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Thread: The Mike New Technics Bearing

  1. #221
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Stu, you need to read some of the archived threads here on the subject, otherwise it'll just be a case of repeating the same old, same old. Do some searching and then come back and we'll fill in any blanks

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #222
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    No probs.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  3. #223
    Join Date: Jan 2011

    Location: Eastern, US

    Posts: 2,027
    I'm afesteringvinylphile.

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    Quote Originally Posted by chelsea View Post
    Ok just intrigued why some spend 2 - 3 grand on a £500 deck.
    I think the better question would be, "Why would anyone spend several grand on anything?" The answer to that, is the answer to both.

    Quote Originally Posted by MartinT View Post
    Oh good grief...


    At last check, new, it is on average a $1 K to $1.2 K deck.
    Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
    But music (melodies, harmonies, rhythms), that's God stuff.
    Always was. Always will be.


    One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.

    (silent) VINYL LP SLIDESHOWS

  4. #224
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    Quote Originally Posted by MartinT View Post
    Oh good grief, because the base unit and motor are world class. Don't get fixated on prices. Have you ever heard one?
    ...and I've probably spent 4 grand on mine.
    No does that make me exempt from asking questions.
    I have heard a few decks since the early 80s though.

    If you heard of someone who bought an amp for £500 then spent thousands on tweeking it would you not be curious?
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  5. #225
    Mike_New Guest

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    Quote Originally Posted by chelsea View Post
    No probs.
    Hi Chelsie.
    If you are genuinely interested in obtaining a good SL1200 and intend fitting an external power supply, then look at what is on offer on Ebay from Japan, an Australian living there, offers some very good deals on 120V units.

  6. #226
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    Hi mike.
    Not interested in getting one just curious to why people spend so much on tweeking one when at 3-4 grand your into some serious stuff on the 2nd hand market,maybe £10,000 deck.

    Will have to get to listen to one at some point.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  7. #227
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

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    Quote Originally Posted by chelsea View Post
    Hi mike.
    Not interested in getting one just curious to why people spend so much on tweeking one when at 3-4 grand your into some serious stuff on the 2nd hand market,maybe £10,000 deck.

    Will have to get to listen to one at some point.
    Stuart,
    You've kind of answered your own question really! Some folks have sold what are normally considered to be properly heavy hitting turntables in order to follow this route, because it gives them the sound that they prefer from a machine with the reliability of a new unit.
    It may not be your particular flavour, and that's fine but I can promise you, that they're not doing it out of some perverse need to be different for the sake of it.

  8. #228
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Ok, to briefly answer Stu's earlier question, without regurgitating old info:

    How much does it cost in upgrades to beat an sp10?
    TBH, it was only after I'd fitted Mike's superb bearing and platter - or more precisely, the platter, after the bearing was already in situ, that I felt my SL-1210 was outperforming any SP10 I'd heard (and I've been fortunate to have heard some very good ones).

    Those items, coupled with the superb Paul Hynes SR5 PSU, are what truly elevate the SL-1200/1210 into the T/T 'super-league'. Without those items in place, but with some other mods fitted, it is simply a very good turntable, but not one which is pretty much as good as it gets.

    Therefore returning to your question: "How much does it cost in upgrades to beat an sp10?" (and let's emphasise that it must be a good SP10, not any old ropey and unloved ex-broadcast one), the answer is A LOT (at least the combined cost of the three items I mentioned above)

    The ultimate, of course, would be a fully modified SP10 (see DC or Richard, from Vantage audio), but then you are really talking megabucks (certainly if you gave DC the job)!!

    Does that help?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #229
    MartinT Guest

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    Quote Originally Posted by chelsea View Post
    No does that make me exempt from asking questions.
    I have heard a few decks since the early 80s though.

    If you heard of someone who bought an amp for £500 then spent thousands on tweeking it would you not be curious?
    Of course not - my apologies, you have every right to be curious. It doesn't start as a financial equation, just a list of items which together make a great deck. The foundation is that previously mentioned great motor and plinth. I really can't think of how I could have better spent my money for the sound I get.

  10. #230
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Me neither

    Martin mentions the superb Technics direct-drive motor unit; let's not forget that if a hi-end UK T/T manufacturer, say SME, were today to produce a motor unit of comparable quality (presuming that they'd have the engineering prowess and tooling to do so in the first place), then this alone, before turning it into a fully functional turntable, would cost many thousands of pounds!

    Now digest that fact carefully for a moment................

    The mistake people make, therefore, is in judging the SL-1200/1210 as a "£500 turntable". Quite simply, in real terms, it is not!

    It was only that because Matsushita Electric, a MASSIVE Japanese company with huge resources and man power, were able to mass-produce the Technics motor unit so efficiently to a flawless standard (in huge quantities over a period of 30-odd years), and therefore keep costs down, due to economies of scale.

    That, and the fact that after having produced the motor unit in huge quantities, since its birth in 1972, Matsushita Electric had long since recouped their initial costs, and so that would therefore allow National Panasonic (Technics) to sell the SL-1200/1210 at a ridiculously low price, considering the quality of its engineering.

    Modifications aside, if you examine a bog standard SL-1200 or 1210 next to £1000 'audiophile T/Ts' (and some even more expensive than that), many look like toys in comparison....!

    So, no, the 'Techy', in real terms, was NEVER a £500 T/T

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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