Have you looked at mats like the Boston Audio Mat 2?
Location: Sunshine Coast,Queensland,Australia.
Posts: 87
Have you looked at mats like the Boston Audio Mat 2?
Turntable: Yamaha GT 2000/Clearaudio Magix
Cartridge: Soundsmith 'The Voice' Ebony
Phono Stage: Moon LP 5.3
Preamp: Transcendent Sound Grounded Grid
Active Crossover: Accuphase F-25
Treble Amps: 2 x Kenwood L-06M
Bass Amps: Kenwood L-1000M
Speakers: DIY Activated Altec Valencia 846As
Marco,
I have not included a label recess into the Copper Composite Platter, for the simple reason that I do not consider that one should place records directly onto a hard surface, metal or otherwise. As I believe they require to be bedded down onto a soft plient surface for best sonic transfer. This implies a mat of some sort, many of which have allowance for the label or are soft enough to allow the label to depress the centre of the mat under the influence of the centre weight. Hopefully the thin OL mat when I eventually get mine to try!
I obviously can most certainly provide for a label recess for any one requiring it, at no extra cost, as it is merely a simple additional machining opperation.
Nope - got any links?Have you looked at mats like the Boston Audio Mat 2?
{Edit: just had look.... Interesting, although I think that the Mat 1 may be better suited to this particular application (being lighter and thinner): http://www.boston-audio.com/mat1.html }.
I'll look into it - cheers!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Mike,
In theory, I agree.Marco,
I have not included a label recess into the Copper Composite Platter, for the simple reason that I do not consider that one should place records directly onto a hard surface, metal or otherwise.
However, that theory is blown out of the water when one listens to the Rubato copper mat on its own (which has a label recess), used on top of the stock Techie platter, which sounds superb (for reasons already explained in my final conclusions).
That's what I was trying to create when I asked you to bond a copper mat/plate to the platter you were making for me, so that I wouldn't need to use any further T/T mats on top....
Thing is, I didn't consider the aspect of having a label recess cut - my fault!
It's not a problem, though, as I *suspect* that the addition of an appropriate soft mat, as you describe, will provide further sonic benefits over and above allowing for a label recess
The thin rubber one I'm using at the moment is doing a good job, but I'm sure it could be bettered by something similar but of rather more novel design, such as I will be testing in due course.
It could be something to bear in mind in future. Let's see what results are obtained with the various 'top mats' that are going to be tested, and take it from thereI obviously can most certainly provide for a label recess for any one requiring it, at no extra cost, as it is merely a simple additional machining opperation.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Oregon, USA
Posts: 44
I'm Trey.
This is timely reading for me. I have ordered a copper mat from TTWeights in Canada (they make mats for the 1200 series and the SP-10s), and an Applied Fidelity bearing for my 1200, and am looking forward to doing some comparison listening. I currently have a Herbies Way Excellent mat on the platter, and will do some comparisons with and without the Herbies on the copper. The TTWeights is 1.86 kg, I believe, so a little over 4 lbs. The AF comes with an optional tall spindle to accommodate layered mats in this way.
Trey.
Dalek,
I think you are somewhat incorrect in your assumption here.
Vaseline or a good quality silicone grease is an excellent way to "connect the two surfaces". The grease forms an excellent vacuum seal between the two surfaces.
The effective atmospheric pressure (at sea level) is equivalent to about 14.7lbs/sq-inch; thus the effective pressure holding the two surfaces together is about 1,665lbs weight!! Properly applied the grease will not tend to migrate anywhere. It also takes up any deviation in flatness between the two surfaces.
I have use it with excellent results on my TT weights copper mat and alluminium Platter.
The problem is that it is damn difficult to remove the mat after a few months because of the amount of suction, as the two surfaces progressively bed down!!!!
Hey guys,have you ever thought about putting a record on from time to time?...they do sound better than mats
DJ e.
My System:
Linn Akurate DSM,Naim 32.5 pre amp Hicap,Naim Snaxo Hicap,3x Naim 250 power amps,Active Naim NBLs.
Dave Hewitt MR PLANK 4 watt SE and Jm Lab Electra 905s.
+1![]()
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If it's cheap enough, the Spacemat below is excellent and really does properly support the record.......
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I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Yesh, put on shome Shister Shledge, and Dishco Dave will shwivel his hipsh in his Chrishtmas shlipper-ettes and do wee shimmy-shingo for all hish fans (mostly over 90)....Hey guys,have you ever thought about putting a record on from time to time?...they do sound better than mats![]()
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Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
You mean Disco HiFi dave I hope![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?