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Thread: NVA 'TFS': 'The Future Statement' lands at Marco Towers...

  1. #141
    Join Date: Jun 2008

    Location: Happy Cheshire

    Posts: 737
    I'm Duncan.

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    Quote Originally Posted by Figlet108 View Post
    So the Audio is setup to use ASIO to interface to the DAC.

    This means that the music data is sent directly to the DAC without any intervention from Windows or even the Xonar audio console - it literally gets delivered at the DAC's doorstep.

    This means that if you made a bit-perfect rip from a CD, you will get a bit-perfect delivery to the DAC. It also means that no jitter is introduced by the transport itself.

    It also means that you don't have to do anything to switch between different sample rates or bit depths - it's transparent and hassle free.

    One implication is that the windows volume control doesn't work (remember it bypasses Windows completely).

    The options for attenuation are as follows:
    1) Have the maximum signal go to a pre-amp and attenuate from there in the analogue domain.
    2) JRiver has an option for changing the 'internal volume'. This effectively attenuates in the digital domain before the data is sent to the DAC. Now because JRiver user 64-bit data structures for processing the music data this kind of internal attenuation effectively has no negative effect on the audio.
    Therefore this option allows for plugging the TFS directly into a power amp and bypassing the pre altogether.
    3) As above but use a pre to set the ball-park volume in the analogue domain and tweak it from the comfort of your armchair in the digital domain with the 'internal' volume control.
    Interesting, So if Marco is using his Sony Dac 16Bit 44.1/48khz and tries to play 24bit 192Khz files Asio downsamples it?

  2. #142
    Join Date: Sep 2010

    Location: Macclesfield, UK

    Posts: 359
    I'm Jason.

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    Quote Originally Posted by Ali Tait View Post
    Hi Jason, I'm sure plenty here would be interested in the forthcoming transport version.
    Ok, so the plan is to produce a transport-only product next.
    It will be similar to the TFS except:
    • smaller - the challenge is to make it as compact as possible
    • cheaper - it won't be a Statement product in a fancy case
    • audio only - I won't go out of my way to ensure bluray playback capability
    • optional external PSU - for those on a budget it will be available without the fancy linear PSU


    My question to you guys is: what digital interfaces do you want?
    Obviously it will have USB.
    It will also need legacy S/PDIF in the form of coax and optical.
    But do people care about AES/EBU?
    Jason™

    Built by Hand, Tuned by Life

  3. #143
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

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    Hi Jason

    Lots of questions....sry

    Given you’ve Windows7 as the operating system I take it you’ve not optimised the cores for particular processes. If you have got around this problem I would be interested in knowing whose software you used and how much you had to pay for it.

    I gather you’ve used one of the Asus on PCI sound cards (?) From what I’ve read it may be the ST (?)

    Have you underclocked the processor (?)
    If so did you match it to the bus speed (?)
    I understand you have to linear regulated power supplies feeding the MOB (?)
    I wondered how you had implemented the clock power feed and have you separated the power supply for RAM and processor on the board (?)
    I haven’t seen any mention of USB connectivity, or galvanic isolation on any of the data outputs. Is this primarily built for S/PDIF ?

    Is there any provision for the owner to change the operating system without breaking any hardware dependencies?
    What if anything has been done to the sound card?
    I’ve had a few Asus sound cards in my time and while they’re competent they aren’t the best performing cards out there so why choose it ?

    My view is media storage should never be on the same drive as the operating system yet I see you’ve allowed for this and I wondered why?

    That’s the first batch of questions.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  4. #144
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,032
    I'm inthescottishmafia.

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    Jason, that's good news, that's exactly what I'd be looking for. As for your question, how much would it cost to add? If it doesn't add too much to the price I'd say add it in.

    Any timescale on when it will be available?

  5. #145
    Join Date: Sep 2010

    Location: Macclesfield, UK

    Posts: 359
    I'm Jason.

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    Quote Originally Posted by tubehunter View Post
    Interesting, So if Marco is using his Sony Dac 16Bit 44.1/48khz and tries to play 24bit 192Khz files Asio downsamples it?
    No, I think in that case what's happening is that the full unadulterated signal is passed to the Sony Dac through the S/PDIF connection and it's the Sony that downsamples it. After all, how does the TFS know the capability of whatever DAC is connected - I didn't think any information was passed back to the transport with the S/PDIf protocol.

    I'm not 100% sure though so maybe someone more knowledgeable can confirm.
    Jason™

    Built by Hand, Tuned by Life

  6. #146
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Just imagine asking similarly detailed questions when buying a car! I bet Jason feels a bit overwhelmed...
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  7. #147
    Join Date: Sep 2010

    Location: Macclesfield, UK

    Posts: 359
    I'm Jason.

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    Quote Originally Posted by jostber View Post
    Can it be used with a Linux PC?
    Sure can, and in fact a TFS owner (Terry) that posts on hifisubjectivist does just that. He runs Ubuntu on it and swears that it sounds better than the Windows set-up.
    Jason™

    Built by Hand, Tuned by Life

  8. #148
    Join Date: Jun 2011

    Location: Skien, Norway

    Posts: 931
    I'm Jostein.

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    Quote Originally Posted by Figlet108 View Post
    Sure can, and in fact a TFS owner (Terry) that posts on hifisubjectivist does just that. He runs Ubuntu on it and swears that it sounds better than the Windows set-up.
    That sounds good for me as I use Suse Linux.
    My hifi system:

    Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4

  9. #149
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

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    I wouldn't expect a salesman to know the answers Clive which is why I'm asking the guy who I believe is the geek in the pile.

    Basically I'm trying to establish whether this is a basic Asus low powered MOB with a standard Asus sound card fed by a couple of linear power supplies in a box.

    A modern music centre if you like

    +1 for Linux OS and one less question.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  10. #150
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

    Default Modern music centre

    Well, if it is, it's a bloody amazing one!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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