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Thread: Original US model Shure SC35C

  1. #31
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Note to Mr Malenfant - I haven't a clue about the "shape" of the magnetic circuit involved, but there have been comments that the Jico general Shure stylus replacements (not including the more bespoke SAS models) sound livelier than the originals. This could be due to all sorts I suppose, but I suspect the magnets may be more efficient and tubular in section, whereas the Shure originals were "diamond-shaped" in cross-section. This may not make any difference for all I know.

    I know there have been negative comments regarding the Mexican made Shures, although the M44-7 (their highest output one I think) must still be selling, as it costs double that of the Stanton and Pickering models (who also do a juicy version of the 500/Red Hot Needle at least).
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  2. #32
    Join Date: Jan 2011

    Location: Eastern, US

    Posts: 2,027
    I'm afesteringvinylphile.

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    Quote Originally Posted by Marco View Post
    ...I can definitely confirm that the vintage US model SC35C is significantly 'louder' than the modern version, as I've just installed the latter (the one Barry gave me, fitted with a modern Shure stylus) in another headshell, and have done the comparison. And not only is it 'louder', it makes the modern version sound like a cheap toy...

    ...I need to try it with different types of music, to see if it's capable of subtlety and finesse with more challenging genres, but so far with rock, pop and dance music, it is utterly beguiling, and combines sledgehammer bass, which is sphincter-tight, weighty and massively extended, with a mellifluous, highly communicative midrange, and a detailed, 'airy' sounding top-end, that has a wide-open clarity, yet is never fatiguing. Heady and highly entertaining stuff indeed....

    .
    Hey Marco,

    You know, the differences you're describing also sound as if they've modified the number of windings for the coil(s). If the original model has more windings than the new model that would support your findings of hotter output, fuller mids, more bass slam and perhaps slightly rolled off highs. In comparison, I would expect a cart with fewer windings to sound leaner overall in comparison. At least, that's the way it works with guitar pickups where the terms "overwound" or "underwound" are used quite frequently to give a hint as to their sonic signature. Maybe Shure's cost cutting measures include a reduction in the amount of magnet wire used per cartridge ; but, that is pure speculation on my part.

    I wonder if Dominic Harper could take a new SC35C and rewind it to original spec???

    A few more threads like these, Marco, and you'll be tossed out of the audiophile circle for good.
    Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
    But music (melodies, harmonies, rhythms), that's God stuff.
    Always was. Always will be.


    One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.

    (silent) VINYL LP SLIDESHOWS

  3. #33
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol!

    Windings aside, I suspect that the quality of magnets used in the vintage model (perhaps Alnico?) is superior to what's fitted now in the current model.

    That, and the quality of the stylus on the vintage model is in an altogether different league, the cumulative result of which is to consign the status of the modern item to that of no more than a mediocre budget cartridge, whereas the original US SC35C is a veritable vintage gem, and could compete with, and in many areas outperform, cartridges made today at many times the price of the £62 that I paid for it!

    It's no one-trick pony either. I was up until 3am this morning playing a variety of genres of music, from prog rock to jazz and classical, through to ambient and electronic, and whilst its talents are biased towards beat-driven music and jazz, it is no slouch with classical or choral, due in no small part to the quality of its stylus. It may be an 'old fashioned' conical tip, but it's a refined and high-quality one, which means that this cartridge is capable of subtlety, as well as balls-out 'sonic fireworks', when the music demands.

    All in all, the original US model SC35C is a very welcome addition to my cartridge collection, and joins the ranks as another true 'giant-killer', high in SPPV, along with the G800, M3D, etc. Find one if you can, as quite simply, they don't make cartridges like this anymore, this side of £500!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #34
    Join Date: Jun 2009

    Location: Berkshire uk

    Posts: 1,744
    I'm Allthatwasisorwillbe.

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    Quote Originally Posted by Marco View Post
    Lol!

    Windings aside, I suspect that the quality of magnets used in the vintage model (perhaps Alnico?) is superior to what's fitted now in the current model.

