Jon
A person who never made a mistake never tried anything new.
Set up
Lafayette el84 power amp , Audio note M1 pre , Tannoy Sterlings, Garrard 301 , SME 3012 , puresound P10, Ortofon SPU, Cambridge CXN streamer
Micro mega Duo 3 cd transport ,
Location: Northampton
Posts: 1,373
I'm Mark.
Location: Northampton
Posts: 1,373
I'm Mark.
Some Rega Jura 2's. Good looking, vintage Tannoy-like tonal balance and this pair are cheap...
http://www.ebay.co.uk/itm/REGA-JURA-...item4ab4635830
P.S. Jura 1's had a black base and the drivers were set slightly lower in the cabs (from memory). The bass was better on the mk2,not needing the "sideways sponge bung" treatment...
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
When did you hear Jura's Marco, which ones and what with? They've certainly got far less midrange colouration than many Tannoys out there, they sparkle like the DC tweeters can and do (in 6, 8, 10 and 12" models anyway) and the bass on the mk2 Jura rolls out in a fairly similar way. Your Lockwoods are NOT standard in any shape or form now and a rather different kettle of fish to what everyone else would hear from a commercial pair of 1970's Tannoys on the open market..
I didn't say I didn't like them, quite the opposite, and sold a good many. FAR more fun than spiteful old Ela's any day![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Hi Guys,
Reckon the Jura's would be an improvement on Royd Doublets ?
Tony
It may be possible to get them serviced, should a driver be blown accidentally. Not sure Royds can be repaired now, but could be totally wrong in this assumption.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Hi Dave,
I've heard Jura's both in a friend's system and in a dealer's demo room. They were ok little floorstanders, albeit it rather 'fruity' in the bass. Not really my thing. I much preferred the Naos, which to my ears, were more realistic and much less 'fluffy' and coloured sounding.When did you hear Jura's Marco, which ones and what with? They've certainly got far less midrange colouration than many Tannoys out there, they sparkle like the DC tweeters can and do (in 6, 8, 10 and 12" models anyway) and the bass on the mk2 Jura rolls out in a fairly similar way. Your Lockwoods are NOT standard in any shape or form now and a rather different kettle of fish to what everyone else would hear from a commercial pair of 1970's Tannoys on the open market..
However, as to them sounding anything like vintage Tannoys, for me, NO WAY. Forgetting about my Lockwoods, which you wouldn't even mention in the same breath as Juras (), all the other vintage Tannoys I've heard (12 and 15" HPDs, Monitor Reds and Golds) present music in a totally different way because of their DC design, to thin floorstanding speakers with dome tweeters and teeny-weeny bass drivers, in comparison to what is considered the norm with vintage Tannoys.
Sorry, Dave, I don't really know where you're coming from with this!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.