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Interesting that you have (had?!) a CR Developments Romulus ~ had one myself for 6 months or so. Very pretty amp, but it seemed all mid range glory to me. I think the 6L6 is the culprit there.
I also had bad hum issues with mine ~ apparently a 'feature' of this amp. I let mine go far too cheaply, but c'est la vie!
Lindemann Network Bridge > McIntosh MHA150 > Shahinian Larc speakers
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Hi Simon
I still have the Romulus although it's "resting" at the moment.
Well, I disagree strongly that it's all about the midrange - yes, the mids are glorious but the treble is just as good, imo, and the bass is fine when driving a fairly easy load like my speakers have. It runs out of bass puff a bit when asked to go loud into my 83dB/W speakers ... but its only a 35-40wpc amp, so that's fair enough.
No hum issues with mine at all - very very quiet. Mine's got a ground switch at the back which sorts out any issues if and when the occur.
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Can't do much at the moment Jerry, but I promise to be in touch shortly, if that's ok. The AVI doesn't like what it's connected to when the MC input is used (I reckon there could be a computer/earth problem and a buzz-hum-bucker may be in order) and the Lentek head amp, although snarl free, just sounds weak and washed out unless the battery is absolutely brand new and even then.....
The vendor of these phono stages is in the same town as me, but I haven't been in touch as yet.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
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This arrived yesterday and is a rather pleasant surprise soundwise ...
A Nagaoka MP-30 moving magnet cartridge.
I believe these retailed at £400, a not inconsiderable sum for a mm cart. Although this used one cost me rather less.
I'd heard good things about Nagaoka carts for some time and read claims that the MP-30 competed with quite classy MC carts, so I wondered how one would compare with my high output DV10X5 MC.
At first setup it was a bit bland and a tad rolled-off, and somewhat blurred imaging. Hmmm ... this won't be staying long, thought I.
But I played around a bit with the setup and raised the arm by a few mm so the cart is a little bit 'tail up'. Ah, that's more to my taste - more hf and a more incisive and involving sound all round with nicely focussed imaging.
Very pleased with it so far.![]()
Last edited by jandl100; 16-06-2011 at 05:27.
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You still enjoying the 949 man phono stage then Jerry![]()
System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+
Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;
1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands
2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.
Me so horny- Impulse H6 Horny
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I find myself swapping between the Nagaoka and my Dyna DV10X5.
The DV sounds a little 'fragile' compared to the solidity of the MP-30. But the DV does have more subtlety to it.
... hmmm ... still, with detachable headshells it only takes a couple of minutes to swap between the two.
Whoops - a new arrival ... now how did this get here? ...
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Ha - you've just gotta lurve the totally OTT engineering on that Krell!
Hope that one ends up having an extended stay, chez-Jandl towers... It'll be interesting to know what you think of it
Btw, I agree with your comments on the Nagaoka. Musical solidity is one of the main things I seek in a cartridge. I really dislike the 'fragility' and overly 'delicate' traits, you're referring to, which I often find present in, for example, hi-end MC designs.
Logically enough, I guess, the cartridges I've heard that major on musical solidity are ones which use high VTFs and spherical styli, with nice fat footprints. You don't get much more 'solid' sounding cartridges than the DL-103 and SPU!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.