Opps
Opps
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
My Resomat arrived very quickly - excellent customer service and communications from Vic.
First impressions are most favourable. I am using it directly on top of the Vantage Audio platter. So, in comparison to the Achromat bass is firmer and extends lower, more texture to kick drum and cello/double bass. Presentation is slightly forward with a sense of more space around instruments - perhaps a little more "zing" to cymbals/tambourine etc. I also think data retrieval is enhanced. On side 1 Floyd's DSOTM in the airport I'm pretty sure the announcement in the back ground says "follow the green line to customs and immigration" - I've never before been able to "decipher" the follow the green line bit. Of course I could be totally wrong and she is saying something totally different - I'm sure someone will comment
Overall, I find the presenattion more pleasing with the Resomat than the Achromat (not necessarily better - but different). Before anyone asks/suggests I'm not going down the road of using both at the same time
The only downside I've noticed is that surface noise is more prominent with the Resomat.
For the next few weeks I'll leave the Resomat in situ then switch back to the Achromat to see if these initial impressions remain.
Update - just tried the Resomat on the TD150 which currently has a cork/rubber composite mat - again huge improvement in all areas. However, the aesthetics of the Resomat on the "vintage" TD 150 just don't cut it so I tried the Achromat and this also sounded much better than the cork mat - the difference between the Resomat and Achromat on the TD 150 were (to my ears) much smaller than on the Technics so i can live with the "compromise" of having the Achromat on the Thorens.
Steve
Steve
Last edited by worrasf; 11-01-2012 at 15:44.
Always a little further
Hi Steve,
Interesting observations....
That's *always* the best way to genuinely assess whether any improvements are genuine, imagined or otherwise, with any new 'tweak' carried out - and much more meaningful to an audio and music enthusiast than any amount of pointless (and fatally flawed) double-blind testing!For the next few weeks I'll leave the Resomat in situ then switch back to the Achromat to see if these initial impressions remain.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Southport, Merseyside
Posts: 158
I'm Nigel.
Does the Resomat sound similar to the Ringmat?
nope a lot more open imho
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
In a strange way I really didn't want to like the Resomat - it just seemed too flimsy - almost a joke in design philosophy and construction. Counter to all the other mats I've tried (Herbies, Achomat, cork composite, origin live, technics) with or without clamping - it's also IMHO aesthetically challenged. However, after a week or so in use my initial thoughts have been confirmed. It does sound better than the others I've tried on the Technics. It sounds so much more open and "airy" - the Achromatic in comparison sounds "boxed in and choked" -
Bass control and extension is better and there's more life and zing to percussion - its just so much more atmospheric - particularly evident on the LZ BBC sessions. What's "odd" is that I have not heard the same improvement on the Thorens where I've actually gone back to the cork composite mat which seems to give the best results so clearly there are compatibility differences depending on suspension/drive/platter types and what suits my Technics with the VA platter may not be others experience with different setups but I'm really pleased with the improvement and for now at least the Achomat is back in its sleeve.
I've asked Vic at Inspire if he can supply me a set of the acrylic cones as I'm minded to try them "bonded" (a dab of silicone should suffice and would beveasily removed) direct onto the VA copper platter. Theoretically should soundvthevsame as the Resomat but will allow the beautiful copper platter to be seen.
Steve
Last edited by worrasf; 22-01-2012 at 18:53.
Always a little further
Experimentation is always worthy. It'll be interesting to know ow this works out. My expectation is that bonding the cones to a mat will couple them tightly and they will inherit most of the characteristics of the mat. The "flimsy" mat is intended to be loosely coupled. Maybe Vic can source a transparent sheet for the mat allowing you to see you copper mat?
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Location: gone
Posts: 11,510
I'm gone.
Yup, that's what I find on my Pioneer PL-71
In fact I do wonder if Richard (Gromit) would have been quite so sure he wanted rid of the PL-71 if he'd heard it with a Resomat!
Amazingly good idea.
I await with baited breath!
I must admit I am regretting a little going for the white mat. It seemed a neat idea at the time, but I'd go for the black mat if I did it again.
Actually, there's a slight Techie-style lip at the rim of the PL-71 platter and a Techie-sized Resomat might well sit a little better ... I understand these should be available shortly ... if so, I will defo invest in an all-black one.![]()
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