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Thread: Mike New platter, Oyaide MJ-12 mat & STB-MS stabiliser arrive at Marco Towers...

  1. #231
    Join Date: Jan 2009

    Location: Sunshine Coast,Queensland,Australia.

    Posts: 87

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    Have you looked at mats like the Boston Audio Mat 2?
    Turntable: Yamaha GT 2000/Clearaudio Magix
    Cartridge: Soundsmith 'The Voice' Ebony
    Phono Stage: Moon LP 5.3
    Preamp: Transcendent Sound Grounded Grid
    Active Crossover: Accuphase F-25
    Treble Amps: 2 x Kenwood L-06M
    Bass Amps: Kenwood L-1000M
    Speakers: DIY Activated Altec Valencia 846As

  2. #232
    Mike_New Guest

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    Marco,
    I have not included a label recess into the Copper Composite Platter, for the simple reason that I do not consider that one should place records directly onto a hard surface, metal or otherwise. As I believe they require to be bedded down onto a soft plient surface for best sonic transfer. This implies a mat of some sort, many of which have allowance for the label or are soft enough to allow the label to depress the centre of the mat under the influence of the centre weight. Hopefully the thin OL mat when I eventually get mine to try!

    I obviously can most certainly provide for a label recess for any one requiring it, at no extra cost, as it is merely a simple additional machining opperation.

  3. #233
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

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    Have you looked at mats like the Boston Audio Mat 2?
    Nope - got any links?

    {Edit: just had look.... Interesting, although I think that the Mat 1 may be better suited to this particular application (being lighter and thinner): http://www.boston-audio.com/mat1.html }.

    I'll look into it - cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #234
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Mike,

    Marco,
    I have not included a label recess into the Copper Composite Platter, for the simple reason that I do not consider that one should place records directly onto a hard surface, metal or otherwise.
    In theory, I agree.

    However, that theory is blown out of the water when one listens to the Rubato copper mat on its own (which has a label recess), used on top of the stock Techie platter, which sounds superb (for reasons already explained in my final conclusions).

    That's what I was trying to create when I asked you to bond a copper mat/plate to the platter you were making for me, so that I wouldn't need to use any further T/T mats on top....

    Thing is, I didn't consider the aspect of having a label recess cut - my fault!

    It's not a problem, though, as I *suspect* that the addition of an appropriate soft mat, as you describe, will provide further sonic benefits over and above allowing for a label recess

    The thin rubber one I'm using at the moment is doing a good job, but I'm sure it could be bettered by something similar but of rather more novel design, such as I will be testing in due course.

    I obviously can most certainly provide for a label recess for any one requiring it, at no extra cost, as it is merely a simple additional machining opperation.
    It could be something to bear in mind in future. Let's see what results are obtained with the various 'top mats' that are going to be tested, and take it from there

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #235
    Join Date: Mar 2010

    Location: Oregon, USA

    Posts: 44
    I'm Trey.

    Default

    This is timely reading for me. I have ordered a copper mat from TTWeights in Canada (they make mats for the 1200 series and the SP-10s), and an Applied Fidelity bearing for my 1200, and am looking forward to doing some comparison listening. I currently have a Herbies Way Excellent mat on the platter, and will do some comparisons with and without the Herbies on the copper. The TTWeights is 1.86 kg, I believe, so a little over 4 lbs. The AF comes with an optional tall spindle to accommodate layered mats in this way.
    Trey.

  6. #236
    Mike_New Guest

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    Quote Originally Posted by Dalek Supreme D L View Post
    Guys

    Ummmmm any substance like vaseline etc will surely migrate across the surface of the platter (to the outside edges maybe ?) and into the electronics, through the holes ?
    Regards D S D L
    Dalek,
    I think you are somewhat incorrect in your assumption here.
    Vaseline or a good quality silicone grease is an excellent way to "connect the two surfaces". The grease forms an excellent vacuum seal between the two surfaces.
    The effective atmospheric pressure (at sea level) is equivalent to about 14.7lbs/sq-inch; thus the effective pressure holding the two surfaces together is about 1,665lbs weight!! Properly applied the grease will not tend to migrate anywhere. It also takes up any deviation in flatness between the two surfaces.

    I have use it with excellent results on my TT weights copper mat and alluminium Platter.
    The problem is that it is damn difficult to remove the mat after a few months because of the amount of suction, as the two surfaces progressively bed down!!!!

  7. #237
    Join Date: Feb 2008

    Location: Wirral, UK.

    Posts: 674
    I'm fightingmywayoutofawetecho.

    Default

    Hey guys,have you ever thought about putting a record on from time to time?...they do sound better than mats

    DJ e.
    My System:

    Linn Akurate DSM,Naim 32.5 pre amp Hicap,Naim Snaxo Hicap,3x Naim 250 power amps,Active Naim NBLs.
    Dave Hewitt MR PLANK 4 watt SE and Jm Lab Electra 905s.

  8. #238
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    +1


    If it's cheap enough, the Spacemat below is excellent and really does properly support the record.......

    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  9. #239
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hey guys,have you ever thought about putting a record on from time to time?...they do sound better than mats
    Yesh, put on shome Shister Shledge, and Dishco Dave will shwivel his hipsh in his Chrishtmas shlipper-ettes and do wee shimmy-shingo for all hish fans (mostly over 90)....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #240
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    You mean Disco HiFi dave I hope
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

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