Okies, if you want, I'll send you a nice Fidelity Research headshell to try, along with that PSU we discussed
Trust me, if you like the Jelco with its stock headshell, you'll soak yer nappy when you hear it with a decent one!![]()
Marco.
Okies, if you want, I'll send you a nice Fidelity Research headshell to try, along with that PSU we discussed
Trust me, if you like the Jelco with its stock headshell, you'll soak yer nappy when you hear it with a decent one!![]()
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Ok, PM me yer addy, again, and I'll organise it this week
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Will do..thank you
Regards D S D L
Ok, I gotta admit to somet here, I've never heard a Dynavector arm...
I've admired them from afar over the years, especially as they appear as if they might be a lost limb from a mini T800 Terminator (I'll be baack!!!!). There's a lot going on within the design of this arm and it appears to push aside all known conventions in tonearm design. I'm guessing it is not a massy arm, but it sure as hell looks as if it could support a Rolls Royce Ghost, and what's with all the knobbly knobs and sticky out bits???
So, in your own words, tell me what the DV is all about... On your marks... Get set... GO!!!!![]()
Think of it as two arms, one mounted on the end of the other. The massive gantry (and it sure as hell is a massy arm) deals only with horizontal motion, is magnetically damped and is counterbalanced with the big weight on the end. The small arm is very light, deals only with vertical motion, has its tracking weight set by a spring and is counterbalanced with the small weight on its end.
The result is a massy arm with huge damping to give the horizontal motion a feeling of being set in concrete - at least as far as the cartridge is concerned at groove velocities. The vertical motion is so sprightly, in comparison, that it tracks warped records with ease, in fact laughs them off. There is *nothing* in my collection that it cannot track.
That's all for now, but feel free to ask more questions.
Ok, I know its a shocking photo, but its all I have available at the moment:
I'll let you boys figure out what it is (fairly obvious really).
I have been meaning to post some pics of my whole system for a little while now. Must get on and do it.![]()
DIY is fine and dandy, but just try selling it on!
Nathan.
The control knob looks like Thorens. The arm looks like an Acos? The clamp is definitely a Michell![]()
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
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There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
I don't have a flying f... clue what it is, but I like the look of it![]()
Can I have one![]()
Some people have no idea what they're doing and a lot of them are really good at it.
George Carlin
Boycott the US