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Thread: It's now time to ditch your Sound Hi-Fi/Herbie's mats...

  1. #61
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Martin,

    Nope there are no other differences, so just order the standard one. It's a no-brainer, mate - honestly!

    So the SR5's coming soon? Hehehe...be prepared to rediscover your record collection

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #62
    Join Date: Mar 2010

    Location: London

    Posts: 2,094
    I'm colin.

    Default

    I used to have the Archomat , not the one designed for the techy but the standard one.
    I miss it because i experienced a lot less surface noise compared with the Herbie mat.

  3. #63
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Funny you mention that, Colin - I've noticed this, too

    You can always swap back sometime, though....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #64
    Join Date: May 2010

    Location: Weymouth

    Posts: 3,461
    I'm John.

    Default

    a
    Last edited by prestonchipfryer; 05-11-2010 at 09:38.
    Sent by me using an appendage



    SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.

    Luxman 509X amp.

    PMC 25 23i speakers.

    Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.

    Cables by Kimber, Yannis and Audioquest.

    Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.


  5. #65
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

    Default

    I'm going to try one made up my mind probably end of next week though

    Still recovering (financially) from a recent holiday in North Wales , (Cottaging and sheep banging) .

    But its got to be worth trying , i like the theory behind the design ! metal platter's store energy and where does this energy go ? back into the bearing and record ? back into the arm and cart ? i don't know .

    The Funk mat dissipate's energy as heat ,very quickly ' its the same principle as the Lexan platter.
    Chris

    We've gone on holiday by mistake !

  6. #66
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi John,

    Are you buying these direst from Arthur? I would like to try one.
    Looks like Steve got his Achromat direct from Arthur, so that seems like the easiest way to go

    You can email him at info@thefunkfirm.co.uk

    Chris, nice one mate - you won't regret it!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #67
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,689
    I'm Adam.

    Default

    Ah yes, the good old Achromat. I've been a fan for years and I think Arthur has really got a winner on his hands there.

    As mentioned, it does indeed transform the Techie and I also swap one on and off my 301 according to my mood and the music playing - it definitely opens up the midrange but on some recordings can make the midrange a little "shouty", so sometimes I just stick to the Garrard mat.

    Best of all, I also have an early blue one from when it was available in a range of colours. Sounds great but looks even better on my blue LAD GAJ828 turntable with a blue Vestax headshell!
    Attached Images Attached Images
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  8. #68
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    That looks *very* cool, Adam... I'm sure Hamish here would approve!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #69
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

    Default Funk's acromat

    Quote Originally Posted by Beobloke View Post
    Ah yes, the good old Achromat. I've been a fan for years and I think Arthur has really got a winner on his hands there.

    As mentioned, it does indeed transform the Techie and I also swap one on and off my 301 according to my mood and the music playing - it definitely opens up the midrange but on some recordings can make the midrange a little "shouty", so sometimes I just stick to the Garrard mat.

    Best of all, I also have an early blue one from when it was available in a range of colours. Sounds great but looks even better on my blue LAD GAJ828 turntable with a blue Vestax headshell!
    I bought a white one from Arthur at a hi fi show some years ago and used it on my Linn Lp12, liked it and it did look good. I also used it, from time to time, on the Tekko plus copper mat but at the mo I'm trying out the Herbie's which was flavour of the forums a twinkle or so ago. I have a 'library' of mats from felt, neoprene cork from Audio Innovation (good on Linn), SDS, John Rogers cork and fabric, and home made jobbies, enough already.... I never chuck anything out because it will find favour again sometime in the future, will it not?. The best upgrade, in my opiniated opinion is a few downed coldies, or a bottle of good wine and after awhile even the sound of the door chimes or bell sounds bloody fantasico with hardly any interference from the mains.

    Ron, aka Jazz

  10. #70
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Well i hope Arthur don't mind me saying but he sent me a pre production original Achromat to try a couple years ago, i was using it with Thorens 'TD150' at the time, i was very impressed, i still have it somewhere..Every oportunity i get the praise Art i will, cos he deserves it. I'm sure this mat will also be good.

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