Plus ça change plus c'est la même chose...innit...
A few weeks ago I finally got the PL71 arm all sorted (it was humming badly) so got it fitted to the Garrard...
I sounds good - better than the (AO-fettled) 3009 II - but it wasn't the sonic bullseye I was hoping for. So, feeling sorry for my poor little PL71 sat on top of the wardrobe in our spare bedroom, I finally got round to bring the old wooden wonder downstairs this morning and re-acquainted it with its own tonearm.
It doesn't have quite the sonic fireworks of the 401/PL71 combo but it's just so darn listenable and effortless in its music-making. Sure, some turntables have more resulotion, more impact, tighter bass blah blah but this is just so much fun. Johnnie's re-working of the Pioneer arm has been a small revelation - it's now Cardas'd up to its base where he's modified a Cardas plug/socket to fit under the turntable. He re-adjusted the bearings and generally gave the arm a good once-over.
Not sure the SAS Jico'd M75 is a great match for the heavy Pioneer arm but it's not doing too bad a job all things considered.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
In this case, you could try a rigid but lighter weight headshell which may shave a few grammes off the overall effective mass. Some posh headshell wires would also make you feel better about supposedly "downgrading" the shell![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
I've still got a Tecchy headshell Dave - might try that. Strange thing is that on the 401, the Pioneer/Shure combo doesnt cause any cone-flap (in the SME it was pretty bad at times). The same arm/cart combo on the PL71 flaps a fair bit - not as bad as the SME/401 though.
Think it may be a siting issue - at present the Pioneer TT's sat on an Audiotech table top board with Michell spike 'cones' underneath, the whole thing sat on a heavy oak media unit thingy. I'm going to try 'squash-balling' the board (ie half a ball in each corner as I did with the Garrard) to see if adding a tiny bit of isolation to the proceedings helps vs the present state where it's coupled to the shelf via the spikes. The Pioneer has lightly sprung feet though so I'm not sure how successful this would be.
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
My ex-Spacey M3D...
Presently using the PL71's mat on the Tecchy which has made a fairly worthwhile difference.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Location: North and South
Posts: 42
I'm Raj.
See, how come i couldn't take such nice pics of it! I notice the blue light isn't on![]()
Audionet DNA + EPS / roon / 432 Point5
Hey Gromit;
What do you think of your NVA pre & power? Love to hear your views please.
Are they British made?
Good reason for that Raj - my perfect pitch has been tested at A442 which means I always run a pitch adjustable turntable at approx +0.5% which is a lot more comfortable on my ear.
Peter - sadly I don't have my NVA pre-powers any more, I sold the lot when we were raising every last £ for our house purchase 18 months ago. As to how they sounded, I'd say that they were quite possibly the finest amps I've used in my home system - wonderfully neutral, extremely detailed, they just didn't appear ot get in the way of the music. No added sonic signature (ie they didn't sound fast nor slow - they let the music do that) and seemed to make sense of really sophisticated rhythms/musical patterns which had other amps falling over themselves. Good kit.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?