more likely that this is something to track down upstream. Was this a big cone movement, ie like a badly warped record can cause? Did it happen with CD too? I assume it wasn't continuous, just when music was playing, did it happen all the time music was playing? Valve pre and power amps when they go unstable they "motorboat", this is a low frequency beating, normally though you would hear this rather than only see it and it would be continuous.
    Clive, I'm sure Al will be able to describe it much better than I can, but I don't think it's as a result of what you describe above. The best way I can describe it is that the 'full-range' drivers (their response tailored to be used as midrange and high frequency units) were 'pulsing', or moving in a piston-like fashion, in time with the music and in conjunction with the bass cones, but on one speaker it was doing it significantly more (L/H channel) than on the other.

    I'd be interested in your further thoughts on this. I basically put it down to my rather punchier and more powerful push-pull amp putting more bass energy into the drive units than normally happens with Al's SET amp, together with perhaps the slightly more capable source components reproducing a stronger 'musical signal' and thus both combining to drive the speakers much harder than normal with Al's equipment.

    It's worth noting also that at no point was there any audible distortion and that the speakers could quite clearly be driven very loudly and with seemingly endless available headroom.

    That's why I'd like to take my gear around to Al's and see if the same thing happens in a different room and without the Spendors in situ, and also compare the effect of Al's source and control components to mine using his speakers. The only way to ascertain what's happening is to remove as many variables as possible.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #50
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

    Default

    Perhaps the filters are not doing the job properly? I would imagine that may be a possible cause, and as for the effect being greater on one side that may simply be down to to the fact that bass is considerably less directional than mid / treble energy and therefore it would "sound" like the problem is coming from both channels? all hypothetical of course.
    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

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