Ok, so the plan is to produce a transport-only product next.
It will be similar to the TFS except:
- smaller - the challenge is to make it as compact as possible
- cheaper - it won't be a Statement product in a fancy case
- audio only - I won't go out of my way to ensure bluray playback capability
- optional external PSU - for those on a budget it will be available without the fancy linear PSU
My question to you guys is: what digital interfaces do you want?
Obviously it will have USB.
It will also need legacy S/PDIF in the form of coax and optical.
But do people care about AES/EBU?
Jason™
Built by Hand, Tuned by Life
Hi Jason
Lots of questions....sry
Given you’ve Windows7 as the operating system I take it you’ve not optimised the cores for particular processes. If you have got around this problem I would be interested in knowing whose software you used and how much you had to pay for it.
I gather you’ve used one of the Asus on PCI sound cards (?) From what I’ve read it may be the ST (?)
Have you underclocked the processor (?)
If so did you match it to the bus speed (?)
I understand you have to linear regulated power supplies feeding the MOB (?)
I wondered how you had implemented the clock power feed and have you separated the power supply for RAM and processor on the board (?)
I haven’t seen any mention of USB connectivity, or galvanic isolation on any of the data outputs. Is this primarily built for S/PDIF ?
Is there any provision for the owner to change the operating system without breaking any hardware dependencies?
What if anything has been done to the sound card?
I’ve had a few Asus sound cards in my time and while they’re competent they aren’t the best performing cards out there so why choose it ?
My view is media storage should never be on the same drive as the operating system yet I see you’ve allowed for this and I wondered why?
That’s the first batch of questions.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Jason, that's good news, that's exactly what I'd be looking for. As for your question, how much would it cost to add? If it doesn't add too much to the price I'd say add it in.
Any timescale on when it will be available?
No, I think in that case what's happening is that the full unadulterated signal is passed to the Sony Dac through the S/PDIF connection and it's the Sony that downsamples it. After all, how does the TFS know the capability of whatever DAC is connected - I didn't think any information was passed back to the transport with the S/PDIf protocol.
I'm not 100% sure though so maybe someone more knowledgeable can confirm.
Jason™
Built by Hand, Tuned by Life
Just imagine asking similarly detailed questions when buying a car! I bet Jason feels a bit overwhelmed...
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
I wouldn't expect a salesman to know the answers Clive which is why I'm asking the guy who I believe is the geek in the pile.
Basically I'm trying to establish whether this is a basic Asus low powered MOB with a standard Asus sound card fed by a couple of linear power supplies in a box.
A modern music centre if you like
+1 for Linux OS and one less question.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Well, if it is, it's a bloody amazing one!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.