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Thread: Goodbye HiFi Wigwam

  1. #281
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    I meant the evil crapola posted (yet again) by Mr Dunn impugning the superb efforts by the Wigwam Scalford Show management team - not to mention the excellent support given by those forum members exhibiting and those attending as visitors.

    As you said ...
    Quote Originally Posted by Marco View Post
    .... although I think you're being rather unfair on the effort James and the Wigwam mods and members have put into making this year's show such a success.
    Richard Dunn is going way too far in his evil-minded (sorry, but it is evil-minded) criticism of a superb event. He demeans himself, not others.
    .

  2. #282
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Dr Bunsen Honeydew View Post
    Because I haven't reported it, do I have a right of reply and also ask the same question?
    Let's see first what the "evil crapola" was Jerry was referring to. I'm a little concerned that it appeared directly after what I felt was a perfectly polite and considered response.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #283
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Jerry,

    Quote Originally Posted by jandl100 View Post
    I meant the evil crapola posted (yet again) by Mr Dunn impugning the superb efforts by the Wigwam Scalford Show management team - not to mention the excellent support given by those forum members exhibiting and those attending as visitors.

    As you said ...


    Richard Dunn is going way too far in his evil-minded (sorry, but it is evil-minded) criticism of a superb event.
    Thank goodness you weren't referring to what I wrote!

    I do agree, hence why I said what I did. However, he's entitled to his opinion, however much you may disagree with it.

    Having said that though, this is starting to get a little out of control, and become more about current personalities here and airing old grudges, as opposed to the subject that should be under discussion, therefore I'm afraid that I will have to ask that we now get back on-topic, otherwise any further remarks like that will be deleted from this post onwards.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #284
    Join Date: Jan 2009

    Location: Nottingham UK

    Posts: 550
    I'm ThinkingOfHorns.

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    Hi Alfie,

    Lol... It's got nothing to do with that, dude.

    What I was referring to was your overuse of exclamation marks (count how many were used in your main post earlier I was referring to), which made it look like you were shouting and losing your rag, and that what you were writing was more of a rant, than you calmly, but robustly, expressing your legitimate opinion.

    Therefore, you may wish to use less exclamation marks when making your point in future!!!!!!!!!!!! (note the deliberate overuse of those bad boys)
    I'll leave this as it's been dealt with in the last post.



    Fair enough, but Sodders appointed as a mod? Good grief!

    That's akin to appointing Colonel Gaddafi as an ambassador for peace in the Middle East!!

    And let's not forget that this is the chap too who, completely unprovoked, recently referred to AoS members as "halfwits" - hilarious as it was at the time!
    Sodders is a very intelligent character, very well read & has written some of the most eloquent & some of the most disturbing posts I've ever read! (note 1 exclamation mark). Again he's a very nice guy in real life, still strongly opinionated though. I think he will make a great Mod, in the spirit of the Wam, but his vocabulary I suspect will be very colourful.

    EDIT: Seems I jumped the gun & Sodders is not doing a moderating role, still, I think in a way he would be very good! IMO.

    Are you married, Alfie, or do you have a female partner? If so, I'd be curious to know her views on the justifiable use of the word 'cunt' in everyday dialogue.....
    No, I'm not married, as an atheist I don't believe in marriage. I do though share my life with a very special & beautiful lady called Sally. I have 3 children from a previous relationship & am also step father to Sallys 2 children. Sally works very hard & has worked her way to the top of her chosen profession & now manages several large concerns. We both do not swear around the younger children. I thought I'd ask her her thoughts on the matter & she asked to read some of the thread. Her reply is you're a bunch of "sanctimonious, self righteous cunts" so that's your answer there! She also asked me if any of you had heard of the feminist 'cunt art' movement & suggested you read these sites & others similar
    http://marcysheiner.tripod.com/DinnerParty.htm
    http://www.matthewhunt.com/cunt/reappropriation.html
    I also asked if she thought it ok to use on an HiFi forum, she replied it depends on context & the acceptance of the forum.


    My Ex the mother of my children claimed not to like the word, but used it greatly while we were having sex though.

    Yes indeed, but here's the million Dollar question.........

    Why can't the Wam forum have the same ethos and vibe as does the Scalford Hall 'Pie Show', where everyone, no matter their views on hi-fi, is welcomed with open arms and meets up and has a good time, in the true spirit of camaraderie, without hardly a bad word being exchanged??

    Why is the vibe on the forum so very different, certainly at least to those who don't share the natives desire to indulge in pubescent and offensive, sorry, 'humorous', behaviour?

    I'd like you to give some serious consideration to the glaring dichotomy that exists, as I've outlined above - why that is so, and most importantly, what can be done about it.

    I am genuinely interested in helping Wigwam become a friendlier place, as I do think that it has something important, and clearly popular, to offer to the UK audio community

    Marco.
    I suggest that most Wammers are normal polite human beings that know how to behave publicly! As seen at Scalford or at bake-offs, but some choose to use profanity in the guidelines of the forum in question! where they feel safe & happy to do so. It is simply their choice & it does not change the people they are in my eye's. They are only words & words to be used! Just perhaps they are entitled to TOLERANCE AND RESPECT too, in that some tolerance should be shown to the language they choose to use & respect of their choice to use it.

    I don't believe anything needs to be done about it! It is the choice of the forum AUP & the membership. I suspect the new AUP & mods will try harder to keep the swearing in the Pubilic bar, car park & members area, but we will have to wait & see.

    The wam already is a friendly place it just has a different outlook & way of running than AoS or different again PFM. The Wam as far as I can tell doesn't want to be another HiFi forum, It wants to be the Wam & i'm not sure you can change it to use your personal set of morals. I think alot of its attraction is the freedom of speech & the way it's run, that isn't for everybody but then again it's not a democracy is it!

    Has as been mentioned through this thread each forum has a different appeal & that's a good thing IMO, people simply choose where they spend their time! No wrongs & no rights just personal choice!
    Last edited by alfie2902; 05-07-2011 at 19:06.
    alfie
    Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
    2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.

  5. #285
    Join Date: May 2011

    Location: Epping

    Posts: 716
    I'm Richard.

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    Everything I wrote is the truth, factual and provable and was in answer to the specific question asked. I know nothing about this years show as I didn't attend, but from all accounts it was a great success. So what, what has that got to do with me, I simply answered a specific question.

  6. #286
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

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    Good post, Alfie. You raise some interesting points, which I'll get to later!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #287
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

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    Quote Originally Posted by alfie2902 View Post






    My Ex the mother of my children claimed not to like the word, but used it greatly while we were having sex though.
    Post of the year right there..
    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

  8. #288
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Dr Bunsen Honeydew View Post
    Everything I wrote is the truth, factual and provable....
    Perhaps so, I don't know, as I wasn't party to the events you're referring to. However, despite that, Richard, you quite clearly have a grudge towards Wigwam, its members and its management team, and that quite simply cannot be allowed to raise its head here.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #289
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by aquapiranha View Post
    Post of the year right there..
    Indeed - I had a good chuckle at that, too!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #290
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

    Default

    Just to add the scalford show is one of the highlights of the year for me.

    I don't care if members are from wigwam aos pfm av forum crossdressers weekly.
    It's about meeting fellow hi fi and music lovers.

    It's nice to see different forums meeting in the same place.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

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