Absolutely!It would be a dull world if we all like the same things eh?
But some of the 80s programmes I liked were actually made in the 80s...
I thought you must've been thinking about another pair of speakers
Marco.
Absolutely!It would be a dull world if we all like the same things eh?
But some of the 80s programmes I liked were actually made in the 80s...
I thought you must've been thinking about another pair of speakers
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I wouldn't have said the large number of HB1's I had on dem from different batches sounded like that Macca, although we didn't like the cast-base HBS1 stands. We sold so many that Heybrook made a few batches of the original HBS1's for us.
HB1's could sound ssssssspiteful in the treble (easily seen why on measurement), but they were so forgiving otherwise, that they more than justified the awards they won IMO.
Some of the "decoupled bass-unit" KEF's sounded muffled on percussion though.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Yorks
Posts: 16,643
I'm Nobody.
Yes, they were probably the best speaker for the money and size,(although Missions were pretty good).
The speaker cones weren't that robust, either. I remember installing a private swimming pool set-up (powered by Quad 405s) with one in each corner, but had to replace a few in the following year or three. They were played loudly, I believe, on account of the incumbents being totally rat-arsed most of the time.
Great R & R speakers, however.
Didn't know they continued under JPW, though! Their own little speakers punch way above their financial weight, too!
Location: Near Saffron Walden, Essex
Posts: 7,357
I'm Dave.
Whenever I see JPW mentioned I have a little chuckle. I'd ordered up four pairs or something of the little one (Sonata ?) and a few days later, this sodd*ng great articulated lorry pulled up outside and the driver came in enquiring if we had a forklift. Cut a long story short, there had been a mix up at the factory and our little order had been turned into a lorry load...
That one kept us laughing for days.![]()
You should have kept schtum!
Could I have half a ton of speakers, please ?![]()
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
From the Grave
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously