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Thread: SL-1200 Platters, bearings, mats and PSU's, cartridges, arms, and more...

  1. #31
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Alex,

    I'm staying out of this one, because I have no knowledge of either party's products. All I will say, though, is that as an impartial observer, the whole sorry state is very sad and I believe not good for the onward development of "race-tuned" products for the SL-12X0...
    Thanks for your thoughts. I know where you're coming from, and there is undoubtedly some truth in what you say.

    Since Dave C's return to AoS, which incidentally I saw as a good thing (and still do), after our disagreement over modified PSUs and platters for the Techie a few month's back, I was of course aware of the fallout between him and Mike, but had tried to remain neutral and deliberately stayed out of it in the public domain, as I believed that both of them had something to offer.

    However, when Dave (DSJR) copied and pasted here what Dave C had written on the Timestep forum, basically rubbishing very good products (the sonic benefits of which I know all too well), as I use some of them myself, in order to protect his commercial interests and 'score points' against Mike, I couldn't believe what I was reading, and something had to be done.

    You cannot make comments like Dave did and expect them not to be challenged, even from the relatively safe sanctuary of your own forum. The Internet is often a remarkably small place....! Dave has undoubtedly shot himself in the foot with some of his remarks - and with a blunderbuss rather than a shotgun.

    I think it's very important to have as much factually correct information as possible written in the public domain about any products, in order that interested parties can use that information to arrive at an informed conclusion of their own, not one fatally influenced by commercial bias - and on AoS we will always strive to achieve that.

    I sincerely hope that Dave and Mike can put their differences behind them and constructively move forward in their own separate ways, for the very reasons you mentioned.

    As far as AOS is concerned, we will always support any products, whether Technics T/T related or otherwise, that are considered as excellent in a given application, and to that end both Dave and Mike are welcome to contribute to our community and advertise their products where necessary.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #32
    Join Date: Oct 2008

    Location: Norway

    Posts: 16
    I'm Tom.

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    Quote Originally Posted by Clive View Post
    If the motor can take disco antics then the heavier platter won't be of any consequence.
    Keep in mind that DJ's use slipmats, so the platter can move freely while they manipulate the records. Most DJ's are very lighthanded.
    If you look at the strobe dots on the SL-1200Mk2 in a turntablism (scratching) video, you'll see that they hardly move at all.
    WTB Technics EPA-500 armwands.

  3. #33
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

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    I'm WrappingALilacCurtainAroundMyBobby.

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    I don't think you can say fairer than any of that Marco - I am an eternal optimist, but reconciliation seems unlikely (understatement of the day) so let's hope things move on more constructively, as you said.
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


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  4. #34
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Quote Originally Posted by Virak View Post
    Keep in mind that DJ's use slipmats, so the platter can move freely while they manipulate the records. Most DJ's are very lighthanded.
    If you look at the strobe dots on the SL-1200Mk2 in a turntablism (scratching) video, you'll see that they hardly move at all.
    I wasn't inferring they force the motor backwards! Any movement of the dots will require more force than is required to keep a heavy platter running at the correct speed.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  5. #35
    Join Date: Mar 2010

    Location: London

    Posts: 2,094
    I'm colin.

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    One thing that attracted me to the forum as a technics owner was the fact that there was fellow techy users pushing the deck to its potential and having alot of fun doing it. Although their was commercial interests involved the engineering ideas seemed sincere and there was no bullshit.
    Its sad that things are getting a bit confused and messy.
    I hope further experimentation and testing of the Technics will continue by other forum members , people like Marco and Martin whose opinion i trust.

  6. #36
    Join Date: Oct 2008

    Location: Norway

    Posts: 16
    I'm Tom.

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    Quote Originally Posted by Clive View Post
    I wasn't inferring they force the motor backwards! Any movement of the dots will require more force than is required to keep a heavy platter running at the correct speed.
    OK. Most audiophiles seem to have the misconception that DJ's force the platter itself, so I thought it would be appropriate to clarify a little.

    More OT, I've been following posts regarding SL-1200Mk2 modifications for a couple of years on various forums, and it's the stuff that this thread is about that made me buy KAB products for my Technics'. I'm not saying KAB's products necessarily are the ultimate, but trusting the manufacturer/vendor is important to me. Enough said.
    WTB Technics EPA-500 armwands.

  7. #37
    Mike_New Guest

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    Hi Alex
    Gee you are beautiful! I’m a red wino myself.

    What this has done is to create a tsunami of opinions on the subject, which in a way can only be good for the likes of Paul Haynes and myself!! who will continue to offer our upgrades as before. For my part I will continue to research and develop further upgrades in order to facilitate the further sonic quality of the SL1200 range.

    As a result of Clive’s observations concerning temperatures, I have just put my reference bearing into the freezer. I will report on the results later.
    As I stated earlier it was not in my design calculations for the bearing to be used in the outer reaches of Mongolia in mid winter.
    In fact no good quality audio equipment should be subjected to such sever temperature cycling, it does not do the components any good, especially valves!!

    Martin is absolutely correct in his observations. In fact when you think about it, the bearing has zero side forces in a properly balanced and level situation.
    The only force is downwards by virtue of gravity. The bearing housing and bush is there to stop the platter falling over.

    The weight of my alluminium platter I do not think affects in any way, the performance of the DD motor. And with the Paul Haynes PS it becomes even less relevant.

  8. #38
    Join Date: Dec 2008

    Location: So Cal

    Posts: 139
    I'm Pete.

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    One thought I had, is that even though the SL1200 chassis is carrying much more weight with the MN platter & bearing/plate, I do not believe it is 'overloaded' or that the drive system is overtaxed.
    On the contrary, I am hearing the best vinyl playback ever out of this deck, and I would bet that it rivals super high end decks.
    I also have the Hynes PR3HD power supply module in a DIY PSU I built (equivalent to the SR5)

    I think if there is anything to be gained, the very last smidgen of improvement might be realized with a whole new plinth, which is vastly stiffer than the SL1200 chassis. But this is only speculation on my part.

    Hey... someone ought to design one Please add provision for both 9" and 12" tonearms as well.
    Hearing is believing

    SL-1210 Mk5 w/Mike New Platter/bearing/armboard; Hynes SR5 DIY PSU;
    Zyx Airy3X; SME V; Hashimoto HM7 SUT; CJ PR15MkII Phono w/teflon caps.

    Modwright LS36.5 Dual Mono Preamp & KWA 150 amp > Paradigm Ref 100 v.4s

  9. #39
    Mike_New Guest

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    For all those that are still interested in my bearings seizing up.

    I placed my reference bearing in my freezer at a temp of -5degC for 1 hour.
    on taking it out, it was indeed stiffer to turn. It took about 2˝ hours to return to room temp. So you see my calculation was about correct, the bearing will work over the accepted SRT to about plus/minus 20degC although I do not believe anybody would want to play their SL1200 on a snowy winters day in the garden.
    The reverse will obviously hold. That the bearing will free up (not seize) when placed in a warmer environment.

    On another subject;
    For all of you who have purchased one of my bearings would you please email me your name and address. If not your address then the country you live in.
    The reason being, is that I would like to have a record of all my bearings sold, so that I can if needs be support all of you in the future.
    Thanks Mike

  10. #40
    MartinT Guest

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    Quote Originally Posted by colinB View Post
    I hope further experimentation and testing of the Technics will continue by other forum members , people like Marco and Martin whose opinion i trust.
    Thanks, Colin. I not only love the sound of my SL-1210 but am happy to help others achieve its potential, too. Also happy to have members around for a listen if you can get to Basingstoke.

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