Sometime back I had an interesting email from Dr Michael Krug in Vienna. He gets an excellent result from his 12XX by retaining the stock platter but augmenting it with the latest Isoplatmat (SDS) which fits within the lip of the stock platter and then the Herbies mat on top. Now I know that others have tried the Isoplatmat and found it wanting, hollow sounding was one comment, but the new one at a diam of 285mm is slightly thicker than the old one and is a perfect fit within the lipping of the 12XX platter. It lays flatter than a punctured wide rimmed tyre. Price is GBP87.50 plus 5.50 for P & P within the UK (www.sounddeadsteel.com I have the original at a diam of 288mm but not in use. The new one, which I have bought, most certainly takes out any ringing of the stock platter and as I have a Herbies mat in my library of mats I can say that it works, thanks for the info Dr Mike. Of course experimentation with other mats, cork etc, can easily be tried out if you have the will and mind to do so
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Now this is what I am using at the mo atop the stock platter. First the SDS 285mm, then the Rubato copper and finally the Acromat. These three layers have been bonded together (but not to the main platter), using the the old petroleum jelly method, into one constrained layer sub platter. Note please: this is not recommended if you are starting from scratch as buying these three units in one hit is costly and you are likely (?) to be better served by spending a bit more and go for the MN platter or Funk acrylic one. I had all the above mats etc in possession over a period of time so that the expenditure had been spread over the past years and could be used for experimental purposes, geddit?
I wanted this idea of a main plus a substantial sub platter, taking my thinking from the separate inner and outer platter of Linn, Thorens, AR etc. I do certainly hear clearer instrumentation coming to me than when I used only the Copper Rubato and Acromat bonding. The swishing of Joe Morello's and Shelly Manne's brushs on the snare drum, the kick of the bass drum, is clear, so very clear. The deep, fat sonority of Ray Brown's walking double base, the sweet, lyrical and celebral playing of the alto sax from Paul Desmond, the sheer musicality and deep tones of Mulligan's and PepperAdam's baritone saxs, the percussive playing of Dave Brubeck's piano playing to the lilting touch of Bill Evans. As for trumpet, Chet Baker, Miles, Arturo Sandaval, Dizzie's, goose bumps man! As for voices, Ella's through to Krall's and for the fellas, Jimmy Rushing, Billy Eckstein through to Mel Torme are so much more enjoyable that I forget to drink the red vino within finger reach let alone top up the glassAnd as for acoustic and electrical guitar, how the hell did that guy get into my house!
Phew, as Dino said 'wheres the couch?'
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. Of course experimentation with other mats, cork etc, can easily be tried out if you have the will and mind to do so
And as for acoustic and electrical guitar, how the hell did that guy get into my house!
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Originally Posted by Macca






