Hi Martin,
Nope there are no other differences, so just order the standard one. It's a no-brainer, mate - honestly!
So the SR5's coming soon? Hehehe...be prepared to rediscover your record collection
Marco.
Hi Martin,
Nope there are no other differences, so just order the standard one. It's a no-brainer, mate - honestly!
So the SR5's coming soon? Hehehe...be prepared to rediscover your record collection
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I used to have the Archomat , not the one designed for the techy but the standard one.
I miss it because i experienced a lot less surface noise compared with the Herbie mat.
Funny you mention that, Colin - I've noticed this, too
You can always swap back sometime, though....
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
a
Last edited by prestonchipfryer; 05-11-2010 at 09:38.
Sent by me using an appendage
SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.
Luxman 509X amp.
PMC 25 23i speakers.
Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.
Cables by Kimber, Yannis and Audioquest.
Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.
I'm going to try onemade up my mind probably end of next week though
Still recovering (financially) from a recent holiday in North Wales , (Cottaging and sheep banging).
But its got to be worth trying , i like the theory behind the design ! metal platter's store energy and where does this energy go ? back into the bearing and record ? back into the arm and cart ? i don't know .
The Funk mat dissipate's energy as heat ,very quickly ' its the same principle as the Lexan platter.
Chris
We've gone on holiday by mistake !
Hi John,
Looks like Steve got his Achromat direct from Arthur, so that seems like the easiest way to goAre you buying these direst from Arthur? I would like to try one.
You can email him at info@thefunkfirm.co.uk
Chris, nice one mate - you won't regret it!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Ah yes, the good old Achromat. I've been a fan for years and I think Arthur has really got a winner on his hands there.
As mentioned, it does indeed transform the Techie and I also swap one on and off my 301 according to my mood and the music playing - it definitely opens up the midrange but on some recordings can make the midrange a little "shouty", so sometimes I just stick to the Garrard mat.
Best of all, I also have an early blue one from when it was available in a range of colours. Sounds great but looks even better on my blue LAD GAJ828 turntable with a blue Vestax headshell!
Engineers: fixing problems you didn't know you had in ways you don't understand.
That looks *very* cool, Adam... I'm sure Hamish here would approve!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: North Bucks, UK
Posts: 561
I'm Ron.
I bought a white one from Arthur at a hi fi show some years ago and used it on my Linn Lp12, liked it and it did look good. I also used it, from time to time, on the Tekko plus copper mat but at the mo I'm trying out the Herbie's which was flavour of the forums a twinkle or so ago. I have a 'library' of mats from felt, neoprene cork from Audio Innovation (good on Linn), SDS, John Rogers cork and fabric, and home made jobbies, enough already.... I never chuck anything out because it will find favour again sometime in the future, will it not?. The best upgrade, in my opiniated opinion
is a few downed coldies, or a bottle of good wine and after awhile even the sound of the door chimes or bell sounds bloody fantasico with hardly any interference from the mains.
Ron, aka Jazz![]()
Location: Yorks
Posts: 16,643
I'm Nobody.
Well i hope Arthur don't mind me saying but he sent me a pre production original Achromat to try a couple years ago, i was using it with Thorens 'TD150' at the time, i was very impressed, i still have it somewhere..Every oportunity i get the praise Art i will, cos he deserves it. I'm sure this mat will also be good.