Hi Simon,
Welcome
Just a couple of formalities... Could you please add your first name and basic geographical location to you profile? Just something we do here, cheers!
Marco.
P.S I hear you were at Mr Toy's place for a sesh?![]()
Hi Simon,
Welcome
Just a couple of formalities... Could you please add your first name and basic geographical location to you profile? Just something we do here, cheers!
Marco.
P.S I hear you were at Mr Toy's place for a sesh?![]()
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Huddersfield
Posts: 3,358
I'm David.
Quite correct and I would categorically like to state that anyone who wants the best possible sound from their vinyl needs these:-
Moth RCM | Furutech Make Up Brush | VRP Record Sleeves
Only then will you be able to fully appreciate the time and effort I put in to keeping your vinyl tip top (other RCM's are available but the brush and sleeves are the best out there IMHO)
must admit the VRP sleeves are very very good, they will happily slide into an inner sleeve and up to now i've had zero static problems when using them, plus they have a thin stiffening sheet in them, so unlike the Nagaoka's they are a doddle to use
As the late Colonel Sanders once said
"I'm too drunk to taste this chicken!!"
Location: Huddersfield
Posts: 3,358
I'm David.
Ok, guys, having now compared the Blue Horizon brush to my generic 'Carbon Fibre Cleaner', I can confirm that it is a suitably different beast to warrant the extra expenditure.
First of all, the plastic holder itself it more solidly made and finished to a higher standard, so that it 'feels' nicer to use, and crucially, is also heavier than the cheaper generic item, which allows the carbon-fibre bristles to achieve greater penetration into record grooves in order to remove any muck within.
Most importantly of all, however, and as I suspected, the brush part itself is a totally different ball game. The bristles are finer (and appear to be made of a different material) and are more numerous, more tightly packed, and crucially also harder, so that much deeper cleaning of the grooves is possible.
One 'swish' of the Blue Horizon brush around the record, removes all dust and dirt present (although in my case, with having records already in pristine condition, it is merely specs of dust on the surface), so one can then simply blow the accumulated debris off to ensure that the record is ready for playing.
Furthermore, one other important difference is that when the Blue Horizon brush is used, it does not charge the record surface with static, as is the case with the cheaper generic item, which of course is a major bonus in itself. All in all, the advantages of the BH brush over its less expensive counterpart are in my opinion worthy of the extra expenditure: it is simply a much better product.
In conclusion, the Blue Horizon brush is overall very effective, and has now become a valued part of my record care regime. I therefore would have no hesitation in recommending this product to our members, so buy with confidence - it most definitely gets a firm thumbs-up from me!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Huddersfield
Posts: 3,358
I'm David.
What more could we ask for, every home should have one...
Here it is guys for anyone who wants one.
Received mine today and am in agreement with Marco on the quality of the Blue Horizon anti-static brush. Good value. Well pleased
John
Sent by me using an appendage
SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.
Luxman 509X amp.
PMC 25 23i speakers.
Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.
Cables by Kimber, Yannis and Audioquest.
Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.
Maybe I should take the plunge...
I quite fancy the brush thingy but £105 will break the bank i'm afraid.
In - Tweaked Lenco GL75, Linn Ittok, Ortofon Cadenza Black
Through - Croft Micro 25 RS LS, power R monoblocks, RIAA R. Ortofon ST-80 SE SUT.
Along - Tellurium Q Ultra Black cables
Out - Harbeth SHL5 Plus XD's
Street photography
Dave
Location: Kent
Posts: 1,357
I'm Clark.