Why ' what's wrong with your HE psu ?
Why ' what's wrong with your HE psu ?
Chris
We've gone on holiday by mistake !
The HE should be pretty good, although of course I haven't done a direct comparison between the two....
Andrew, if you're curious, we could swap PSUs for a week - that way we'll both be able to assess which one we think is best, and if the SR5 isn't as good as the HE (which I doubt), you won't have wasted any money
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I'm genuinely surprised there's such a difference in these supplies, unless it's the noise behaviour getting back into the cartridge in some way, or possibly the very "fast" quartz servos or summat![]()
That PH supply has a hige transformer in it that I reckon would do a mid priced integrated amp good service![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Indeed - and that's precisely what's lacking in the HE
Experience tells me that hugely 'over-specced' T/T PSUs, using massive mains transformers (for the job), often sonically outperform other PSUs which don't use such large mains transformers - why, I'm not sure, as I believe technically it *shouldn't* make a difference once one achieves 'the ideal' in an electrical sense.
However, I'm sure that Paul could provide a credible technical argument for why having such a huge mains transformer inside a T/T PSU is sonically beneficial. Lower noise, perhaps? Paul, what's you're take on it?
The theory that suggests it shouldn't make any difference was blown out the water, however, around 2004 when I swapped the (then) Linn Lingo on my LP12 for a Norton Airpower, which used a massive mains transformer, similar to the one Paul has in the SR5, and the improvement the Airpower brought over the Lingo (and an Armageddon I tried at the same time) wasn't subtle!!
I don't believe that there was anything particularly 'fancy', component-wise, inside the Norton - its design principles were mainly based around its huge mains transformer.
It's yet another example where measurements alone (at lease those normally used in these applications) don't always tell the full story.....
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Marco, if you recall, I once walked into a spat with Dave Cawley over aspects of PSU design that I don't fully understand, but which Paul Hynes does! He does explain the principles on his website. Clearly a big toroid helps, but fundamental design helps even more!
My feeling about the Technics and why it responds so well to PSU magic, is that it probably presents a rather complex load, which translates into the need for a very fast and very wide bandwidth PSU. Clearly some PSU designs are better than others![]()
Last edited by Ammonite Audio; 22-12-2010 at 10:22. Reason: grammar
Maybe we're not looking finely enough at instant temporal responses to needed current (I can't explain it properly but hope you get the idea).
One thing Naim really did do was to re-introduce the over-supply idea, especially on their preamps. I know this is only a tiny part of the picture, but having a high capacity reservoir in both transformer and storage caps may count more than otherwise thought - I wish I'd been better at advanced maths, as I could have been an electronics engineer and able to work it all out. PLEASE Mr Hynes, help me out here.....![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
This might help explain things or might raise more questions
All an amplifier is basically boils down to it being a power supply that supplies AC voltage to a load. Now those that have experienced class A amplification tend to want to stick with it, this is because all the current that the load will ever require is already there at the output stage. It never needs to turn on any harder unless it goes into class B with some ridiculous load. This should make the amplifier pretty fast & low distortion...
What you have with the SR5 is basically a class A power supplyIt's shunt rather than series regulated & this means that all the power that the turntable doesn't use is being dissipated by the shunt transistor or mosfet (probably a lateral mosfet from what i have been reading). To increase the load currennt the shunt mosfet actually needs to turn off some rather than on. Again it can react very fast indeed just like a class A amp & it should have a much lower output impedance as a consequence
A series regulator is like a class B amp in that it needs to turn on harder to supply more current & this takes time so it's slower, though more efficient.
The reason the transformer is large is due to the class A type of operation where all the power would need to be dissipated by the PSU itself with no load connected. As well it being sensible to use a big transformer for best performance.
You want a car to go fast & accelerate like the clappers then fit a dirty great big V10 engine. If you are happy to chug along, accelerate slowly & slow down going up a hill (when the going gets tough) then fit a 1L four cylinder jobby
18:48 E2A:- Just been looking at the pictures of the interior of the SR5I might be mistaken but it looks like a series regulator to me, i can't see a dirty great big aluminium clad wirewound resistor that would be needed as a series component to dissipate power
Besides that there is no where near enough heatsinking for a shunt regulator
![]()
Last edited by Reid Malenfant; 22-12-2010 at 18:51.
Bests, Mark
"We must believe in free will. We have no choice"Isaac Bashevis Singer
Hi Marco
Back in the day when i had an LP12 ! i just got the Lingo , but then i noticed all these other psu's available ' i talked to my Linn dealer and this is what he said ' please ' please don't go near any of these dogdy ' possibly illegal aftermarket rubbish psu's they will ruin your LP12 , err yeah ok.
I think this kind thing still go's on but is one of the reason's i moved the LP12 on , but not the main reason of course .
Chris
We've gone on holiday by mistake !
Marco,
Now that seems like an offer too good to refuseLet's wait till after Xmas, I need to fine tune the Mike New bearing/stiffning plate/Cu composite platter and SME V before I let the Timestep go. I've only just got the whole thing set up and working so I want to listen to some vinyl before I embark on another batch of upgrades. How does back end of January sound??