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Thread: Which would you keep?

  1. #91
    Join Date: Jan 2008

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    Quote Originally Posted by Marco View Post
    Indeed not, if that's your 'thang'. The latter, however, doesn't interest me one iota; in fact it can quite often bore me to tears, especially when snobbery rears its ugly head!
    Well, some folks can get snobbish about anything ... music or hifi or anything else.

    Sensible folks just like to have a friendly and informative chat and exchange views and information about things they are passionate about.
    .

  2. #92
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Hi Griffo,

    I've had a problem with films. Having watched some very serious cinema in my formative years it became very easy to dismiss a lot of Hollywood as being cheap and having no real depth to it. It became to a point where it was pure snobbery on my part. I still enjoy serious cinema but I've learnt to switch off and enjoy a good action film for what it is (I still struggle with some of the crude stuff they regard as comedy though at the moment).
    It's interesting that you say should that, and I know exactly what you mean. I would never judge or condemn anyone for what films or music that they enjoy. However, it's the snob-factor/elitist aspect you mention with music or films (or indeed, as Jerry says, it can also apply to many things) which turns me right off. As a wine connoisseur, for example, I often encounter those unfortunate traits in aspiring 'wine buffs'.

    With regard to films, there's nothing more boring for me than listening to a bunch of bow-tied 'luvvies', pretending to be Barry Norman, critiquing some obscure French film, and chuntering on about the complexity of the plot, dialogue used, or its 'production value' - often simply for effect, in a futile attempt at being clever. For me, that is serious yawnsville, not to mention pathetic!

    Even though I can both write and speak French to a reasonably high standard (Italian fluently), and so don't always need subtitles, I would rather spend the time bottling my botty burps, than sitting through much of that, IMO, pretentious foreign film shite. Some French films, however, can be quite good. I very much enjoyed Amélie, for example. But for me, they are few and far between.

    Nope, generally when it comes to films, I have simple tastes. Give me a good black comedy, thriller, war film, western, science fiction or horror movie (not really the gory stuff, based on thrills from special effects, but the really dark psychological shit that fucks with your head) any day!!

    When I indulge in recreational activities, such as watching films, I like to relax, chill-out and be entertained informally, not 'intellectually challenged' or participating in exercises in academia - and the same applies when I'm listening to music

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #93
    Join Date: Mar 2008

    Location: Newport

    Posts: 391
    I'm Simon.

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    I quite enjoy listening, reading or watching something challenging that can make me think (Tarkovsky's wonderful films for instance) but you have to know where to draw the line between listening to something challenging simply for the sake of it being challenging - there's only so many times you can listen to Schoenberg before you realise not only is it challenging but it's bloody boring as well

    tha same can be said of that great work of literature Joyce's Ulysses. you read it for the challenge, but would you read it to entertain yourself ? I'm sure some would, personally that's the line in the sand for me - Pynchon is just as challenging and far more entertaining, imo.

  4. #94
    MartinT Guest

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    Quote Originally Posted by griffo104 View Post
    there's only so many times you can listen to Schoenberg before you realise not only is it challenging but it's bloody boring as well
    LOL - I hear you. Then again, I like Ligeti which some would find difficult. Or Portishead, for that matter. Each to their own.

  5. #95
    Join Date: Mar 2008

    Location: Newport

    Posts: 391
    I'm Simon.

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    Quote Originally Posted by MartinT View Post
    LOL - I hear you. Then again, I like Ligeti which some would find difficult. Or Portishead, for that matter. Each to their own.
    I like Portishead (their last album was sublime) and Ligeti too

  6. #96
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,594
    I'm AudioAl'sArbiterForPISHANTO.

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    I'm unfamiliar with Ligeti... Could someone point me to examples of his best work?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #97
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

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    Quote Originally Posted by jazzpiano View Post
    If you had to choose b/w them, which would you keep, your hi-fi or your music collection? And, why. (Please no comments like "What good's a music collection without a hi-fi?", or vice-versa. You can sort out what's missing later...)
    I'd say 'the musc', but having said that, I know my favourite recordings so well I can play them in my head anyway (and they often sound better that way).

  8. #98
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    I'm unfamiliar with Ligeti... Could someone point me to examples of his best work?
    His Requiem. It is quite unlike anything you've ever heard. Mesmerising and quite disturbing in places.

    http://www.amazon.co.uk/Ligeti-Requi...9934649&sr=8-1

  9. #99
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,594
    I'm AudioAl'sArbiterForPISHANTO.

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    Cheers, Martin. I'll check it out. From your description, it sounds like my sort of thing

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #100
    Join Date: Jan 2008

    Location: Ayrshire

    Posts: 1,359
    I'm OneOfTheSevenModsWhoToldMarcoNotToLiftHarry'sBan.

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    Quote Originally Posted by jandl100 View Post

    Yes, I listen to a fair bit of non-classical - Nazareth,




    Rock on, Jerry.


    ATB

    David

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