    That, and the quality of the stylus on the vintage model is in an altogether different league, the cumulative result of which is to consign the status of the modern item to that of no more than a mediocre budget cartridge, whereas the original US SC35C is a veritable vintage gem, and could compete with, and in many areas outperform, cartridges made today at many times the price of the £62 that I paid for it!

    It's no one-trick pony either. I was up until 3am this morning playing a variety of genres of music, from prog rock to jazz and classical, through to ambient and electronic, and whilst its talents are biased towards beat-driven music and jazz, it is no slouch with classical or choral, due in no small part to the quality of its stylus. It may be an 'old fashioned' conical tip, but it's a refined and high-quality one, which means that this cartridge is capable of subtlety, as well as balls-out 'sonic fireworks', when the music demands.

    All in all, the original US model SC35C is a very welcome addition to my cartridge collection, and joins the ranks as another true 'giant-killer', high in SPPV, along with the G800, M3D, etc. Find one if you can, as quite simply, they don't make cartridges like this anymore, this side of £500!

    Marco.
    Yep have to agree with marco hear,it certainly does like beat-driven music,as i mainly listen to funk/afrobeat,electronic,dub,industrial and a touch of jazz,it's perfect for me.

    When listening to my nagaoka MP110,i found myself losing interest in the music and not feeling engaged enough to keep my attention.Everything was there with the nag,but the presentation is on a different level with the US SC35C.I now feel like i can hear what the croft phono is capable of,and it is even more special than i previously thought.

    I still have the G800 to play around with,just need to get a headshell,weight and a re-tipped stylus but am now thinking,that money could go towards a jico SAS for the SC35C,which may take it up another level.

    How does the G800 compare to the SC35C marco?

    Im getting the feeling,there's more to come from this cart in my system and now it's time to start thinking about speakers as my 'budget actives' whilst good for the money,maybe holding things back.Which way i want to go,active or croft power,with some 'vintage' speakers,i don't know yet.
    Darren

    KORUS CUSTOM SERVER
    TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
    CAIMAN SEG + DORADO PSU
    CROFT MEGA MICRO
    PARADIGM REFERENCE ACTIVE/40'S
    PARADIGM SERVO 15 SUBWOOFER X 2


    ''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''

  5. #35
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    How does the G800 compare to the SC35C marco?
    Stand by for that comparison early next week! I just want to get to know the vintage SC35C better first

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #36
    Join Date: Jun 2009

    Location: Berkshire uk

    Posts: 1,744
    I'm Allthatwasisorwillbe.

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    Quote Originally Posted by Marco View Post
    Stand by for that comparison early next week! I just want to get to know the vintage SC35C better first

    Marco.
    Ok,will do.I hold tight regarding the G800 for the time being,i don't want to spend money where it is potentially not really needed in my case.
    Darren

    KORUS CUSTOM SERVER
    TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
    CAIMAN SEG + DORADO PSU
    CROFT MEGA MICRO
    PARADIGM REFERENCE ACTIVE/40'S
    PARADIGM SERVO 15 SUBWOOFER X 2


    ''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''

  7. #37
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed, especially as you've still to buy that arm collar from me

    Only kidding! But the poor wee thing is getting very lonely and needs a new home

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #38
    Join Date: Jun 2009

    Location: Berkshire uk

    Posts: 1,744
    I'm Allthatwasisorwillbe.

    Default

    Quote Originally Posted by Marco View Post
    Indeed, especially as you've still to buy that arm collar from me

    Only kidding! But the poor wee thing is getting very lonely and needs a new home

    Marco.
    Oh yeah,forgot about that.I did say it'll have to wait till the end of the month

    How much do you want for it? I might be able to get it sooner.
    Darren

    KORUS CUSTOM SERVER
    TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
    CAIMAN SEG + DORADO PSU
    CROFT MEGA MICRO
    PARADIGM REFERENCE ACTIVE/40'S
    PARADIGM SERVO 15 SUBWOOFER X 2


    ''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''

  9. #39
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I'll PM ya, dude!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #40
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    If you haven't paid Marco for it by month-end, I'll probably have it for the Jelco I hope to get - one day......
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

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