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Thread: I've always said that people were discerning...

  1. #71
    Join Date: Jun 2009

    Location: Southampton, UK

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    I'm Lee.

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    Quote Originally Posted by Marco View Post
    If most people genuinely into music that are not simply just 'gadget freaks' had that test (or indeed a more optimally set-up blind one) demonstrated to them in their lounge at home, and they could live with the separates system, aesthetically, I guarantee that the majority of them would opt for it over the iPod.

    Why?

    Because, as the test showed, it makes music sound better - pure and simple!!
    Good thread this Marco. It's digressed a bit, but good thread.

    I've been off the site for a while due to 'life' getting in the way so i didn't see it when it started.

    Re the quote above; I see your point but there are a few caveats in there aren't there? For me, people genuinely into music will have a system other than an ipod/mp3 dock system, but I don't think lot of people are 'genuinely' into music in the way that say us lot on here are. People, ok younger people, nowadays consume music, like it's fast food. It's just there isn't it, wherever you go, blaring distortedly out of mobile phones and shops. There is no emotional connection to it.

    I think people need to be more informed about what a system can do for them. When I was younger and started listening to music, I used my Dad's old music centre, one of those single unit things about 2ft wide with a record player, a cassette player and a radio. The key for me though was that I had a cousin a few years older than me and he had a large music collection and he had hifi separates. He had all sorts of gear and this was a huge influence on me. After that, I knew I didn't want a mini system or any kind of all in one unit. The separates just sounded better and, to me, and a lot of boys/men they have that certain electronics lab feel about them. You know, us guys love to unplug things, mess around with wires etc etc, doesn't matter what it looks like!

    The thing is, the whole way that music is sold and listened to now has changed. If I was 14 now, I can't be sure that I wouldn't be buying an ipod dock system. Young kids probably have no idea about bit rates and compression when they download their music. They probably take it for what it is; they have nothing to compare it to, unless they have someone to show them that is.

    So, what is your idea to show them?
    Lee

    Independent Apple tech support guy at Macnology

    Gear: iMac > ALAC > Airport Express > Beresford Caiman DAC > Mark Grant IC > Audiolab 8000S > Chord Rumour Speaker Cable > Dynaudio Audience 42 Speakers > Grado SR80 Headphones

    Vinyl: 90's Rega Planar 2, RB250, Bias Cart, Rega Fono Mini

    Last.fm

  2. #72
    Join Date: Jul 2008

    Location: Surrey

    Posts: 782
    I'm Paul.

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    Quote Originally Posted by webby View Post
    Good thread this Marco. It's digressed a bit, but good thread.

    I've been off the site for a while due to 'life' getting in the way so i didn't see it when it started.

    Re the quote above; I see your point but there are a few caveats in there aren't there? For me, people genuinely into music will have a system other than an ipod/mp3 dock system, but I don't think lot of people are 'genuinely' into music in the way that say us lot on here are. People, ok younger people, nowadays consume music, like it's fast food. It's just there isn't it, wherever you go, blaring distortedly out of mobile phones and shops. There is no emotional connection to it.

    I think people need to be more informed about what a system can do for them. When I was younger and started listening to music, I used my Dad's old music centre, one of those single unit things about 2ft wide with a record player, a cassette player and a radio. The key for me though was that I had a cousin a few years older than me and he had a large music collection and he had hifi separates. He had all sorts of gear and this was a huge influence on me. After that, I knew I didn't want a mini system or any kind of all in one unit. The separates just sounded better and, to me, and a lot of boys/men they have that certain electronics lab feel about them. You know, us guys love to unplug things, mess around with wires etc etc, doesn't matter what it looks like!

    The thing is, the whole way that music is sold and listened to now has changed. If I was 14 now, I can't be sure that I wouldn't be buying an ipod dock system. Young kids probably have no idea about bit rates and compression when they download their music. They probably take it for what it is; they have nothing to compare it to, unless they have someone to show them that is.

    So, what is your idea to show them?
    I agree Webby, but I'm not sure people are any less passionate about music than the rest of us, it just manifests itself in a different way. I think it represents a cultural shift. Not many of my friends of the younger generations have any concept of a CD as a physical entity - they play music on their computers and MP3 players, and as you say, they take it for what it is. Yet they all religiously attend music festivals, the latest gigs, and many play in their own bands. Some of them are open to new ideas or suggestions for music they might not of heard, and others are perfectly happy with what they've got and seek nothing more. I guess the question of how they listen to their music runs along similar lines.

  3. #73
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    I haven't trawled through all this, but picking up on the earlier posts, an old Rega 2/R200/AT95E or NAD CD player at similar price, NAD 7020 receiver (to keep box numbers down over the identical 3020/4020) and Mission/KEF/B&W/Heybrook speakers (and similar) from the early eighties would make a wonderful cheap setup half the price of a "Zeppelin" and far better sounding. You can still plug an i-pod in via the aux inputs IMO
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  4. #74
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    The Heybrook 'HB-1' on 'HSB-1' Stands were amazing speakers for the low price they were, if i remember both the speakers & Stands reaped every award going back then in the '80's.

  5. #75
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,323
    I'm Martin.

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    Quote Originally Posted by Andre View Post
    The Heybrook 'HB-1' on 'HSB-1' Stands were amazing speakers for the low price they were, if i remember both the speakers & Stands reaped every award going back then in the '80's.
    I recall them as fuzzy, boxy and closed -in sounding...I wouldn't have had 'em even for free!
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  6. #76
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    You must have the wrang Speeka Martin

  7. #77
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

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    Mmmm... Can't say I've ever heard what you describe from HB-1s either, Martin

    I've always rated (most) Heybrook speakers, along with their superb TT2 turntable, which I'd use anyday before an LP12.

    Marco.

    P.S Lee and Spursy, I'll come back to you later regarding your earlier observations
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #78
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,323
    I'm Martin.

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    Quote Originally Posted by Andre View Post
    You must have the wrang Speeka Martin
    Hmm - maybe! It was along time ago - and who wants to remember the 'eighties anyway?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  9. #79
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

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    Me! It was my favourite era on a number of levels... Remember the TV progs we discussed, for starters!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #80
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,323
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    Me! It was my favourite era on a number of levels... Remember the TV progs we discussed, for starters!

    Marco.
    Yes - but all of those were made in the 'sixties and 'seventies and we watched them in the 'seventies, not the '80s...and I know you are a big fan of the '80s synth-pop scene which I hated with a passion!

    It would be a dull world if we all like the same things eh?

    Just looked up the Heybrook HB1 and it is not the one I am thinking of - God knows what model it was - my pal's father was a doctor and had a set up in his study for listening to opera and suchlike- we used to sneak in and play rock n roll when he went out!
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

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