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Thread: The Mike New Technics Bearing

  1. #231
    Mike_New Guest

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    I could not have put it better myself Marco.

    I can only add that I guess for purely market positioning reasons, Panasonic/Technics
    chose not to chase the market upwards in quality by further improving those components that are now the subject of mine and Paul’s upgrades.

    The reasoning was probably that to compete in that market against the Linns Regas and many other belt driven machines, would have put pressures on the design team who by this time had to a large extent disbursed over the many years that the ubiquitous SL1200 has been in production.

    It is to the advantage of those who realize the inherent value of the SL1200 DD design and the upgrades available, resulting in the ultimate realization of an excellent Turn Table whose sonic performance can equally match or outperform the established few whose first-off purchase price may be many thousands of dollars more than the summed cost of the SL1200 upgrades.

  2. #232
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    Many thanks for answers.

    As i say i was just curious.
    Will have to make an effort to hearing one,probably scalford next march.
    Cheers all.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  3. #233
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    No worries. Pop by the AoS room, and you'll likely hear both Martin's and mine

    They don't get much more tweaked than that!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #234
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

    Default

    Maybe next time i see a 1210 going cheap i'll pick it up.
    Have been after a dd as a 2nd deck.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  5. #235
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I'd defo do that. You'll then have access to the considerable knowledge and experience of folks here, to get it to sing

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #236
    Mike_New Guest

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    For those that are still considering getting one of my super duper bearings
    I only have 11 left from the last batch.

  7. #237
    Join Date: Sep 2010

    Location: Paradise in the Sun,USA

    Posts: 7
    I'm Jim.

    Default

    All this talk about Mikes New bearing,should be Compared to the New bearing by Applied Fidelity,it will blow your socks off!

  8. #238
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Got any links to this marvel of engineering?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #239
    MartinT Guest

    Default

    Quote Originally Posted by jimkjr View Post
    All this talk about Mikes New bearing,should be Compared to the New bearing by Applied Fidelity,it will blow your socks off!
    It looks interesting but doesn't appear to have the structural rigidity of Mike's design. Have you heard it in action?

    http://www.appliedfidelity.com/

  10. #240
    Join Date: Sep 2010

    Location: Paradise in the Sun,USA

    Posts: 7
    I'm Jim.

    Smile Applied Fidelity Bearing

    Yes,I have heard both bearings,and as I said,the applied Fidelity bearing will knock your socks off!I also don't know how the brass housing can be an improvement over the cast aluminum,as the brass bearing has a more significant tendency to ring.

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