Hahahaha... Yes indeed, Mike - a wee slip of the finger there! Maybe it makes more sense like that, though?
Marco.
Hahahaha... Yes indeed, Mike - a wee slip of the finger there! Maybe it makes more sense like that, though?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Suffolk, UK
Posts: 1,468
I'm Paul.
I used to think that objective standards was the only way to go. After a while I realised that they don't always reflect what I do and don't like.
Personally, its up to me and me alone to decide what I like and don't like. All of the nice tests results don't mean much to me if I don't like the product.
The only things that are of interest in tests and reviews is that there are no serious flaws, poor manufacturing standards, designs that compromise safety and are dangerous etc etc. How it sounds is the personal bit, although it is interesting to read what others think and how it relates to your experience.
~Paul~
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Steve, do you not get to check what you've written before you hit the 'Submit Reply' button, even from a phone?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Location: Well below the Mason-Dixon line
Posts: 370
Goodness. I know we're not known for topic discipline around here, but I go away for a few days on a business trip and a discussion of blind faith vs. blind listening turns to religion, then...well, never mind. In the meantime, while on my little jaunt to the center of the US, I walked into a little hifi shop in Skokie, Illinois, of all places, and listened to a pair of these:
OMG (speaking of religion) as the children of the web say. I'll have to listen to earbuds for a month to drive them out of my mind and get back to the point where mere hifi sounds acceptable. I was Godsmacked, to continue the religious theme. They are the new flagship of the Vienna Acoustics line and the experience they create in a room is simply stunning. At $27,500 US for the pair, I suppose it should be. There are, of course, more expensive speakers. Can they really be better? I doubt it today. But then, the day before yesterday I would have doubted what these did. The heart of the system is, I suspect, the odd driver on top that looks somewhat like an opened star fruit. It is a single driver, in it's own cabinet (you can and should toe it in while leaving the rest of the array forward-facing), that has a range of 100 to 20,000 hz. So essentially, this speaker, appropriately named The Music, has all the midrange coherence and purity of a single full-range driver, with 3 10" woofers, seamlessly integrated, extending the bass and a super tweeter delivering super-aural information that, I assume, is responsible for their impossibly precise imaging.
Damn. I'm ruined.
Tim
Get saving mate, they're gorgeous lookers and I can almost imagine just how good they sound.I have to admit that they remind me of Focal's range of speakers.
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
You need to hear a decent pair of DIY full-rangers in say a TQWT enclosure.Total price would be about 300 dollars (depending on choice of driver) and I bet they'd have over 95% of the performance of those.Or perhaps an open-baffle like Nick's(Lurcher) with some nice Fostex full-rangers and Eminence 15 inch bass drivers.Total cost of drivers was 250 pounds,plus the cost of some birch ply to make the baffles.One of the best speakers commercial or otherwise that I've ever come across.
Location: Well below the Mason-Dixon line
Posts: 370
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps