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Thread: The modified SL-1200: understanding the dynamics of 'synergy'....

  1. #21
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,689
    I'm Adam.

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    Quote Originally Posted by Marco View Post
    Good! I of course agree.

    So tell us now why you think an FX-R is sonically inferior to, say, an SME IV or V? And no, Adam, I'm not going to let you wriggle out of this one!

    Marco.
    To my ears, every arm I have ever heard is sonically inferior to an SME V, with the possible exception of the Audio Origami PU7.
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  2. #22
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

    Lightbulb Arm wrestling?

    I'm shuffling in here with my two cents' worth on the subject of compatible tone arms. For thirty odd years Panasonic has produced a turntable that has out sold all others, or so I have been told. Its engineering has been admired from the execution to price for the product so the engineers really knew what they were doing. So why oh why has the stock arm been given such dismissive print time, Dave Price of HFW for example? Surely the aforementioned engineers would have engineered an equally sound product for the 12** tone arm albeit under a price constraint. When I first got my 1210 I used the stock arm with a Goldring 1012GX cartridge and it sounded pretty okay by me and nudging me along the upgrade journey. I then substituted the Technics head shell for a Sumiko and that brought an improvement. This leads me to the subject of having the stock arm modded as well. The arm cable would need to go, and Johnny Nielsen (J7) of Audio Origami could then do an internal rewire plus any damping required. The counter weight could also come under close scrutiny and viola, we have an arm of worth until funds permit an upgrade. My upgrade was to have my Linn Ekos transformed by J7, the works in fact and having a close lineage to the Jelco works bundles for me. I also have a Jelco 750D put prefer my Origami Akos

    I'm not sure here, but I think Chris P down graded his bearing from an MN to a TS one when DC was putting the frighteners on about oil leaks, overheating etc. I questioned this at the time on the Timestep forum but my post was deleted without an explanation and on that day I left and found a home here at AoS. By all means censor if required but don't gag a valid question! From time to time I have had a look at the TS forum but have stopped doing so as I have become suspicious of any dealer/manufacturer lead forum which I now look upon as being a vehicle to push their products and stock to the fore.

    I have digressed here, sorry folkies, but lets have some re-thinking on the Tekko's own stock arm and where it can be taken to?

    And now I shall shuffle off and have my evening's tincture

    Ron

  3. #23
    Join Date: May 2010

    Location: Weymouth

    Posts: 3,461
    I'm John.

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    Quote Originally Posted by JazzBones View Post
    I'm not sure here, but I think Chris P down graded his bearing from an MN to a TS one when DC was putting the frighteners on about oil leaks, overheating etc. I questioned this at the time on the Timestep forum but my post was deleted without an explanation and on that day I left and found a home here at AoS. Ron
    I will say that the Mike New bearing is a major upgrade for the SL1200s. Better than the T/S IMO.
    Sent by me using an appendage



    SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.

    Luxman 509X amp.

    PMC 25 23i speakers.

    Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.

    Cables by Kimber, Yannis and Audioquest.

    Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.


  4. #24
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

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    Quote Originally Posted by prestonchipfryer View Post
    I will say that the Mike New bearing is a major upgrade for the SL1200s. Better than the T/S IMO.
    A hearty affirmative on that one John. I had my MN bearing on soak test non stop for a whole week plus the adjoining weekend to see If I could get it to over heat or leak oil, didn't even make a noise or take time out for a pee, the bearing not me

    Back to my drinkee poos old mate

    Ron

  5. #25
    MartinT Guest

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    Quote Originally Posted by chris@panteg View Post
    and hides the over the top bass inherent in the 1210
    Can't agree with you there, Chris. The 1210's bass is certainly tight but most definitely neutral in the frequency spectrum. I've listened to many CDs and LPs of the same music and the balance of both my CD player and 1210 are very close to each other.

  6. #26
    MartinT Guest

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    Quote Originally Posted by prestonchipfryer View Post
    I will say that the Mike New bearing is a major upgrade for the SL1200s
    Yes, agreed. Pretty much the biggest upgrade of them all and very much worth the outlay.

  7. #27
    MartinT Guest

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    Chris, having previously owned an SME IV (used with a Roksan Xerxes) my memory of that arm is vivid and I have to say that my recollection of it matches very closely with what Marco has been saying. It has stupendous bass, no doubt, but it is highly damped and does, to a degree, crush the life from music.

    The comparison with my Dynavector is stark; the DV soars and makes dynamic, exciting, music regardless of genre. This is perhaps why HFN marked the DV down against the SME, together with an inappropriate and mismatched review turntable. They simply preferred the dryness of the SME.

  8. #28
    Join Date: May 2010

    Location: Weymouth

    Posts: 3,461
    I'm John.

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    Quote Originally Posted by JazzBones View Post
    A hearty affirmative on that one John. I had my MN bearing on soak test non stop for a whole week plus the adjoining weekend to see If I could get it to over heat or leak oil, didn't even make a noise or take time out for a pee, the bearing not me

    Back to my drinkee poos old mate

    Ron
    Certainly no oil leak here either. As a matter of fact I did take it out to have a look, the bearing that is. That was when I tried the TS bearing. Not a candle, not a candle. Soon replaced the MN bearing.

    John
    Sent by me using an appendage



    SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.

    Luxman 509X amp.

    PMC 25 23i speakers.

    Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.

    Cables by Kimber, Yannis and Audioquest.

    Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.


  9. #29
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
    I'm AudioAl'sArbiterForPISHANTO.

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    This is perhaps why HFN marked the DV down against the SME, together with an inappropriate and mismatched review turntable. They simply preferred the dryness of the SME...
    ...and/or because, due to commercial pressures/bias, they found it 'easier' to criticise the DV (tiny company, less potential comeback) than showcase the faults of the SME

    Cynical, moi? Well, have you EVER read anything negative written about SME in the hi-fi press?

    Having heard both the SME V and DV on a few occasions, if faced to choose between them, it would take me less than a nanosecond to very quickly nab the Dynavector and run!!

    My apologies to all SME owners, but in my opinion, engineering quality aside (which is undoubtedly stupendous), based purely on sonic terms, they are the most overrated arms on the planet.

    Good, yes, outstanding, no. The highest SPPV, tonearm-wise, I'm afraid lies elsewhere, but the lure of 'the badge' remains!

    Ok, mes amis, tonight's repast awaits, after which I shall talk about how worthwhile it is modifying the stock Techy tonearm. As they say, been there, done that, bought the floral blouse!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #30
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    Its only an arm Marco off a record player, you do get carried away matey don't you..

    Who dragged the SME debate up again, we all know your love of SME's knows no bounds don't we so it's really old ground were are treading on, let's move on....

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