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Thread: NVA 'TFS': 'The Future Statement' lands at Marco Towers...

  1. #41
    Join Date: Jun 2008

    Location: Happy Cheshire

    Posts: 737
    I'm Duncan.

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    the tfs has a very nice sounding dac/sound card the Xonar Essence DAC, i use one myself on my upstairs pc.

    i think nva have tweeked it a bit, not sure what

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Ali Tait View Post
    Marco, if you want a good dac for hi rez, try this one -

    http://www.ebay.co.uk/itm/Finished-2...item19c90b8fe5

    Don't let the low price put you off, it saw off a MF M dac in my system.
    Interesting, Ali. Noted. Would it be any better, though, than the in-built on in the TFS? That's the question...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #43
    Join Date: Sep 2008

    Location: West Lancashire

    Posts: 620
    I'm Lucky.

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    Well.... I think it looks wonderful and I'd love to have a play with one myself. You are very fortunate Marco.


    But, please dont tell me this means we have to put up with the madness of king Richard again....
    The Man with the suit and the pace. Knee deep in the dead.

  4. #44
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Clive View Post
    There are a number of ways to get good file-based sound; the TFS is a perfectly valid approach aimed at a specific market.

    Then you have usability - quite possibly the TFS can be used by anyone, not just some hifi geeks who don't mind a few quirks in name of music.

    Thinking about the main approaches for high quality file-based sound are there serious contenders I've missed?

    1) specialty developed/assembled computer purchased as a product
    Regarding the bit in bold - precisely! I ain't no computer or tech geek, and nor will I ever be.

    1) (above) fits my needs exactly

    Some of the Linn/Naim (the background I originally came from) computer audio users, with rather more expensive solutions (!) would get a big shock if they heard the TFS, as it has all the sonic traits thay they value (PRaT) - and then some!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #45
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Quote Originally Posted by Marco View Post
    Interesting, Ali. Noted. Would it be any better, though, than the in-built on in the TFS? That's the question...

    Marco.
    Only one way to find out mate.

  6. #46
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Darren View Post
    Well.... I think it looks wonderful and I'd love to have a play with one myself. You are very fortunate Marco.


    But, please dont tell me this means we have to put up with the madness of king Richard again....
    Lol... Thanks, Darren. Richard and I get on very well now, and I have always had a lot of respect for his ability as an audio designer. Neither of us are ones to hold grudges.

    However, we also both realise that on the platform of an audio forum, we're not ideally compatible

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #47
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Ali Tait View Post
    Only one way to find out mate.
    True. I'll bookmark the link for reference. Right now, as you'll appreciate, I'm still getting my head properly around just what the TFS can do, so that later I can articulate it properly into words.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #48
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Aye, no worries mate. I do think this dac is very good, and unmatched in the SPPV stakes of anything else I've heard so far.

  9. #49
    Join Date: Sep 2010

    Location: High Peak, Derbyshire

    Posts: 2,241
    I'm Keith.

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    Nice one Marco. Seems like the ideal solution for you.
    Keith
    Analogue: Lenco L75 with 'PTP5' top plate in heavy birch ply plinth/re-wired Rega RB300/SAE 1000e HOMC Cartridge/Trans-Fi Reso-Mat/Moth RCM
    Files: Voyage MPD/Custom PC/Supra USB/Beresford ASYNCH-1/Beresford TOSlink cable
    CDP: Inca Katana SE
    DAC: Beresford Caiman MkII (LiPo Battery powered)
    Pre-Amp: Croft Micro 25 Power-Amp: Croft Series 7
    Speakers: DIY Frugel-Horn Mk3 ('FH3') + REL Strata subwoofer
    Headphones: Beyer Dynamics DT990 Pro (250 ohm)/Schiit Asgard Headphone Amp
    Cables - Interconnects: Mark Grant G1000HD Speaker Cables: Van Damme Blue
    Mains: Belkin PF30/Mark Grant DSP2.5 & DSP1.0 Rack: Target

    Office System: HP Win8 Laptop/JRiver/MF V-Link2/Beresford Bushmaster MkII/Topping TP20 Mk2/Mission 771e
    Bedroom System: Raspberry Pi/Raspbrian + MPD/HiFiBerry DAC/Topping TP20 Mk2/Mission 760i or DIY Hybrid Valve-MOSFET Headphone amp + Sennheiser HD595


    Gallery

  10. #50
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

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    First, congratulations NVA. This would certainly seem to follow more closely my views regarding building a music server.
    From what little I have been able to find out about the product there are still a few things that could be improved upon but overall, a far more versatile and well thought out product than most of the servers I've either heard or read about.

    There have been a few comments about the price. When I costed my design, if built with new components the total cost came well above £2000 and that doesn't account for much of the experimentation and doesn't include any marketing.

    Oh yes, congratulations Marco. Perhaps we'll read slightly less dismissive comments on file based audio from now on. Ripping your CD's is going to be a major task and you will have to do it if you take to file based because CD replay just wont cut it.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

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