Just get some DC2000's or 3000's while they're still cheap and SMILE![]()
Just get some DC2000's or 3000's while they're still cheap and SMILE![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Dave,how do they compare to 615's and 638's?
Different world Ali, different world...
To put into perspective, the "real" tannoy DC's are in another world of subtlety as well, but the 2000's and 3000's are currently rather affordable I think still and would almost certainly benefot from a crossover re-vamp. I don't know the T185 that Andr'e likes, but a PFMer bought some T165's (10" plastic cone but no ABR or second bass unit) and rated them very highly. There were some DMT10's going for little dosh on fleabay last night and although meant for small studios, they look really good to me and less intrusive than vinyl wrap "black ash."
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
There seems to be a glut of decent Tannoys on ebay at the moment.
Pair of J30s for £50 only 4 hours to go.
Little Gold Monitors
SRM-15X (311 litre cabinet, makes Marcos Lockwoods look small)
Location: Yorks
Posts: 16,643
I'm Nobody.
Tomorrow i will win the best ever CD player no matter of it's origins![]()
OK, is that a good different world or a bad different world? It's a serious question, as I'm considering a pair of all of the above,so obviously I'd like to get the best bang for my buck!
Ultimately I will be running the statics with direct coupled valve amps,so that is not really practical for an AV type system as the amps will consume a LOT of power, so will just be used for music. I currently have a pair of DIY MLTL's using Fostex Fe167e's with Fostex Fe17h supertweeters that I use for AV,but these are really too good for this purpose,being very good at playing music but a little refined for AV.
Now,I've read on a few forums that a lot of folks like using these types of Tannoys for AV,so what would you advise? DC 2/3000's,or would I be better with 638's or 615's?
Lol - it was Chris from Big Ears Audio from whom I bought my Lockwoods (and Tannoy Monitor Golds)!
Chris is a great guy to deal with, and let there be no mistake, what he sells is TOP NOTCH, especially with the drive units having been serviced by Lockwood, so those Slivers (which are VERY rare indeed) will be absolutely mint and probably one of the nicest examples you'll ever find, *but* I reckon he's around £1.5k heavy with the price....
Yes, realistically, they're probably worth about £5k. You're talking late 1940s/early 1950s when these drive units were produced. Only the Monitor Blacks are older and rarer still. As he's put them on a 'Buy it Now/Offer' on Ebay, I suspect if someone offered him £5-5.5k they'd land them.
Don't be surprised though if they sell to some wealthy Japanese audiophile (the intended target market, I suspect), for whom £6.5k is peanuts! All you need then are some cabinets
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
From Ebay seller:SRM-15X (311 litre cabinet, makes Marcos Lockwoods look small)
Try again, Andy... The Lockwoods are 113cm high, 72cm wide, and 45cm deep, weigh 65kg each and have an internal volume of 320 Litres. Close, though!Dimensions and weight are 103cm x 72cm x 42cm and approx 55 kg each.
However, I can relate to this in the description:
Oh yesh indeedy - especially when they're pumping out Rammstein or heavy dance music at (near) concert levels with ZERO strain whatsoever.... I'm sure I can feel the walls move in time to my chest cavity!Being rated at a very, very modest 120 watts the maximum peak SPL is stated at a mind boggling 121 dB !. In very gentlemen-like fashion the people at Tannoy warn you that "this kind of sound levels can cause permanent hearing damage". When listening, all the technical bla-bla translates into an effortless urge to reproduce about any kind of music at any sound level you wish. These speakers just never sound stressed.![]()
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Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.