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Thread: Goodbye HiFi Wigwam

  1. #271
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Alfie,

    I will answer your questions shortly & try not to use to many exclamation marks!!!!!
    Nice one!

    It wasn't a rant though, you would know if I got angry as I'm one of those nice placid types that only explode very very occasionally, but you know when I do I always thought THIS WAS SHOUTING in forum life?
    Yeah, I'm one of those nice placid types, too!

    Yup - capital letters denote shouting (and aggression) on 'message boards', as does the excessive use of exclamation marks. The trick is to use them sparingly, when you really want to emphasise something!!!! (Just like that).

    Anyway could you please explain how to split quotes to answer each section separately it makes more sense that way
    Just simply ensure that the text you wish to quote is enclosed within ["quote"]["/quote"], minus the actual quotation marks - simples!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #272
    Join Date: Jul 2010

    Location: Lincolnshire

    Posts: 212
    I'm anOrgoneAccumulator.

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    I'm very thick-skinned (you get that way in my business), so I've always taken the HFWW "style" with a hefty dose of salt. There are some very knowledgeable people on there, and I've gained useful intel. I avoid the typical objectivist/subjectivist "cable wars" conversations there because, frankly, you're never going to change entrenched opinions so why bother? I've met some great folk from the site when buying/selling, and at Scalford: I'm happy to see it continue. I can't be arsed worrying about the keyboard warriors - that's just a trait of (most) forums. I refuse to take them too seriously - it's only hifi 'n' stuff.

    I like pfm and this place too, and indeed, quite a few on here are happy to spend time in the other forums too. What I like most is that each of the three have very individual characteristics; they can all be good fun in different ways - and I've met a lot a positively charming people in the process.
    Main System - T/T: Trio L-07D/Benz Glider; SME V/Ortofon Cadenza Blue; Audio Technica AT666EX vacuum disc stabiliser; Audio Technica AT636 Audio Insulator Feet. Phono: Whest PS30R. CDPs: Esoteric UX-1; Micromega Classic Solo. Amps: Exposure MCX Pre/4 x Exposure XVI Mono Power. Speakers: Jamo R909/Townshend Seismic Sink stands/Audiosmile Mk 2 Supertweeters. Headphones: Audio Technica ATH-W1000; G&W TW-J1 head amp.
    Second System - Digital: NVA TFS. Amps: NVA P90 Pre. Speakers: B&O Beolab 6000 Active.

  3. #273
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Good post, Theo!

    Just to pick up on something Tony L has written on the concurrent thread on pfm:

    I don't think it's at all appropriate for us to dissect matters on WigWam here, I've found some of the content elsewhere on the web decidedly tacky to be honest, and I'd certainly like to keep pfm far above that level. As far as I'm concerned some of pfm's friends (most of whom are members here anyway) hit a rocky patch and we did what we could to help them though it.
    That's exactly how I see it too, and we've certainly done what we could to help, by having provided a contact point for exiled Wammers (just as pfm did), whilst the PM facility on Wigwam was inaccessible, when James temporarily pulled the plug.

    I'm not sure if Tony is referring to comments here or not, regarding his "tacky" remark....

    However, I don't see any harm in identifying potential areas of concern on Wigwam, and offering constructive and well-intended advice on how perhaps to solve problems, with the view of preventing them happening again in future.

    I don't believe in unnecessary censorship, so people should be free to express themselves and discuss things, providing that in doing so, their motive complies with the sentiments expressed above.

    Aside from a few inflammatory remarks, which I've removed, that is certainly what's been happening here

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #274
    Join Date: May 2011

    Location: Epping

    Posts: 716
    I'm Richard.

    Default

    Quote Originally Posted by Marco View Post
    Richard,

    I think that's the problem with 'in jokes' on forums, which only the regulars will appreciate and relate to.

    It's the same here with me when I refer to 'shlipping into a wee frock', or whatever - I'm not REALLY doing it (well, at least only on a Sunday ) - it is simply something I enjoy laughing at with those who I know also find it funny!

    That aside, I do understand where you're coming from, but can we please concentrate less on past events on Wigwam involving you, and more on the present situation, and how we can help matters.

    For instance, what's your view on the question I asked Alfie? Why is Wigwam, the forum, so different in its outlook and vibe from Wigwam in its bake-off format, such as at Scalford Hall?

    Marco.
    Because Chestergroup picked up the idea from my posts and emailed the main forum owners to see if they wanted to be involved, only Wigwam were interested. But Chestergroup knowing perfectly well what that forum was like laid down a set of rules. Because of that I came in as trade to sponsor it 2nd year because Chestergroup were going to pull out if trade didn't get involved (the only one apart from records and accessories in the hall) because I felt responsible having run the idea in the first place. So *under instruction* everyone played the game in a professional manner, this seems to have rubbed off on the event. If they had thought up the idea and organised it themselves from the start can you imagine what a dissing fest it would have turned into. It may be called the Wam Show now but the Chestergroup influence from the first two is still there. We will see how long it lasts.

  5. #275
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Interesting answer, Richard. I suspect that there is an element of truth in that, although I think you're being rather unfair on the effort James and the Wigwam mods and members have put into making this year's show such a success.

    If things were genuinely as bad as you say, I'd have seen evidence of this myself when I was at Scalford Hall in March. However, nothing could be further from the truth - the vibe was fantastic, and as friendly as a very friendly thing, so kudos where kudos is due!

    Personally, I think it's more to do with certain regulars using the forum as their own personal playground and therapy centre, rather than for its intended purpose, because they can get away with such bravado behind a keyboard, yet acting as normal human beings (their true selves) in 'real life'.

    If they could act the same way towards each other on the forum, as they do at Scalford Hall, then 90% of the challenges currently facing Wigwam would be wiped out in an instant.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #276
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

    Default

    I'm embarassed to be involved with this thread when that sort of evil crapola is spewed out by Mr Dunn. I really am.

    Yeah ... go on, remove this post if you want.
    .

  7. #277
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    What "evil crapola" are you referring to, Jerry? I have no intention of removing what you've just written.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #278
    montesquieu Guest

    Default

    Quote Originally Posted by Marco View Post
    What "evil crapola" are you referring to, Jerry? I have no intention of removing what you've just written.

    Marco.
    I'm out of this thread too. For the reasons I set out in my PM, which you have not had the courtesy to acknowledge.

  9. #279
    Join Date: May 2011

    Location: Epping

    Posts: 716
    I'm Richard.

    Default

    Quote Originally Posted by Marco View Post
    What "evil crapola" are you referring to, Jerry? I have no intention of removing what you've just written.

    Marco.
    Because I haven't reported it, do I have a right of reply and also ask the same question?

  10. #280
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Tom,

    I got your PM, thanks, which I fully intend to reply to, but haven't had the chance to do so yet, simply from having to moderate this thread!

    I'm scared that if I take my eye off it for a few minutes, while I answer your PM, all hell will have broken loose by the time I return...

    Rest assured that when things have calmed down, your PM will be addressed accordingly.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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