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Thread: It's now time to ditch your Sound Hi-Fi/Herbie's mats...

  1. #201
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Quote Originally Posted by jimdgoulding View Post
    One small problem that I haven't been able to get around is that I can't seem to get my CD player to play even one analog recording of the many I have. I guess I'm just stuck with it, not that I mind terribly. BTW, I use an old Oracle mat and think that with it my music is appreciably a little better sounding than the mat my Nottingham came with.
    That was an old post clumsily presented and Marco and I have since discussed what I really meant - and I did post an expansion shortly after I believe.

    Cutting records is a true art and in the days before the advent of digital and CD in particular, the best cutting engineers seemed to have a "feel" for what they needed to do to get a great sound from records, bearing in mind the losses in cutting and pressing I aluded to in the aforementioned post. As I think I've stated before and since that time, taking a pre-eq'd etc. tape and doing a straight digital transfer as was done in the mid 80's is a total recipe for disaster. By the early 90's, the editing and mastering tools available to a digital engineer were much better and the best analogue-to-digital remasters can be breathtaking. Even LP's cut from these digital source files can sound better too, although I'd question what the point was in doing this..

    Anyway, in recent times I've got the Decca singing nicely and have steeped myself in cheap vintage Garrard folklore I'm enjoying records immensely and don't give a toss whether CD sounds better or not - far too many other things to really worry about right now
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  2. #202
    Join Date: Jan 2008

    Location: Texas, yo. Can't seem to get away.

    Posts: 245

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    Thanks, Dave, for your reply .
    Hear your music, not your speakers

  3. #203
    Join Date: Jan 2008

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    My Funky mat has arrived. Out with the Herbie! The Herbie is very good, but the Funk Achromat allows more clarity and rez to the sound - both traits that I value. I feel sure, though, that there are many folks who prefer a more relaxed and enveloping sound who would prefer the Herbie.
    .

  4. #204
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    What about the £20 approx acrylic mats on ebay??? I think Alex_UK has one, but since he's flush, he may have quietly bought Funk one instead out of his wine budget
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  5. #205
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    I find on my decks the 3mm acrylic mats better the Achromat except for a "whiteness" or harshness in the upper mid to lower treble. In the end I find this incredibly annoying. 30 quid gets you ones of Vic's mats (Trans-Fi).
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  6. #206
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

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    I'm WrappingALilacCurtainAroundMyBobby.

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    Quote Originally Posted by DSJR View Post
    What about the £20 approx acrylic mats on ebay??? I think Alex_UK has one, but since he's flush, he may have quietly bought Funk one instead out of his wine budget
    Mine is one of the eBay specials Dave - this one:

    http://cgi.ebay.co.uk/XTM1-FROSTED-A...ht_2829wt_1139 - I originally bought it for my Pro-Ject RPM4 which worked well, I've recently been experimenting with it on the 401, with varying success - I don't like it on its own on the aluminium platter but putting the Herbies on first (upside down) with the XTM1 on top worked quite nicely. (Currently using the Technics SL-150 mat on its own on the Garrard - until I brave the garage to look for the original 401 mat, which by most accounts (including yours) is hard to beat...)
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


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  7. #207
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    The latest Achromats are supplied with extremely sticky self-adhesive pads, which when applied to the underneath of the mat, and dotted equidistantly around the periphery of it, Vaseline then applied elsewhere all over, and then after having pressed firmly down on top of the mat, covering the circumference of it, allow the Achromat to bond so firmly to the platter, that it virtually becomes one with it!

    And THAT makes a MASSIVE difference to the mat's effectiveness, the sonic effect of which one can easily hear.....

    So, Jerry, please ensure you do the above, and you will *really* hear what your new Achromat is capable of!! Thus used, IMO, (where record clamps are present) I have used no better turntable mat. The results it gives are utterly superb!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #208
    Join Date: Jan 2008

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    Posts: 11,510
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    Oo 'eck - so I still have to brave the wife's curiosity about a Vaseline purchase?

    OK.

    At the moment the mat is held down with 4 strips of extremely sticky but thin double-sided craft tape in a cross pattern from the centre to the rim.
    I'll give the lube job with the supplied sticky circles a go.
    ... mind you, I tried separating the Funk-supplied sticky pads from their (presumed) covering layers ... I didn't manage to make any headway at all! I'll have another go.
    .

  9. #209
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Jerry,

    Quote Originally Posted by jandl100 View Post
    Oo 'eck - so I still have to brave the wife's curiosity about a Vaseline purchase?
    Hey, you never know, she might let you rub some on HER afterwards - the mind boggles...!

    I'll give the lube job with the supplied sticky circles a go.
    ... mind you, I tried separating the Funk-supplied sticky pads from their (presumed) covering layers ... I didn't manage to make any headway at all! I'll have another go.
    Please do, as trust me, the effort is WELL worth it, dude. I had to get Del to do it, as she has long nails, which are necessary to seperate the sections of the sticky pads, so there's another opperchancity to get ya ladeee involved in yer hi-fi geekiness!

    Once done, it's pretty easy after that to apply the sticky bits to the mat.....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #210
    MartinT Guest

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    Quote Originally Posted by jandl100 View Post
    At the moment the mat is held down with 4 strips of extremely sticky but thin double-sided craft tape in a cross pattern from the centre to the rim.
    I'll give the lube job with the supplied sticky circles a go.
    ... mind you, I tried separating the Funk-supplied sticky pads from their (presumed) covering layers ... I didn't manage to make any headway at all! I'll have another go.
    I think the 'lube job' really comes into its own over using sticky tape/pads by ensuring there is no air gap at all between mat and platter, giving a complete bond. It really does sound better than tape.

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