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Thread: TransFi TURNTABLE PLATTER MAT...... THE 'RESO-MAT'

  1. #61
    Join Date: May 2008

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    Opps
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  2. #62
    Join Date: Aug 2009

    Location: West Yorkshire

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    I'm Stephen.

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    My Resomat arrived very quickly - excellent customer service and communications from Vic.

    First impressions are most favourable. I am using it directly on top of the Vantage Audio platter. So, in comparison to the Achromat bass is firmer and extends lower, more texture to kick drum and cello/double bass. Presentation is slightly forward with a sense of more space around instruments - perhaps a little more "zing" to cymbals/tambourine etc. I also think data retrieval is enhanced. On side 1 Floyd's DSOTM in the airport I'm pretty sure the announcement in the back ground says "follow the green line to customs and immigration" - I've never before been able to "decipher" the follow the green line bit. Of course I could be totally wrong and she is saying something totally different - I'm sure someone will comment
    Overall, I find the presenattion more pleasing with the Resomat than the Achromat (not necessarily better - but different). Before anyone asks/suggests I'm not going down the road of using both at the same time

    The only downside I've noticed is that surface noise is more prominent with the Resomat.

    For the next few weeks I'll leave the Resomat in situ then switch back to the Achromat to see if these initial impressions remain.

    Update - just tried the Resomat on the TD150 which currently has a cork/rubber composite mat - again huge improvement in all areas. However, the aesthetics of the Resomat on the "vintage" TD 150 just don't cut it so I tried the Achromat and this also sounded much better than the cork mat - the difference between the Resomat and Achromat on the TD 150 were (to my ears) much smaller than on the Technics so i can live with the "compromise" of having the Achromat on the Thorens.

    Steve

    Steve
    Last edited by worrasf; 11-01-2012 at 15:44.
    Always a little further

  3. #63
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Hi Steve,

    Interesting observations....

    For the next few weeks I'll leave the Resomat in situ then switch back to the Achromat to see if these initial impressions remain.
    That's *always* the best way to genuinely assess whether any improvements are genuine, imagined or otherwise, with any new 'tweak' carried out - and much more meaningful to an audio and music enthusiast than any amount of pointless (and fatally flawed) double-blind testing!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

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  4. #64
    Join Date: May 2009

    Location: Southport, Merseyside

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    I'm Nigel.

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    Does the Resomat sound similar to the Ringmat?

  5. #65
    Join Date: May 2008

    Location: Cricklewood

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    nope a lot more open imho
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  6. #66
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,800
    I'm Stephen.

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    In a strange way I really didn't want to like the Resomat - it just seemed too flimsy - almost a joke in design philosophy and construction. Counter to all the other mats I've tried (Herbies, Achomat, cork composite, origin live, technics) with or without clamping - it's also IMHO aesthetically challenged. However, after a week or so in use my initial thoughts have been confirmed. It does sound better than the others I've tried on the Technics. It sounds so much more open and "airy" - the Achromatic in comparison sounds "boxed in and choked" -
    Bass control and extension is better and there's more life and zing to percussion - its just so much more atmospheric - particularly evident on the LZ BBC sessions. What's "odd" is that I have not heard the same improvement on the Thorens where I've actually gone back to the cork composite mat which seems to give the best results so clearly there are compatibility differences depending on suspension/drive/platter types and what suits my Technics with the VA platter may not be others experience with different setups but I'm really pleased with the improvement and for now at least the Achomat is back in its sleeve.

    I've asked Vic at Inspire if he can supply me a set of the acrylic cones as I'm minded to try them "bonded" (a dab of silicone should suffice and would beveasily removed) direct onto the VA copper platter. Theoretically should soundvthevsame as the Resomat but will allow the beautiful copper platter to be seen.
    Steve
    Last edited by worrasf; 22-01-2012 at 18:53.
    Always a little further

  7. #67
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

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    I'm Neil.

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    Quote Originally Posted by worrasf View Post
    In a strange way I really didn't want to like the Resomat - it just seemed too flimsy - almost a joke in design philosophy and construction. Counter to all the other mats I've tried (Herbies, Achomat, cork composite, origin live, technics) with or without clamping - it's also IMHO aesthetically challenged. However, after a week or so in use my initial thoughts have been confirmed. It does sound better than the others I've tried on the Technics. It sounds so much more open and "airy" - the Achromatic in comparison sounds "boxed in and choked" -
    Bass control and extension is better and there's more life and zing to percussion - its just so much more atmospheric - particularly evident on the LZ BBC sessions. What's "odd" is that I have not heard the same improvement on the Thorens where I've actually gone back to the cork composite mat which seems to give the best results so clearly there are compatibility differences depending on suspension/drive/platter types and what suits my Technics with the VA platter may not be others experience with different setups but I'm really pleased with the improvement and for now at least the Achomat is back in its sleeve.

    I've asked Vic at Inspire if he can supply me a set of the acrylic cones as I'm minded to try them "bonded" (a dab of silicone should suffice and would beveasily removed) direct onto the VA copper platter. Theoretically should soundvthevsame as the Resomat but will allow the beautiful copper platter to be seen.
    Steve
    Interested to read how that works, interesting.


    Regards D S D L

  8. #68
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Quote Originally Posted by worrasf View Post
    In a strange way I really didn't want to like the Resomat - it just seemed too flimsy - almost a joke in design philosophy and construction. Counter to all the other mats I've tried (Herbies, Achomat, cork composite, origin live, technics) with or without clamping - it's also IMHO aesthetically challenged. However, after a week or so in use my initial thoughts have been confirmed. It does sound better than the others I've tried on the Technics. It sounds so much more open and "airy" - the Achromatic in comparison sounds "boxed in and choked" -
    Bass control and extension is better and there's more life and zing to percussion - its just so much more atmospheric - particularly evident on the LZ BBC sessions. What's "odd" is that I have not heard the same improvement on the Thorens where I've actually gone back to the cork composite mat which seems to give the best results so clearly there are compatibility differences depending on suspension/drive/platter types and what suits my Technics with the VA platter may not be others experience with different setups but I'm really pleased with the improvement and for now at least the Achomat is back in its sleeve.

    I've asked Vic at Inspire if he can supply me a set of the acrylic cones as I'm minded to try them "bonded" (a dab of silicone should suffice and would beveasily removed) direct onto the VA copper platter. Theoretically should soundvthevsame as the Resomat but will allow the beautiful copper platter to be seen.
    Steve
    Experimentation is always worthy. It'll be interesting to know ow this works out. My expectation is that bonding the cones to a mat will couple them tightly and they will inherit most of the characteristics of the mat. The "flimsy" mat is intended to be loosely coupled. Maybe Vic can source a transparent sheet for the mat allowing you to see you copper mat?
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
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  9. #69
    Join Date: Jan 2008

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    Quote Originally Posted by worrasf View Post
    .... It does sound better than the others I've tried on the Technics. It sounds so much more open and "airy" - the Achromatic in comparison sounds "boxed in and choked"
    Yup, that's what I find on my Pioneer PL-71

    In fact I do wonder if Richard (Gromit) would have been quite so sure he wanted rid of the PL-71 if he'd heard it with a Resomat!


    Quote Originally Posted by worrasf View Post
    .... I've asked Vic at Inspire if he can supply me a set of the acrylic cones as I'm minded to try them "bonded" (a dab of silicone should suffice and would beveasily removed) direct onto the VA copper platter. Theoretically should soundvthevsame as the Resomat but will allow the beautiful copper platter to be seen.
    Steve
    Amazingly good idea.

    I await with baited breath!
    I must admit I am regretting a little going for the white mat. It seemed a neat idea at the time, but I'd go for the black mat if I did it again.
    Actually, there's a slight Techie-style lip at the rim of the PL-71 platter and a Techie-sized Resomat might well sit a little better ... I understand these should be available shortly ... if so, I will defo invest in an all-black one.
    .

  10. #70
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,800
    I'm Stephen.

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    Quote Originally Posted by jandl100 View Post
    Yup, that's what I find on my Pioneer PL-71

    In fact I do wonder if Richard (Gromit) would have been quite so sure he wanted rid of the PL-71 if he'd heard it with a Resomat!




    Amazingly good idea.

    I await with baited breath!
    I must admit I am regretting a little going for the white mat. It seemed a neat idea at the time, but I'd go for the black mat if I did it again.
    Actually, there's a slight Techie-style lip at the rim of the PL-71 platter and a Techie-sized Resomat might well sit a little better ... I understand these should be available shortly ... if so, I will defo invest in an all-black one.
    Vic says yes and thinks should work the same - cones are on their way to me as I write - think ill use some double sided sticky tape to start with. Will report findings in due course.
    Steve
    Always a little further

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