Yup, Chris, but I suspect that there's a bit of a language barrier thing going on. Thaiman, what's your first name, mate?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Onil, Spain
Posts: 21
I'm Jon.
It is James decision as forum owner if he wants to pull the plug. What may well upset some people is that he did it with very little warning. A few days would have ensured that people - like myself - who can't always check in through the day would have had enough warning to save important PM details - especially where equipment / software was in the process of changing hands.
LP12, Ittok, AT33PTG, Minos, Denon DCD1700 SACD, Node Streamer.
Well I think it's sad that the Wam has gone, but entirely understandable given how things have played out ... the Wam was always a multi-faceted place, with generally good manners (barring the tedious cable wars) on the main hifi forums, contrasted by often outrageous behavior on the non-hifi sections, which TBH I mainly steered clear of.
I heard it described once as a raucous pub with a hifi forum attached, that is certainly what it had become by the time I joined in 2008 or so. The 'anti' nature of the place never bothered me as it was more than made up for by the generosity of the positive contributors (who were often the same people, in fact, posting differently in different sub-forums).
I made some great friends there and attended my share of bakeoffs/Scalford events that manged to be both fun and highly educational at the same time.
If James and the mods are reading I'd very much like to than them for creating and sustaining that environment. Whatever feelings are going on for them right now, and whatever nonsense they've been subjected to, the vast majority of wammers I'm sure feel nothing but sympathy and gratitude.
I've been more than an occasional visitor here on AoS of late - the laid-back feel is quite to my taste in contrast to some other places - and it's nice to see some familiar usernames too - and it looks like my visits will be even more regular from now on.
Michell Orbe SE - SME V, Musical Fidelity KW phono, Audio Aero Capitole cd player, Mastersound Evolution 845, ART Emotion Signature
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Ok guys, having read through this thread, and the concurrent one on pfm, I have an inkling now as to the likely real situation that exists.
It appears that James has been under threat recently from litigation by certain parties, due to issues of potential libel, to the extent that Wigwam may have been closed down, and so that alone would've been causing some concern.
However, as if that wasn't enough, it was compounded by a contentious and (apparently) highly volatile thread about Google and the possible introduction of a swear filter, which aggravated certain people, and the whole thing got out of hand.
That's my (rather limited) précis of the situation, and I will make no further comment, as it's got nothing to do with AoS or me. But my gut feeling is that James will only have pulled the plug temporarily in order to get some breathing space and collate his thoughts about what to do in the long term, and so I fully believe that Wigwam will be back sooner rather than later.
He may also be using the opportunity to send a message to certain people to 'wake up and smell the coffee' and using the shock treatment of temporarily removing their 'playground', with the threat of it being permanent, in order to 'refocus' a few minds..... I remember that last year James did a similar thing when he mentioned that he was going to sell Wigwam, because it was all becoming too much, and look what happened then.
So no, I'm almost certain that Wigwam will be back, but there will likely be some significant changes, and James may indeed distance himself more from the day to day running of the forum, which in terms of the impact it was making on his personal life, may not be a bad thing. I wish him the best in whatever he decides.
The Scalford Hall show was mentioned, and I will state now that in the unlikely event of the plug being pulled on Wigwam permanently, and/or James not wanting to take on the responsibility of running the event in future, I would be happy to take it on, and run the show the way that Wammers (since it was mainly their event) wanted. It would certainly be organised sympathetically to the requirements of their members and not lose the fun factor and camaraderie which made it special.
Therefore, if or when James decides to pull out of the scene, then I will ensure that the Scalford show will NOT die - you have my promise on that. However, let's not jump the gun, and simply allow the dust to settle on recent events on Wigwam and see how things develop in due course, and ascertain the best way of moving things forward in everyone's interests.
Basically, AoS and me are here to help if necessary!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Devon
Posts: 1,903
I'm stu.