Lol - why is it a controversial subject or something, mate?
Marco.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,546
I'm AudioAl'sArbiterForPISHANTO.
Lol - why is it a controversial subject or something, mate?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Senior Member
Location: Kent
Posts: 1,357
I'm Clark.
It appears so MarcoOriginally Posted by Marco
Lol - why is it a controversial subject or something, mate?
Marco.
http://theartofsound.net/forum/showt...e+agent&page=4
It seems that there are some sceptics
I don't know if they are right or not but personally I have found that cleaning new records often does give an improvement.
Andy
AV Room Forum Leader
Location: Chorley, Lancs
Posts: 2,747
I'm Mike.
So it's that good is it Marco, or should i call you MR P from Wrexham
As the late Colonel Sanders once said
"I'm too drunk to taste this chicken!!"
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,546
I'm AudioAl'sArbiterForPISHANTO.
Lol! Well if it's not MRA, then it's something else, as IMO, there is definitely some sort of 'film' left on the surface of new records after the manufacturing process, which is detrimental to playback quality - and this is removed by thorough cleaning on an RCM.It appears so Marco
http://theartofsound.net/forum/showt...e+agent&page=4
It seems that there are some sceptics
I don't know if they are right or not but personally I have found that cleaning new records often does give an improvement.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,546
I'm AudioAl'sArbiterForPISHANTO.
Hehehe... Some claim to fame, eh?So it's that good is it Marco, or should i call you MR P from Wrexham
So are you treating yourself? Regardless of the hilarity, it's a bloody good record brush!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
AV Room Forum Leader
Location: Chorley, Lancs
Posts: 2,747
I'm Mike.
yes i think i might get oneare you on commission Mr P
As the late Colonel Sanders once said
"I'm too drunk to taste this chicken!!"
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,546
I'm AudioAl'sArbiterForPISHANTO.
I wish!!!
It's a good product though, and so it deserves recommendation
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Fount Master & Administrator
Location: Essex
Posts: 37,771
I'm openingabottleofwine.
It's probably a good idea to clean all new LPs using an RCM, if only to remove the excessive amount of mould-releasing agent used these days.
As to the regular use of a record cleaning brush, I swear by my Decca carbon-fibre record brush. It's still available on eBay and only costs < £10. I believe the latest versions have a dual row of Kevlar and carbon fibre bristles. I have one of these as a 'spare', but find the all carbon-fibre version works well for me.
One thing though - for maximum effect, one should touch the earthed metal deck with one's left hand whilst 'wiping' the disc with the record brush held in one's right (or vice versa, if left handed). Otherwise you will simply make matters worse by 'charging up' the vinyl record.
Regards
Last edited by Barry; 29-06-2011 at 23:30.
Barry
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,546
I'm AudioAl'sArbiterForPISHANTO.
Yay - another vote for the existence of MRA!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Banned
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
That reference that's linked to talks about spraying MRA onto the stampers before each disc is pressed, and the improbability of this but no thought has been given to the possibility that the vinyl mixture itself may contain the evil substance.
Call it what you want, but all I know is that some new records almost repel water just like they are coated with a waxy or oil based substance and the RCM stops this happening when the fluid has a reasonable amount of wetting agent added to it. And, most importantly, they sound better after the fact.
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