Location: gone
Posts: 11,510
I'm gone.
Hi Griffo,
It's interesting that you say should that, and I know exactly what you mean. I would never judge or condemn anyone for what films or music that they enjoy. However, it's the snob-factor/elitist aspect you mention with music or films (or indeed, as Jerry says, it can also apply to many things) which turns me right off. As a wine connoisseur, for example, I often encounter those unfortunate traits in aspiring 'wine buffs'.I've had a problem with films. Having watched some very serious cinema in my formative years it became very easy to dismiss a lot of Hollywood as being cheap and having no real depth to it. It became to a point where it was pure snobbery on my part. I still enjoy serious cinema but I've learnt to switch off and enjoy a good action film for what it is (I still struggle with some of the crude stuff they regard as comedy though at the moment).
With regard to films, there's nothing more boring for me than listening to a bunch of bow-tied 'luvvies', pretending to be Barry Norman, critiquing some obscure French film, and chuntering on about the complexity of the plot, dialogue used, or its 'production value' - often simply for effect, in a futile attempt at being clever. For me, that is serious yawnsville, not to mention pathetic!![]()
Even though I can both write and speak French to a reasonably high standard (Italian fluently), and so don't always need subtitles, I would rather spend the time bottling my botty burps, than sitting through much of that, IMO, pretentious foreign film shite. Some French films, however, can be quite good. I very much enjoyed Amélie, for example. But for me, they are few and far between.
Nope, generally when it comes to films, I have simple tastes. Give me a good black comedy, thriller, war film, western, science fiction or horror movie (not really the gory stuff, based on thrills from special effects, but the really dark psychological shit that fucks with your head) any day!!
When I indulge in recreational activities, such as watching films, I like to relax, chill-out and be entertained informally, not 'intellectually challenged' or participating in exercises in academia - and the same applies when I'm listening to music
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I quite enjoy listening, reading or watching something challenging that can make me think (Tarkovsky's wonderful films for instance) but you have to know where to draw the line between listening to something challenging simply for the sake of it being challenging - there's only so many times you can listen to Schoenberg before you realise not only is it challenging but it's bloody boring as well
tha same can be said of that great work of literature Joyce's Ulysses. you read it for the challenge, but would you read it to entertain yourself ? I'm sure some would, personally that's the line in the sand for me - Pynchon is just as challenging and far more entertaining, imo.
I'm unfamiliar with Ligeti... Could someone point me to examples of his best work?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: gone away
Posts: 4,870
I'm joe.
His Requiem. It is quite unlike anything you've ever heard. Mesmerising and quite disturbing in places.
http://www.amazon.co.uk/Ligeti-Requi...9934649&sr=8-1
Cheers, Martin. I'll check it out. From your description, it sounds like my sort of thing
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.