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Thread: NVA 'TFS': 'The Future Statement' lands at Marco Towers...

  1. #31
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Quote Originally Posted by tubehunter View Post
    it handles 24bit 192khz files but if you are using your sony dac you will be limiting it to just 16bit 44.1/48khz.

    have you tried it direct ino your pre with some hi rez stuff?

    should sound really good

    Thanks Duncan. Yes agree Marco, try it direct with some hi rez stuff.

  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,536
    I'm AudioAl'sArbiterForPISHANTO.

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    Nope, Dunc. I certainly don't mind trying that, although as you know, I would miss the sonic effect of my valve preamp - and you know how good the Croft is...

    I may indeed buy a seperate modern DAC, simply for hi-res duties, as your point is valid, however the Sony DAC did considerably outperform the built-in one in the TFS, and so for my main purpose of ripping my CD collection to a hard-drive (it'll need to be much bigger than the standard one in the TFS), and streaming the music that way, the Sony would take some beating!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #33
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,536
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by chris@panteg View Post
    I think if someone makes such a statement then they should prove it !

    looks interesting
    Too bloody right, mate. Words on a screen are cheap!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #34
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Quote Originally Posted by Marco View Post
    Nope, Dunc. I certainly don't mind trying that, although as you know, I would miss the sonic effect of my valve preamp - and you know how good the Croft is...

    I may indeed buy a seperate modern DAC, simply for hi-res duties, as your point is valid, however the Sony DAC did considerably outperform the built-in one in the TFS, and so for my main purpose of ripping my CD collection to a hard-drive (it'll need to be much bigger than the standard one in the TFS), and streaming the music that way, the Sony would take some beating!

    Marco.
    I assume it has analogue outs? just plug it into your pre mate.

  5. #35
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,536
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Ali Tait View Post
    BTW I agree with you mate, once you factor in the cost of manufacturing the acrylic case, (acrylic is not cheap) assembling the thing, setting it up and then allowing a profit margin for Richard and Jason, it's not that rediculous. They both have to make a living, and it's not as if they can benefit from the economy of scale by selling thousands coz they won't, it's a cottage industry like Croft or Stan's dacs. Consider the cost of Richard's other Statement products also, it's certainly in line with those.
    Precisely, Ali. But those facts are almost NEVER taken into consideration by the 'I can build it better myself' brigade....!

    Maybe Dave was just in a bad mood this morning? His rather inconsiderate comments were completely out of character. Who knows? We're all human...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,536
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Ali Tait View Post
    I assume it has analogue outs? just plug it into your pre mate.
    Ah yes, sorry, I totally misunderstood that

    Yup, I tried that briefly when Jason was here, and it did sound pretty good. I guess then I could use the in-built DAC in the TFS for streaming hi-res, and the Sony for playing my ripped files from CDs - sounds like a decent plan!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #37
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Marco, if you want a good dac for hi rez, try this one -

    http://www.ebay.co.uk/itm/Finished-2...item19c90b8fe5

    Don't let the low price put you off, it saw off a MF M dac in my system.

  8. #38
    Join Date: Aug 2011

    Location: Bacau, Romania

    Posts: 1,215
    I'm Bob.

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    Quote Originally Posted by kininigin View Post
    A quick question,to any that can answer,is it possible to use a linear psu in a 'normal' pc?
    You can use one but it is physically a larger beast than the standard SMPS. There are many qualities of PSU available these days, just are there are cleaner motherboards.

  9. #39
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,536
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Darren,

    Congrats marco,welcome to the computer audio age.I think it looks ok,not sure about the clear tubiing though,having said that as long as it sounds good,who cares.
    Precisely. I'm sure that if I were to see the results of some people's DIY efforts, they'd be, erm, equally as 'hideous' to my eyes!

    There is definitely a market for something like this,for those who wouldn't want to take on such a project.
    There most definitely is. People like me who have no interest or love whatsoever for computers or DIY, want a piss-easy user-interface that your granny could use, thus no hassle whatsoever, and a plug-in music streaming solution that sounds utterly sublime! And also who can afford to have the luxury of such convenience. I suspect that there are a few of us around

    Is it worth the cost? i don't know,but i'm sure if you say it beats your sony transport,which you rate highly,then it must be doing something right.
    Indeed. Trust me, the TFS is sonically quite special. When it comes to modern audio equipment, I don't say that lightly.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #40
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    There are a number of ways to get good file-based sound; the TFS is a perfectly valid approach aimed at a specific market. There are parallels with DIY amps, valves ones in particular.

    There are those who can build a valve for let's say £600 but to buy an off-the-shelf equivalent item you might have to pay £3,000.

    Then you have usability - quite possibly the TFS can be used by anyone, not just some hifi geeks who don't mind a few quirks in name of music.

    Thinking about the main approaches for high quality file-based sound are there serious contenders I've missed?

    1) specialty developed/assembled computer purchased as a product

    2) diy version of 1)

    3) media player with sexy GUI for mac or pc (easy but not the best sound)

    4) in-memory player (restricted functionality but good sound) - best with a dedicated PC
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

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