Quote Originally Posted by YNWaN View Post

I thought the platter on the Bardo was aluminium (with the option of the glass mat)?
Ah, it may well be. For some reason I'd assumed it was a black delrin or similar. However, given Herr Brinkmann's preferences elsewhere I suppose it would be odd if he was using a polymer platter on the Bardo.

Marco it would be interesting to hear what differences were audible between the two approaches. On the one hand extra mass and a bi-metallic construction. On the other, presumably a lighter platter, more under the control (perhaps) of the motor circuitry with the supposedly advantageous properties of a closer acoustic impedance match to that of the vinyl. I'm surprised the achromat isn't the mat of choice with the second option (if Arthur K has been involved) rather than the 'Herbie's' type. I suppose a like for like comparison might be difficult unless both platters can be used with the same bearing?


I don't think Lexan was particularly difficult to machine. I certainly don't recall any issues with having it done back in my Voyd days. It was just very expensive in sheet form!